The historical value and artistic achievements of the Romance of the Three Kingdoms?

The artistic achievements of the Romance of the Three Kingdoms are in the military-political depiction and character building.

The Romance of the Three Kingdoms is the best at describing wars and can write about the characteristics of each war. Attention should be paid to describing the application of different strategies and tactics under specific conditions and guiding the development of subjective initiative in operations, rather than spending the main pen and ink on a simple contest of strength and martial arts.

For example, the battle of Guandu, the battle of Chibi, the battle of Yiling, etc., the way of writing each war also changes with the characteristics of the war, and while writing about the war, other activities are also written, as the prelude to the war, the aftermath, or the auxiliary means of the war, so that the tense and intense, thrilling war is expressed with tension and relaxation, and the slowness is slow.

For example, before the Battle of Chibi, the cooperation between the Sun and Liu families, the contradictions between Zhuge Liang and Zhou Yu, Cao Cao's temptation, and the preparations of the Sun and Liu coalition forces to lure the enemy deeper, etc., in terms of character creation, special attention is paid to placing the characters in the sharp contradictions of the real struggle, and through their respective words and deeds or the surrounding environment, they express their thoughts and characters.

Artistic features of the Romance of the Three Kingdoms:

"Romance of the Three Kingdoms" adopts a simple and close language, which is bright and fluent, and is appreciated by both the elegant and the vulgar; The brushwork is full of variety, contrast, side-redundant, twists and turns, swaying and colorful. In addition, with a magnificent structure, the complicated and intricate events and numerous characters of the past hundred years or so are organized completely and rigorously, and the narrative is orderly, echoing back and forth, related to each other, closely linked, and advancing layer by layer.

Luo Guanzhong integrates the two different levels of culture from elegance and vulgarity, and twists them according to his own subject understanding, values, and artistic likes and dislikes, so that his works have very rich cultural connotations.

In "Romance of the Three Kingdoms", there is not only the reflection of the ideology of the upper ruling class, but also the precipitation of vast and deep folk thoughts. It is a visual history of the rise and fall of the Three Kingdoms, and it is also a political and military history in the eyes of the people.

"The Romance of the Three Kingdoms" is one of the four classical Chinese masterpieces, and is China's first long chapter Hui Historical Romance**, the full name is "The Popular Romance of the Three Kingdoms" (also known as "The Romance of the Three Kingdoms"), the author is the famous ** Luo Guanzhong in the late Yuan Dynasty and early Ming Dynasty.

The Romance of the Three Kingdoms describes the historical situation of nearly 105 years from the end of the Eastern Han Dynasty to the early years of the Western Jin Dynasty, mainly describing wars, telling the story of the political and military struggles between the three kingdoms of Wei, Shu and Wu in the late Eastern Han Dynasty. It reflects the transformation of various social struggles and contradictions in the Three Kingdoms era, summarizes the historical changes of this era, and shapes a group of heroes of the Three Kingdoms.

The book can be roughly divided into five parts: the Yellow Turban Rebellion, Dong Zhuo's Rebellion, the Heroes Competing for the Deer, the Three Kingdoms, and the Three Kingdoms Returning to Jin. On the vast background, scenes of majestic war were staged. The editor, Luo Guanzhong, integrated the 36 strategies of the art of war between the lines, with both the plot and the strategy of the art of war.

Let's talk about the writer first, the Romance of the Three Kingdoms has created some artistic images with distinctive personalities and far-reaching influences, these characters belonging to the ruling class, with distinct class imprints, do not promote the author's social and political ideas to the same extent. In addition to the characters of Cao Cao on the title, there are: Guo Jia, Xiahou family, Huang Gai, Lu Meng, Zhang Fei, Zhao Yun, Huang Zhong, Guan Yu, etc., among which the image of Zhuge Liang is the most prominent.

Zhuge Liang is praised as an outstanding politician and military strategist in his works, and the author pours out strong love and reverence for him, taking him as the embodiment of loyalty and wisdomMen with distinct personalities are walking towards us.

I think that unlike the other three masterpieces, which focus on details, the Romance of the Three Kingdoms focuses on summarizing and describing characters and events (such as heads-up. Luo Guanzhong generally writes about**and**war** rounds, not as detailed as the Water Margin) so that people don't feel bored when they read it. Although it is written in general, it does not lose the effect of expression, and creates characters with distinct personalities (all of which are seen from events).

The Romance of the Three Kingdoms is three points true and seven points false, both historical events and exaggerated artistic descriptions of the fighting spirit of various literary generals and military generals, which makes people see heroism and think of being a prince during the Three Kingdoms period.

1. Created an example of historical interpretation: the creative style that has influenced all the same kind of asana in future generations, which not only respects history, but is not limited by historical facts.

2. Excellent war description: more than 40 wars of all sizes, three major battles, and battles such as Puyang and Jieting, which can be called a model work of military literature.

Cao Cao. An artistic example of a political careerist and military strategist who is both treacherous and eloquent. ** fully demonstrates his intelligence and courage as a traitor.

1.Liu Bei. It is the central figure in **, and it is also the embodiment of "benevolence" in the spirit of Chinese culture. He has the character traits of being ambitious, respectful to others and the city, and the most important thing is the characteristics of generosity and benevolence.

2.Zhuge Liang, "Romance of the Three Kingdoms".

Zhuge Liang is portrayed as a perfect and enlightening image with lofty political ambitions and unswerving loyalty, supernatural talent and wisdom, and has both ability and political integrity, becoming a typical example of wisdom and loyalty, and entrusting the author's ideals and pursuits.

3.Guan yu. The core characteristic of Guan Yu's character is loyalty, known as "righteousness", and he is also a talented person with excellent martial arts and lofty moral cultivation. Guan Yu also has the weakness of being proud by nature and not listening to advice.

4.Zhang Fei. The outstanding characteristics of Zhang Fei's character are that he is upright and refined; There is also a rude, reckless side.

Zhang Fei dares to love and hate, and love and hate clearly. Courage is the most prominent aspect of Changfei's character, although he is a general, but he is rough and fine, and sometimes he has a certain strategy.

5.Zhao Yun. First of all, he is a general with excellent martial arts and brave fighting. He also has extremely high ethics and the virtue of putting the people of the world first, and he is also a general with independent thinking and opinions, intelligence and courage.

"Romance of the Three Kingdoms" is the first chapter in the history of Chinese literature, the pioneering work of historical romance, and the first literati novel.

The Romance of the Three Kingdoms describes the historical situation of nearly a hundred years from the end of the Eastern Han Dynasty to the early years of the Western Jin Dynasty, mainly describing the war, telling the story of the political and military struggle between the three kingdoms of Wei, Shu and Wu in the late Eastern Han Dynasty, and finally Sima Yan unified the Three Kingdoms and established the Jin Dynasty.

It reflects the transformation of various social struggles and contradictions in the Three Kingdoms era, summarizes the historical changes of this era, and shapes a group of heroes of the Three Kingdoms.