Writing Xiangling s poems reflects Cao Xueqin s poetry creation thoughts

Lin Daiyu accepted Xiangling as a student and proposed that poetry should be carried out from the following three aspects:

First, read more. Daiyu asked Xiangling to recite 100 poems of Wang Wei's five-character rhythm, 1,200 poems of Du Fu's seven-character rhythm, and 1,200 of Li Bai's seven-character quatrains. "Read a poem a hundred times, and its meaning will be seen by itself", this method of reciting is also very correct and necessary for us to learn to write poems.

As the number of recitations increases, your linguistic perception of poetry will become stronger and stronger, and the level of reading poetry will become higher and higher. This is like building a house, you must first lay a good foundation, and the stronger the foundation, the bigger the house can be. Reading is the foundation of learning poetry, which is the fundamental way to improve the ability to appreciate.

Secondly, Daiyu believes that if you want to learn poetry, you must learn first-class. Wang Wei's five-character poems are the best, except for Du Fu, no one can catch up with him; Seven words and rhythm poems, if Du Fu's poems are scored 100 points, I am afraid it is impossible to find another 80 points, and later a Li Shangyin is also okay; Seven quatrains, no one will be able to write Li Bai. These three people, Li Bai is a "poet immortal", Du Fu is a "poet saint", Wang Wei is called a "poet Buddha", and the poetry of the Tang Dynasty is the three of them with the highest achievement, and they have always been evaluated like this before.

Later, Bai Juyi took Wang Wei's place, because some of his poems reflected the life and thoughts of the working class, as well as his long stories, such as "Song of Long Hatred" and "Pipa Xing", which were good, but they had always been headed by Li Bai, Du Fu, and Wang Wei before. Lin Daiyu's view is also very correct. If you want to learn first-rate, you can become second-rate, if you don't learn first-class, you can become second-rate, if you learn second-rate at the beginning, you can only learn third- or fourth-rate.

When we read, we should also choose works with both literary quality and beauty, which is very beneficial for cultivating sentiment and cultivating pure literary taste.

Third, we must be bold in creation and dare to imagine. Xiangling learned poems, the first poem, the whole text said "the moon is very bright" such a meaning. So Daiyu said that beginners read few poems, and the wording is **, so you have to be bold to do it, and you have to have imagination.

It can be said that without imagination, there is no figurative thinking, and there is no poetry. The process of figurative thinking runs through rich artistic imagination from beginning to end, and bold imagination can make the very ordinary life scene glow with a peculiar beauty, beauty, and refreshing.

There are many lovers of Cao Xueqin and Dream of Red Mansions in Cao Xueqin's bar, and you are welcome to come to Cao Xueqin's bar as a guest and work together.

The beauty of vivid and expressive details.

Cao Xueqin's characters have different voices, smiles, and distinct personalities, thanks to his ability to use delicate and accurate language to shape characters. In this article, when describing the process of conception of Xiangling's second draft, it is written: "...Only under the tree by the pool, or sit on the rocks to get distracted, or squat on the ground to pick up the soil ,......frowned, and smiled again.

This text shows Xiangling's attentive expression when she conceived it just right. "Out of her mind" is because of "God and Things", which shows that she is already imagining at the moment. "Picking the soil" has the meaning of painstaking effort, and writes her repeated deliberation when making her intentions.

frowning" may be because of the bad wording; "Ode to the posture and smile", it is about a strange sentence, so I am satisfied. All these demeanor descriptions and detailed actions vividly portray Xiangling's persistent character of not being afraid of failure, not reaching the goal, and never giving up.

Xiangling learns poetry steps.

Xiangling learns poetry, which can be roughly divided into three steps. The first is to worship Daiyu as a teacher, and savor Wang Weishi under the guidance of Daiyu. The second is to try to compose poems while reading Du Fu's poems.

The third is that after two failures, it finally succeeded. The first poem written by Xiangling is relatively naïve, and the language is straightforward, piling up the rhetoric used by the predecessors Yongyue and putting it together into a piece.

Daiyu teaches poetry: Although Daiyu is withdrawn by nature and likes to scatter and not like to gather, she also has a warm and generous side. She guided Xiangling tirelessly, followed by good persuasion, and was concise and to the point, so Xiangling could quickly understand the path and achieve success. Daiyu's performance is a reflection of another side of her personality.

From a certain point of view, Daiyu is actually easier to get along with than Baochai, and she is more sympathetic to the weak.

From Zhen Yinglian to Xiangling, and from Xiangling to Qiuling, in general, she has no happy memories, and some are just numb processes, so that "I don't remember the past". This should also be the spiritual suffering of feudal women.