This paper briefly describes the process and stage characteristics of contemporary Chinese designers

Updated on Financial 2024-03-12
6 answers
  1. Anonymous users2024-02-06

    Modern design, modernist design, is often referred to as "functionalist design", also known as "technical beauty", or "machine art".Modernist architecture refers to an architectural idea that dominated the Western architectural world in the mid-20th century. Representatives of this type of architecture advocate the call for a paddle cover

    Architects should get rid of the shackles of traditional architectural forms and boldly create new buildings that adapt to the conditions and requirements of industrialized society. Therefore, it has a distinct rationalist and radical color, and is also known as modernist architecture.

    Modernist architectural ideas were first implemented in practical building types such as factory buildings, primary and secondary school buildings, hospital buildings, library buildings, and a large number of residential buildings. In the 50s, it was also realized in monumental and national buildings, such as the United Nations Headquarters Building and the Brazilian Congress Building. By the middle of the twentieth century, modernism dominated the world's architectural trends.

  2. Anonymous users2024-02-05

    In the practice of contemporary Chinese design, how do designers grasp the principles of postmodernist design?

    Dear, hello, I am happy to solve the problem for you, 1. Humanization and liberalization postmodernism as a countermeasure within modernism is a rebellion against the pure rationality and functionalism of modernism, especially the formalism of the international style, postmodernism style still adheres to the principle of people-oriented design in design, emphasizes the dominance of people in technology, highlights the application of ergonomics in design, and pays attention to the humanization and liberalization of design. 2. Reflecting the personality and cultural connotation of postmodernism as a design trend, opposing the pale mediocrity and uniformity of modernism, and taking romanticism and individualism as the philosophical basis, advocating a comfortable, natural and elegant life interest, emphasizing the leading role of human experience in design, and highlighting the cultural connotation of design. 3. The continuity of the historical context of filial pietyPostmodernism advocates the inheritance of historical and cultural traditions, emphasizing the historical context of design, under the influence of nostalgia at the end of the century, postmodernism pursues the integration of traditional elegance and modern novelty, and creates a popular design that integrates tradition and modernity, classical and fashion.

    4. Contradiction, Complexity and PluralismPostmodernism washes away the simplicity and singularity of modernism with complexity and contradiction. Adopting non-traditional design methods such as mixing and superimposing, replacing the straightforward clarity with ambiguous tension, and replacing the clear unity with the chaos of one or the other, in terms of artistic style, advocates the unity of diversity.

  3. Anonymous users2024-02-04

    Summary. 1. Stone Age design.

    It is believed that human history began before 1.8 million BC. The long period between 1.8 million and 10,000 years ago is known as the Paleolithic Age.

    The Paleolithic period can be divided into three periods: early, middle and late. The early creation activities of human beings and the germination of art and design have also gone through these three stages.

    180 to 200,000 years ago, the early Paleolithic period. The production of human stone tools has initially had the germ of symmetry, balance, fullness and other forms of beauty.

    Between 20 and 50,000 years ago, it was the middle Paleolithic period. The formal beauty and decorative intent contained in stone tools are also more pronounced.

    Between 5 and 150,000 years ago, it was the late Paleolithic period. On small bone utensils, they are carved with very handwritten and graceful animal-shaped decorations.

    He is a representative of Chinese prehistoric design art, representing design ideas and their influence.

    Okay. 1. Stone Age design generally believes that human history began before 1.8 million BC. The long period between 1.8 million and 10,000 years ago is known as the Paleolithic Age.

    The Paleolithic period can be divided into three periods: early, middle and late. The early creation activities of human beings and the germination of art and design have also gone through these three stages. 180 to 200,000 years ago, the early Paleolithic period.

    The production of human stone tools has initially had the germ of symmetry, balance, fullness and other forms of beauty. Between 20 and 50,000 years ago, it was the middle Paleolithic period. The formal beauty and decorative intent contained in stone tools are also more pronounced.

    Between 5 and 150,000 years ago, it was the late Paleolithic period. On small bone utensils, they are carved with very handwritten and graceful animal-shaped decorations.

  4. Anonymous users2024-02-03

    Kiss! Hello, happy to answer your <>

    Such as: taste, senses, touch, space furnishings, decoration style, for example: the same Chinese decoration, such as now, the young people of the 90s are modernist style, the design may be more modern literature and art, not so antique, the ceiling will be more scientific, the furnishings are more novel, less carved attainments, which will make people guess the style, but many will think that it is a simple Chinese style, if it is the design style of the predecessors in the 60s, It will popularize the pure Chinese style as the theme, but it does not mean that they are backward, and they will have more thought on the carvings and decorations, such as ancient paintings, etc., which undoubtedly represent the charm of ancient Chinese style, but the ceiling will be relatively decorated with pear blossom wood and other low-grade wood to decorate the corners, which seems to be more stylish, screens, etc.

    This is a different kind of edification and civilization, and in such a contrast, you will feel that each has its own senses and beauty. That's probably it.,I'm not very good at explaining.,But I hope it can bring you ideas! Hope mine can help you <>

    Do you have any other questions?

  5. Anonymous users2024-02-02

    Peter Behrens, one of the important founders of German modernist design, a famous architect, a pioneer in industrial product design, and the chief architect of the "German Industrial League". Peter Behrens was the most famous designer of the German Industrial Confederation and was hailed as "the first designer of modern art" by Shou Sleepy Rock. Born in Hamburg, he studied painting at the Academy of Fine Arts, and after 1891 worked in Munich as a book illustrator and woodblock print, before switching to architecture.

    In 1893 he became a member of the Munich "Young Style" organization, during which time he was influenced by the radical art of the time. In 1900 he was summoned by the Grand Duke of Hesse to the new art village of Mstadt, where he turned from art to architecture. In 1903 he was appointed director of the Diesel Art School, where he reformed design education.

  6. Anonymous users2024-02-01

    Robert Vendoory is known as the founder of postmodernist design theory. Robert Venturi, one of the founders of postmodernism, was born in Pennsylvania, USA, in 1925. From 1943 to 1950, he studied at Princeton University's School of Architecture.

    After graduating, he worked with two great architects, Eero Saarinen and Louis Kang. From their colorful architectural forms, Venturi sees architecture. Architect Archives Born on June 25, 1925 in Philadelphia, USA, Robert Venturi is undoubtedly one of the founders of postmodernist architecture and an international architect with considerable influence to date.

    His postmodernist theories and practices gave rise to the postmodernist architectural movement, which has a very important place in the history of contemporary architecture.

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