Where is the difference between Chinese and Western architectural art and the difference article? Ur

Ancient Western architecture was dominated by temples and churches, and religion guided the secular; Ancient Chinese architecture was dominated by homes and imperial palaces, and the secular changed religion. This difference in architectural function greatly affects their choice of building materials. In the West, stone buildings are conducive to towering and not conducive to lighting, which can just meet the requirements of religious buildings that are mysterious, dark and pointing to the heavens; Stone buildings are not conducive to construction and are conducive to preservation, and they can just meet the concept of religious buildings not seeking urgency but eternity.

In China, wooden buildings are not conducive to towering and are conducive to lighting, which can just meet the requirements of secular buildings to be spacious, bright and peaceful. Wooden buildings are conducive to construction but not conducive to preservation, and they can just meet the needs of secular buildings that do not seek eternity and hope for quick success. Since entering the modern society, with the successive decline of Western "religious culture" and Chinese "patriarchal culture", the main purpose of Eastern and Western architecture is no longer to reflect the religious relationship between man and God, nor to reflect the ethical relationship between man, but only to serve the needs of man's own production and life. At the same time, as a new building material, reinforced concrete has replaced the wood of the East and the stone of the West at the same time with its comprehensive advantages of not only high density and large span, but also short construction period and long service life.

In this way, the differences in shape caused by the different functions and materials of Eastern and Western buildings have gradually decreased. In the face of the convergent development of modern architecture under the guidance of instrumental rationality and economic benefits, a new kind of postmodernist architecture that integrates the ancient and the modern, and mixes the East and the West, is emerging.

The main differences: the Western layout is symmetrical, and its natural state is changed by artificial methods; The East strives to integrate with nature and pursue the unity of nature and man.

Western gardens embody artificial beauty, not only the layout is symmetrical, regular, rigorous, even the flowers and plants are trimmed square, thus presenting a kind of geometric pattern beauty, from the phenomenon of Western gardening is mainly based on artificial methods to change its natural state.

Chinese gardens are completely different, neither seeking axis symmetry, nor any rules to follow, on the contrary, they are surrounded by mountains and rivers, twists and turns, not only flowers and trees are left to the original appearance of nature, even artificial buildings are also as far as possible to conform to nature and uneven, and strive to integrate with nature.

Connection: It is divided into both royal and private gardens, both of which have a colorful beauty. Eastern and Western garden architectural styles and concepts influenced each other around the 18th century. For example: the Old Summer Palace in the East, the British natural landscape garden in the West.

The common denominator is a focus on practicality and aesthetics.

One. The main categories of architectural styles.

1.By country (ethnicity) and region.

Japanese, Singaporean, British, French, American, etc.

Summary. Hello dear very, the answer is, 1Concept and fantasyWestern architecture has the characteristics of sculpture in terms of modeling, and its focus lies in the two-degree façade and the three-degree shape; Chinese architecture, on the other hand, has the characteristics of painting, focusing on the picture rich in artistic conception, and does not pay much attention to the volume, shape and perspective effect of a single building, but is often committed to the group effect of extending on the plane and space with the individual buildings as a unit.

The West attaches great importance to the principles of formal beauty such as the whole and the part, as well as the proportion, balance, and rhythm between the parts. China, on the other hand, attaches great importance to space and people's spatial experience of "changing scenery step by step" in the architectural environment, which is the unity of dynamic beauty, spatial beauty and expressive beauty. The conceptual nature of European architecture is mainly embodied in "reality", while the fantasy of Chinese architecture is mainly reflected in "emptiness".

Hello dear very, the answer is, 1Concept and fantasy Western architecture has the characteristics of carving in terms of modeling, and its focus lies in the two-degree façade and the three-degree shouting jujube-shaped Zheng buried and demolished body; Chinese architecture, on the other hand, has the characteristics of painting, focusing on the picture rich in artistic conception, and does not pay much attention to the volume, shape and perspective effect of a single building, but is often committed to the group effect of extending on the plane and space with the individual buildings as a unit. The West attaches great importance to the principles of formal beauty such as the whole and the part, as well as the proportion, balance, and rhythm between the parts. China, on the other hand, attaches great importance to space and the spatial feeling of "changing scenery" in the architectural environment, which is the unity of dynamic beauty, spatial beauty and expressive beauty.

The conceptual nature of European architecture is mainly embodied in "reality", while the fantasy of Chinese architecture is mainly reflected in "emptiness".

The pools and canals in Chinese gardens generally show a certain graceful and delicate state, and the microwave is weak. Its layout pays more attention to the combination of virtual and real, and the emotion emphasizes the separation of dynamic and static, and there is more static and less movement. This kind of conception and pattern is more suitable for shaping a relaxed and sparse, quiet and elegant environmental space, which is conducive to highlighting the humanistic temperament of ease and nature, transformation and coordination, and affection for the scene, and expressing the artistic conception of "love and scenery, image and image".

Just like Chinese landscape paintings, there is generally a slight "blank", and the so-called "knowing white and guarding black" to achieve the artistic effect and appeal of charm, aura and current meaning. The fountains, waterfalls, flowing springs, etc. in the Western gardens, the big finger sheds are all magnificent and have a strong sense of dynamics, which can show a certain unrestrained, smart, warm, and forward trend. This is just as the similarities and differences between the Chinese inventing qigong (static) and the Western only developing competitive sports (dynamic), which are both confusing and very intriguing.