Zhao Mengfu s ancient Chinese translation, Zhao Mengfu has been translated into Yangzhou Chinese

赵孟頫 reads zhào mèng fǔ.

Zhao Mengfu fǔ (October 20, 1254, July 30, 1322), the character Ziang, Han nationality, known as Songxue Daoren, also known as Crystal Palace Daoren (a said Shuijing Palace Daoren), Oubo, middle-aged once signed Meng Qian.

A native of Wuxing (now Huzhou City, Zhejiang Province), he was originally from Lanxi, Wuzhou. From the late Southern Song Dynasty to the early Yuan Dynasty, he was a calligrapher, painter, poet, and the eleventh grandson of Zhao Kuangsui of Song Taizu and the descendant of Zhao Defang, King of Qin.

Zhao Mengfu mainly influenced

Zhao Mengfu is erudite and versatile, and literature and art have created a generation. He is also good at all kinds of paintings, including Dong Yuan and Li Cheng; characters, guess and change the pommel horse master Li Gonglin and Tang people; Gongmo bamboo, flowers and birds, all with the pen and ink mellow and beautiful, with the flying white method to draw stones, with calligraphy with the pen to write bamboo.

He advocated the change of the physical style of the Southern Song Dynasty, claiming that "painting is expensive in the ancient meaning, if there is no ancient meaning, even if it is fine, it is useless", chasing the Five Dynasties and the Northern Song Dynasty, the people of the time praised him for having the "Zhi" of the Tang Dynasty and the "Xiong" of the Northern Song Dynasty, and removed the "fiber" and "犷" in the two, creating a new style of painting in the Yuan Dynasty. Wang Shizhen, a Ming scholar, once said: "The literati painting started from the eastern slope and opened the door to the pine snow."

The above content reference: Encyclopedia - Zhao Mengfu.

"Zhao Mengfu Passes Yangzhou" tells the anecdotal allusions of Zhao Mengfu during the Yuan Dynasty. The author is anonymous.

When the Yuan Dynasty was prosperous, there was a man surnamed Zhao in Yangzhou, who was wealthy and liked to (entertain) guests. There is Mingyue Lou in his home, and people write Spring Festival couplets (for the building), and most of them do not have people who are suitable for the owner's intentions. One day, Zhao Ziang passed by Yangzhou, and the master knew about it, welcomed him to the Mingyue Tower, and entertained him with a sumptuous banquet.

Halfway through the wine, (the host) took out a pen and paper and asked Zhao Ziang to write Spring Festival couplets. Zhao Ziang picked up the pen and wrote: "Spring Breeze Langyuan 3,000 guests, the first floor of Yangzhou in the bright moon." The owner was very happy to get the Spring Festival couplets, and removed all the drinking utensils and gave them to Zhao Ziang.

In the heyday of the Yuan, there were Zhao people in Yangzhou, who were rich and hospitable. There is a bright moon building in his home, and people make spring questions, and many people do not care. One day, Zhao Zi was overwhelmed, the master knew it, and greeted the upstairs, feasting and summoning money, all of which were silverware.

Wine and a half, out of the pen and paper for the spring hail town. Ziang Yuan pen book cloud: "Spring Breeze Langyuan 3,000 guests, the first floor of Yangzhou in the bright moon."

The master was very happy when he got it, and he removed the wine vessel to give it to his son.

As follows: Zhao Mengfu's stroke order:

Zhao Mengfu (October 22, 1254, July 29, 1322), the word Ziang, Han nationality, Songxue Daoren, also known as the Crystal Palace Daoren (a Shuijing Palace Daoren), Oubo, middle-aged once signed Meng Zhuan. A native of Wuxing (now Huzhou City, Zhejiang Province), he was originally from Lanxi, Wuzhou. From the late Southern Song Dynasty to the early Yuan Dynasty, he was a calligrapher, painter, and writer, and the eleventh grandson of Zhao Kuangyin, Taizu of the Song Dynasty.

Zhao Mengfu was intelligent since childhood, and in the late Southern Song Dynasty, he served as a member of the Zhenzhou Siqi file to join the army. After the death of the Song Dynasty, he lived in seclusion and repeatedly refuted his life, until he was recommended by Cheng Jufu, the imperial servant of Xingtai, and then rushed to Dadu to meet Yuan Shizu, and was awarded the rank of Langzhong of the military department. Since then, he has successively served as a bachelor of Jixianzhi, the general manager of Jinan Road, a Confucian scholar in Jiangsu and Zhejiang, a bachelor of Hanlin and other places, and a bachelor of Hanlin and a doctor of Ronglu.

From the ancestors to the four dynasties of Wuzong, Renzong, and Yingzong, they were all respected. In his later years, he gradually retired, and in the sixth year of Yanyou (1319), he begged for illness. In the second year of Zhizhi (1322), Zhao Mengfu died at the age of sixty-nine.

He was given the title of "Wenmin" and was called "Zhao Wenmin" by later generations.

Zhao Mengfu is erudite and talented, with ancient Chinese poetry, tonal rhythm, and fine appreciation. In calligraphy, he is good at calligraphy, line calligraphy and small letters, and his calligraphy is round and beautiful, and is known as "Zhao Ti". and Xian Yushu are called "Xian Zhao Sha", and Ouyang Xun, Yan Zhenqing, and Liu Gongquan are called "the four masters of regular script"; His paintings draw a wide range of materials, comprehensive techniques, landscapes, flowers and birds, and advocate learning from the ancients, emphasizing the "same origin of calligraphy and painting", advocating the reform of the long-standing Southern Song Dynasty painting academy system style, creating a new style of painting in the Yuan Dynasty, for the Yuan Dynasty painting world leader, has the reputation of "Yuan people crown".

His ideas of painting, calligraphy and pictorial studies have had a profound impact on future generations. In addition, his poetry style is gentle and graceful, and he is also involved in seals, and is known for his "round Zhu Wen". There are works such as "Songxuezhai Anthology" handed down.