Now what will happen to the calligraphers of the Calligraphy Association when they touch Wang Xizhi,

Compared with Wang Xizhi and Ouyan Liu Zhao, Mo said that the current calligraphy association is not a top calligrapher since the Ming and Qing dynasties. Most of the "heads" of today's book associations are laymen leading insiders, and from top to bottom, they "deny tradition in disguise and talk about innovation". Oh, my God!

More than 2,000 years have passed since the small seal was finalized, and many genius calligraphers have been "innovating", and only "creating" this little thing that people see today. At present, there are more than 30,000 members of various national book associations (including more than 10,000 members of the China Book Association), and hundreds of thousands of members of various provincial and municipal book associations. Due to the disguised negation of tradition, even some "fake big empty" things, and even "a pile of black mud, a few sections of dry wood, dead snakes entangled, withered vines wrapped in trees" and the like became popular all of a sudden...

We say that "innovation" must be better than the original, not uglier。。 The "leaders" from top to bottom are misleading young people or beginners out of their own understanding and purpose, and they themselves are not strong. Therefore, the calligraphers under the leadership of the Calligraphy Association today "can't win" Wang Xizhi, Ou Yan, Liu Zhao and other ancient calligraphers!

Worlds apart! The art of calligraphy is an ancient art, and living in an ancient environment will make classical art reach such a state of mind. In today's society, morality is declining, society is exaggerated, and it is not only calligraphy that is dying out, but the social atmosphere determines everything.

It's a big difference. Every dynasty has it.

One or two calligraphers of a very high level, these people have almost reached the top. Like these calligraphers now, how many characters will still be left in the future?

People like Qigong, Shen Yinmo, Lin Sanzhi, and Sha Menghai may be a little famous in the next few hundred years, and no one will know about it for a long time.

It's impossible, now a group of people don't have the mood of the ancients.

There is no doubt about it, Wang Xizhi, Ou Yan Liu Zhao, who are they? Today, people are only far away from them.

The "Lanting Collection Preface", which has been treasured in this Yunmen Temple for hundreds of years, and is known as "the first book in the world", was finally deceived by Xiao Yi of the Tang Taizong (Tang Taizong admired Wang Xizhi's calligraphy masterpiece, and sent a special inspector of the imperial history Xiao Yi to deceive the treasured in Yunmen Temple, known as "the first line of books in the world", the story of the "Lanting Collection Preface" also happened here

The four regular calligraphers of Yan, Liu, Ou and Zhao are Yan Zhenqing, Liu Gongquan, Ouyang Xun and Zhao Mengfu.

1. Yan Zhenqing's real book is majestic and dignified, and the knot has changed from the slender and long in the early Tang Dynasty to a square, with a centripetal force. Use the pen to touch the vertical thick and strong, make good use of the center of the penmanship, have muscles and bones, read the big also have a sharp edge, the general horizontal painting is slightly thinner, vertical painting, point, skimming and slightly thicker. Later generations revered"The second line of books in the world"；

2, Liu Gongquan's words are balanced and noisy, thin and hard, chasing Wei Monument is categorical, the dot painting is crisp and beautiful, the bone strength is strong, and the body is tight. "Books are expensive, thin, and hard"His regular script, compared with his face, is slightly even thin and hard, so there is"Yan muscles and willow bones"called;

3. Ouyang Xun's calligraphy achievements are the most in regular script, the pen is dangerous, the structure is unique, and later generations are called "European style". Its origin comes from the Han Dynasty, the backbone is strong, the law is strict, the danger is seen in the peace, the elegance is seen in the rules, the strokes are interspersed, and the arrangement is appropriate;

4. Zhao Mengfu is good at absorbing the strengths of others, so he has achieved great achievements in calligraphy. What is particularly valuable is that most calligraphers in the Song and Yuan dynasties were only good at line and cursive style, while Zhao Mengfu was able to study each style. Later generations learned a lot of Zhao Mengfu's calligraphy, and Zhao Mengfu's characters were very popular in Korea and Japan.

Hehe, you're a big university, right, I chose an introduction to the art of calligraphy, and then the exam questions, yes, roar... Me too.

Yan Liu Ou Zhao is known as the four masters of regular script.

Yan Zhenqing was a regular calligrapher in the Tang Dynasty;

Liu Gongquan was a regular calligrapher of the Tang Dynasty;

Ouyang Xun was a regular calligrapher in the Tang Dynasty;

Zhao Mengfu was a regular calligrapher of the Yuan Dynasty.

Chu Suiliang was a famous calligrapher of the Tang Dynasty.

Zhong Xuan is said to be the founder of regular script (small Kai), and is known as "Zhong Wang" along with Wang Xizhi, a calligrapher in the Jin Dynasty

Wang Xizhi is a calligrapher of the Eastern Jin Dynasty, and his son Wang Xian's calligraphy is also good, and the world is collectively known as the "two kings".

Ou is Ouyang Xun, Chu is Chu Suiliang, Zhong is Zhong Xuan (you oil), Wang is Wang Xizhi, Yan is Yan Zhenqing, Liu is Liu Gongquan, and Zhao is Zhao Mengfu (Fu Fu).

Ouyang Xun, Chu Suiliang, Zhong Xuan, Wang Xizhi, Wang Xianzhi, Liu Gongquan, Zhao Mengfu.