In Mo Yan s front teeth, there is an emotional tendency of the author

[Emotional evaluation].

Literature belongs to an aesthetic activity, and aesthetics belongs to the emotional evaluation of the subject world, and literary creation is a way to realize its value function by reflecting life with art and judging life with emotion. It can be seen that emotional evaluation is the essential attribute of literature and the inevitable requirement of literary creation, and as a certain value orientation, it implicitly contains people's social needs and attitudes such as politics, economy, culture, ethics, religion and aesthetics, as well as the psychological experience and judgment of social life formed by many factors. o Literary creation formally uses such attributes to show people the truth and meaning, and plays its role as an aesthetic ideology in the way that aesthetic emotions appeal to people's hearts and stimulate people's emotions.

o "Poetic referee" is a concept used by Engels to evaluate Balzac: Engels said that he "received great satisfaction from this remarkable old man" because in his work there was not only "the history of France from 1815 to 1848", but also his "poetic judgment" of this history. "Poetic judgment" is the unity of goodness and beauty, which is not only a stipulation of the value and character content of emotional evaluation, but also explains the way in which emotional evaluation is realized.

o Emotional evaluation as a "poetic referee" has its own connotation. Lu Xun talked about "truth, goodness and beauty" as the aesthetic criterion of literary criticism. The word "good" has been replaced by the word "forward", which means that it is conducive to the progress or progress of society.

o This concretizes the connotation of "goodness", which means that emotional evaluation as the value pursuit of "goodness" has a noble character and utilitarian orientation.

The above information is provided by [Literary Seeker].

[Emotional evaluation].Literary significance?

It may be that what is the literary significance of evaluating emotions?

It's just that there are some special feelings, and its literary meaning.

Then it may be some emotions in the prose, there is love, friendship, family affection. Feelings for things, for life, for human beings!

The meaning of literature, then, lies in what kind of emotion these express.

It's about those things (......There is a kind of literature in it.

What kind of feelings does the author want to express?

Literature is the art of language, which is a social ideology that uses language as a material to construct an artistic image, and uses an image permeated with emotion to reflect social life and people's thoughts and feelings, and has aesthetic characteristics.

To put it simply, literature is a social ideology.

Literature has the indirectness, imagery, generalization, and ambiguity of images. Therefore, it is easier to express the vast social life and the rich inner world.

How can you write without emotion, you say.

Emotions are the essence of literature, and literature is the way to express emotions. Just as poetry is the expression of true feelings by ancient poets and singers.

At the same time, it also shows the most direct and simple connection between poetry and emotion, literature and emotion. "Miao Chengxun" said: The literati, so the object is also, the love is in the middle and the desire to be sent outside.

If you use the text to extinguish the feelings, you will lose your feelings; If you kill the text with affection, you will lose the text. The text is reasonable, and the phoenix is extremely strong. It emphasizes the role of feelings in literature.

It can move people and achieve emotional resonance between the author and the reader.

It can make the character image plump, and make the character typical and linked.

It can drive the development of the plot and make the story logical.

It can make a better representation of the central topic and sublimate the article.

But emotions are one-sided, and it is easy to disorient people. Too touching often leads the reader to ignore what the author really wants to show in the article, such as a metaphor for society, a mockery of something and other subtle and profound meanings.

So emotions should be in place, but not overflowing. It is best to make the reader feel the situation and feelings of the protagonist, but not indulgent, so that they can deeply feel the author's intention to write the article. I think Lu Xun is a great writer in this regard.

The last point is the perception.

Make the article fuller, the content more vivid, and deepen the topic.