A representative of the modern school of magicalism in the history of literature

Magical realism is a literary genre that flourished in Latin America around the fifties of this century. It is not the product of a literary group, but a common tendency in literary creation, mainly manifested in the field of **, limited to Latin America.

The writers of this genre insist on putting reality into the illusory environment and atmosphere, giving an objective and detailed description, so that the reality is clothed with a layer of bizarre magic, not only insisting on the principle of reflecting the real life of society in their works, but also using the techniques of European and American modernism in the creative method, inserting many magical and grotesque illusions, so that the whole picture presents a style that seems to be true and not true, seems to be false and not false, virtual and real, and difficult to distinguish between true and false. This method of merging reality and illusion has been called "magical realism" by Latin American critics.

The term "magical realism" first appeared in the world of painting. In 1925, when the German literary critic Franz Rowe was studying the painting of the late expressionists, he wrote a theoretical monograph entitled "Magical Realism, Later Expressionism and Some Problems of Current European Painting", which was originally intended to say that magical realism was a kind of expressionism. Later, the book was translated by the magazine Occidental in Madrid, Spain, and the term "magical realism" became widely used in the Spanish-speaking literary scene in Latin America, where it was used to refer to the new literary genre that emerged in Latin America in the middle of the century.

There is a process in the formation of magical realism. The influence and enlightenment of European surrealist literature is one of the important factors that prompted the formation of magical realism in the Latin American literary circle. In the thirties, the boundaries between magical realism and the various modernist currents of avant-garde literature were not very clear, and there were various elements such as expressionism, symbolism, impressionism, and surrealism, and in terms of content, it also went through the stages of localism and cosmopolitanism.

In the fifties, Juan Rulfo's ** "Pedro Palamo" came out, raising a banner for magical realism, and rising stars surged. Since the sixties and seventies, Latin America's leading artists have made new explorations in art. In recent years, Latin American critics have argued that magical realism has become the main trend in contemporary Latin American literature.

Famous writers and works belonging to this genre are: "Mister **" (1946) by Guatemalan writer Miguel Ángel Asturias, Mexican writer Juan - Pedro Palamo (1955) by Rulfo, "One Hundred Years of Solitude" (1967) by Colombian writer García Márquez, "City and Dog" (1962) by Peruvian writer Mario Llosa, among others.

Definitely Marquez, the author of "One Hundred Years of Solitude".

Answer]: Futurism; Symbolism; Expressionism; Surrealism; Stream of consciousness**; Existentialism; absurdist theatre; New ** pie.

Analysis: The main genres of modernist literature in the 20th century include Futurism, Symbolism, Expressionism, Surrealism, Stream of Consciousness, Existentialism, Absurdist Drama, New School and Magical Realism.

Answer]: C Kafka's "Metamorphosis" belongs to the representative work of the expressionist genre, so A does not choose; Maeterlinck's "Blue Bird" belongs to the representative work of the symbolist genre, so 8 is not selected; Beckett's "Waiting for Godot" belongs to the representative work of the absurdist theater genre, so D is not selected. Magical realist literature is an important genre of modernist literature that emerged in the modern Latin American literary scene in the 50s of the 20th century and has a sensational effect that shakes the world.

It advocates putting reality into an illusory environment and atmosphere, giving an objective and detailed description, so that reality is clothed with a bizarre and magical coat, and the main representative works of this genre are "Deep River" by Agdas, "One Hundred Years of Solitude" by Márquez, etc.