What is the poem Wenxin Carving Dragon ?

Wenxin Carving the Dragon is a literary theory work written by Liu Xian, a literary theorist of the Southern Chinese Dynasty, written in 501 502 AD (the second year of the reign of Emperor Xingyuan of Qi and Emperor of the Southern Dynasty). It is the first literary theory monograph in the history of Chinese literary theory and criticism that has a rigorous system and is "big and thoughtful" (Zhang Xuecheng's "Literature and History: Poetry and Discourse"). The book consists of 10 volumes and 50 articles (originally divided into the upper and lower parts, 25 articles each), based on Confucius's aesthetic thought and Taoism, comprehensively summarizes the aesthetic achievements before the Qiliang era, and meticulously explores and discusses the aesthetic nature of language and literature and the aesthetic laws of its creation and appreciation.

I don't know why you think it's a poem?

There are a total of 50 articles in Wenxin Carving Dragon, including four main parts: general introduction, stylistic theory, creation theory, and critical commentary. 5 general essays, on the "pivot of the text", which is the basis of the theory of the whole book; There are 20 stylistic theories, each of which is divided into one or two or three genres, and the main genres are made to "the original to the end of the table, the interpretation of the name to the meaning of the chapter, the selection of the text to the final, and the perfunctory to the system"; 19 articles on creation, which discuss the creative process, the writer's personality style, the relationship between literary quality, writing skills, and the rhythm of words. 5 reviews were criticized, criticizing the literary style and writers' achievements of the past era from different angles, and making special comments on the methods of criticism; The last "Preface" explains the purpose of his creation and the intention of the whole book. Although the work is divided into four areas, its theoretical views are consistent from beginning to end, and each part corresponds to each other.

As the author said in the "Supplementary Chapter": "Although the principles are complicated, there is no inversion; Although there are many words, there is no chaos of silk. "His size and thoughtfulness are unprecedented in ancient literary criticism.

The pinyin of "Wenxin Carving Dragon Liu Xian" is [wén xīn diāo lóng liú xié].

Wenxin Carving the Dragon is a literary theory monograph with a theoretical system, rigorous structure, and detailed exposition written by Liu Xian, a literary theorist of the Southern Chinese Dynasty. It was written in 501 502 A.D. (the second year of the reign of Emperor Qi and Emperor Zhongxing of the Southern Dynasty).

It is the first monograph on literary theory in the history of Chinese literary theory and criticism that has a rigorous system and is "big and thoughtful" (Zhang Xuecheng's "Literature and History: Poetry and Discourse"). The name of Liu Xian's "Wenxin Carving Dragon" comes from the book "Qin" by the old Taoist Huang Huanyuan. Its interpretation of the "Preface" cloud:

The words of the husband and the heart of the text are also the intentions of the text, the former Juanzi (Huanyuan) "Qin Heart", Wang Sun Qiaoxin, the heart is beautiful, so it is used. ”

The book consists of 10 volumes, 50 articles (originally divided into upper and lower parts, 25 articles each), based on Confucius's aesthetic thoughts, and adopts Taoism, believing that the Tao is the source of literary vainness, the sage is the model of literati learning, and the "scriptures" are the model of articles. The formation of a writer's creative personality is boiled down to four aspects: "talent", "qi", "learning" and "learning".

"Wenxin Carving Dragon" works influence:

Wenxin Carving Dragon is a masterpiece of article writing theory that is "big and thoughtful" and "deep in literature and science". The book is divided into 50 chapters, rich in content and excellent in insight, all of which are "words are the intention of writing", and comprehensively and systematically discuss various problems in writing. It is especially rare to have a lot of comments on applied writing.

According to rough statistics, there are 59 genres discussed in the book, of which 44 genres belong to the category of applied literature, accounting for three-quarters of the total number of genres. ("Applied Writing Knowledgeable Pants" magazine, No. 4, 1996, "Wenxin Carving Dragon: Applied Writing Theory"). Fan Wenlan said it well:

Systematically and comprehensively and in-depth discussion, "Wenxin Carving Dragon" is really the only major work. "

Wenxin Carving the Dragon" is an ancient literary theoretical work. Written by Liu Xian. The book was written in the second year of the reign of Emperor Xingyuan (501 502) of the Southern Dynasty Qi and Emperor Zhongxing.

It is the first literary theory monograph in the history of Chinese literary theory and criticism that has a rigorous system of "big body and thoughtful Zhou" ("Literature and History Tongyi Poems"). During the Wei and Jin dynasties, there was a great development in Chinese literary theory. By the time of the Northern and Southern Dynasties, a prosperous situation was gradually formed.

The rich experience accumulated in literary creation and literary theory criticism in its historical development has not only prepared the conditions for the emergence of Wenxin Carving Dragon, but also has been reflected in Wenxin Carving Dragon.