What is the allusion to the horse stepping on the swallow? The story of the horse stepping on the sw

The treasure of the Gansu Museum, Mr. Guo Moruo named Ma Ta Feiyan, due to the controversy, the museum was later named Copper Galloping Horse.

First, the "copper galloping horse" said. The shape of the bronze horse warrior is extraordinary, it neighs with its head high, the horse's hooves are in the air, the wind gallops like a gallop, pats accompanies it, and is identified by Mr. Guo Moruo, named "copper galloping horse", because it is made of bronze, also known as "bronze galloping horse", which is also the earliest name for this bronze horse warrior.

Second, "Horse Stepping on Feiyan" said. Although the title of "copper galloping horse" is more intuitive and clear, but the subtlety of this bronze horse warrior is that its hind hooves step on a flying bird, only the name of "galloping horse", obviously not enough to express its romantic artistic conception, so some people call it "horse stepping on Feiyan", to show that the galloping horse is doing a volley sweeping over the back of the swallow.

It is said that in September 1971, Guo Moruo accompanied Prince Binnu of Cambodia to visit Lanzhou, saw this rare treasure treasured in the Gansu Provincial Museum, and named it "Horse Riding Feiyan".

3. "Horses and Dragons" said. Some people have put forward different opinions on the "horse stepping on the flying swallow", thinking that the flying bird attached to the bronze horse warrior does not look like a swallow from the shape, but a dragon finch, so it should be "horse stepping on the dragon finch" or "horse super dragon finch".

Fourth, "Feiyan Liu" said - to correct the name of the copper galloping horse. The first few names seem to have some truth, but it is not difficult for a discerning person to find that they all have obvious characteristics of modern Chinese word formation.

Recently, a senior scholar has proposed the name "Feiyanliu", which does not conform to the characteristics of the Han Dynasty in terms of the rigor of word formation and the accuracy of the meaning, and can be called the most appropriate name for the famous bronze sculpture of "Horse Stepping on Feiyan" so far. There is a bird under the feet of the Wuwei bronze horse, and its symbolic meaning is concerned by people.

When people think of horses, they quickly think of galloping like flying, and the speed of the delphinium is also unquestionable. In the past dynasties, there are many poems and texts that use Yan to describe good horses, such as the poem of Shen Yue in the Southern Dynasty has the sentence "Ziyan Guanglu Li", note: "Ziyan, good horses."

Emperor Jianwen of the Liang Dynasty poems: "Ziyan Yuewu, Chitu Yueyue." In the second sentence, the red rabbit refers to a good horse, and Ziyan also refers to a good horse.

Li Shan noted Xie Lingyun's poems: "Emperor Wen has returned since his generation, with nine good horses and one Feiyan. In ancient times, the Feiyan under the feet of the Wuwei bronze horse is undoubtedly used to metaphorize the speed of the good horse, this shape makes people know its meaning at a glance, so the copper horse should be named "Ziyan Liu" or "Feiyan Liu", this name is just in line with the ancient meaning, the most elegant and appropriate.

Fifth, "Tianma" said. Those who hold this statement believe that the dragon bird is the god of wind, that is, Feilian, how can this kind of divine bird be the thing that the galloping horse steps on? Zhang Heng of the Eastern Han Dynasty has the sentence "Bronze Sparrow Meanders, Tianma Half Han", which is called the two corresponding copper displays of dragon sparrow and Tianma in the palace.

Therefore, this bronze horse warrior is the "heavenly horse". In the "Song of the West Pole Heavenly Horse" in the "Hanshu Lile Zhi", it was recorded that the "heavenly horse" stepped on the floating clouds, the body could take off and gallop, and the galloping horse stepped on the flying swallow, which was the image of the "heavenly horse" flying in the air.

Chinese culture is huge and complex, and the classics, children, history, and collections are all Chinese studies, and there are essences and dross. How to determine the content of Chinese culture in primary education? I have prepared an allusion to the horse stepping on the swallow, hoping to help you learn more efficiently!

"Horse Riding Feiyan" is a bronze of the Eastern Han Dynasty, unearthed in 1969 in the tomb of Leitai in Wuwei City, Gansu Province, in 1986 as a national treasure-level cultural relic, now in the Gansu Provincial Museum. Height cm, length 45 cm, width 13 cm, image is handsome, unique style. The horse gallops, neighing, with its long tail fluttering, its three legs in the air, and its right hind foot stepping on a bird that spreads its wings and looks back.

The bird slumped in the horse's hooves, showing the horse's speed and overtaking the bird.

This horse is a model of sculpture art in the Eastern Han Dynasty, not only ingeniously conceived, but also very exquisitely crafted; It is not only expressive, but also realistic. According to the standard scale of good horses described in the ancient Soma Sutra, there is almost no inconsistency in the copper galloping horse, so some people believe that it is not only an outstanding work of art, but also the French style of Soma.

1. The spring breeze is proud, and you can see all the Chang'an flowers in one day. The seven-character quatrain "After Dengke" written by Meng Jiao of the Tang Dynasty is from the Tang Dynasty.

Translation: The title of the gold list in today's dynasty, riding a horse galloping on the Chang'an Road full of spring flowers, today's horses' hooves are exceptionally light, and they have unconsciously finished reading the prosperous flowers of Chang'an.

2. The saint welcomes the new jinshi, and the people deserve good officials. From "Sending Wang Kemin's Anfeng Record", it is a poem written by the Yuan Dynasty poet Wang Mian.

Translation: The emperor happily accepted the new Jinshi, and the common people should get good officials.

3. Dancing horseshoe disease, returning home in spring. From the Tang Dynasty, Bai Juyi told him to grasp "And the Subsequent Return, Leave Farewell to the Same Year".

Translation: Jin Shi and Bai Juyi were full of joy, and they couldn't wait to return to their hometown to tell their relatives the happy news.

4, the gold list is high and the surname is true, and it is clearly folded. From Yuan Hao's "Pi Lu and the Latter Works" in the Tang Dynasty.

Translation: The title of the gold list, the surname Jing, is very clearly hung high, and it has undoubtedly won the reputation of Yizhichun.

5. No one asked under the window for ten years, and he became famous all over the world in one fell swoop. From the late Yuan Dynasty poet Gao Ming's "Pipa Records".

Translation: No one knew about the ancient scholars for ten years, but when they were admitted to fame, they became famous all over the world.

Horse stepping on Feiyan, formerly known as copper galloping horse, because Guo Moruo thinks that the copper galloping horse hooves are Feiyan and named "horse stepping on Feiyan burning accompanying", also known as Ma Chao dragon sparrow, Tianma catch Wu, etc., unearthed in October 1969 in Gansu Province Wuwei City Lei Taihan Tomb, now in the Gansu Provincial Museum, is the treasure of the museum. It is believed that the bronze horse is the bronze ware of the Eastern Han Dynasty, with a height of centimeters, a length of 45 centimeters, a width of centimeters, a weight of kilograms, the bronze horse stands on one foot, hisses with its head held high, the shape is beautiful and smooth, and it is quite dynamic. The bronze galloping horse is considered a symbol of friendly exchanges between the East and the West.

In 1983, the copper galloping horse was identified as a Chinese tourism symbol by the National Tourism Administration. In 1996, it was identified as a national treasure by the expert group of the State Administration of Cultural Heritage. In 2002, it was included in the first batch of precious cultural relics prohibited from being exhibited abroad by the State Administration of Cultural Heritage.

The posture of the copper galloping horse ** is the real and accurate running posture of the horse, which shows that the galloping horse is in the momentary state of limb free. This posture can often be seen in the excavated materials of the forest section, and it belongs to the stylized modeling style. There are a total of 39 bronze horses in the chariot and horse warriors unearthed from the tomb of Leitai, most of them are four-legged, and only the copper galloping horse is independent on one leg.

The most important thing to solve when standing on one foot is the problem of balance, putting a pedal under the horse's hooves can also play a supporting role, but it loses the artistic conception of the galloping horse's four-legged vacancy, and the bird under the copper galloping horse's hooves is simple, standing between the galloping horse and the ground, which can not only maintain the balance of the whole sculpture, but also well illustrate that the galloping horse is in the state of four-legged vacating this skin. This kind of modeling was very common in the Han Dynasty, and it spread widely, and some scholars speculated that the shape was inspired by the equestrian arts. <>