What should I pay attention to in Chinese painting rice paper? What kind of rice paper is good for p

There are two types of rice paper: raw xuan and cooked xuan. Shuxuan is processed with alum water, the ink is not easy to penetrate, can be neat and meticulous depiction, can be repeatedly rendered and colored, suitable for painting green and heavy color of the brushwork, showing the artistic effect of gold and green. Shengxuan is not processed, the water absorption and water wetting are strong, easy to produce rich ink rhyme changes, with the line of splashing ink method, ink accumulation method, can collect water halo ink seal, rich Huazi artistic effect.

Freehand landscapes use it more. It is easy to master ink painting, but it is also easy to produce the problem of smooth stagnation. Although Shengxuan's painting is interesting, it is determined when the pen is written, and the ink penetrates quickly, which is not easy to master.

Therefore, the general landscape painters like to use half-cooked rice paper, because it has both ink rhyme changes, but not too much permeability, rubbing, rubbing, dotting, dyeing are easy to grasp, can express complex and rich pen and ink interest. This kind of paper can be made by yourself: dissolve a little alum in cold water, and evenly brush it on the raw rice with a row pen dipped in water, pay attention to the full brush, and there should be no leakage.

The concentration of alum water. Determine the degree of raw and cooked rice paper, you can dip some alum water on the tongue before brushing to taste, there is a slight astringency, if it is too astringent, it is ripe. Rice paper is very easy to break when wet, you can use old newspaper pads underneath, and remove the newspaper to dry after brushing.

a) There are five ways to control moisture in ink painting.

1) Control from the amount of water in the brush - clean, wet pen, wet and dry together....Wait.

2) Use rice paper to manipulate the dryness and wetness of the brush, in other words: try drawing on rice paper before putting down the pen.

Ink on rice paper – not for painting).

3) The speed of using the pen is also a way to manipulate the water

1. Use the pen fast (flying pen) to leave blank, 2. Use the pen slowly to make the ink rhyme produce, both can make the ink rhyme produce, both can make the picture look good.

Produces the saturation and beauty of the water content of the picture.

4) Using a rag to absorb the moisture of the pen is also a way to manipulate the moisture. (Adjust the moisture method).

5) The cleanliness of the water bowl is also an important key to controlling the beauty of the ink on the screen. (Moisture clearing and turbidity).

2) The manipulation of water in watercolor painting has.

1) Watercolor brushes are stained with water and color, and how much control should be paid attention to when blending. (Thick, light, burnt, dry, wet).

2) How to control the moisture of the brush with a rag, absorbent rice paper, cotton paper, etc., and adjust the moisture before drawing.

3) The use of watercolor paper flat and drawing board standing up has different brushes. More water can be used when placed flat, and the principle is that the stand cannot flow out.

4) Pay more attention to the changes in the picture when using wet and dry pens, such as distant scenes, hazy scenes, 、、、, etc., and it is easy to express more moisture. Close-up scenes, dark places, subjects, etc., use less water, and it is easier to perform dry brushes. 、、

These two items are used appropriately to produce the beauty of watercolor naturally.

5) The water cleaning of the water bowl also makes the water produce color beauty on the picture.

6) It is advisable to use a drier pen for lines (especially for close-up and darker places), and for distant and blurry scenes, use sufficient water to produce brighter and farther-wide pictures.

Precautions for using rice paper.

News (Reads: 2360 times).

Yiping: When writing, it must be laid flat to be easy to write; If the paper is wrinkled, it will not be easy to write. However, when someone writes about the ancient seal, he deliberately crumples the paper in order to be mottled and ancient.

Cleanliness: Dirt on the paper will affect the color of the pen and ink, and dust will also affect the pen, if mixed with the ink, the ink is neither firm nor lustre. It's a small thing, but it's also important.

Grid: calligraphy and calligraphy, writing the heaviest law, so the book, the law and said, especially the frame and the chapter, the layout of the chapter has a vertical and horizontal column, the frame has nine palaces, Tian characters, rice words and all the styles. There is also a difference between light and dark lines, which is the case for all the seals and lines, especially the regular script; It is said that the Tang people attach importance to the law, not the slightest, look at the famous laws left behind, the law is strict, unprecedented, so there is a saying that the nine palaces were created in the Tang people.

The grid also needs to be determined with the body of the book, the most stringent regular script and seal, the vertical and horizontal need to be neat, the ranks and columns can be drawn, and the grass is only straight, should not be added to the horizontal column, so as not to tie the hands and feet, not indulgent. The bright line should be thin so as not to hinder the view of the gall, and the dark line should be light and do not need to be smeared, so as not to damage the paper. If the folded paper is prone to wrinkles and hinders the movement of the pen, it should also be avoided.

Fixed: The paper needs to be fixed when writing, if the paper moves with the pen, the words can not be used at will. In addition to pressing the paper with the left hand, you can also press it in place with a ballast to fix the paper.

Pad absorbent cloth: When writing with a pen full of thick ink, press it at a sudden point, force through the back of the paper, and the ink will penetrate the paper, which will not only stain the desktop, but also dye the strokes, and also destroy the picture. Therefore, it is necessary to pad the paper with absorbent paper or cloth, which can absorb the oozing ink and keep the picture neat.

Also, don't be smart about drying your work, or try to blot it with toilet paper, as this will not only make the ink easy to fall off, but also damage the ink color. When tidying up, do not fold arbitrarily to avoid damaging the paper and hindering the view.

Hide in a cool place: The paper is easy to perish when damp, and it will break if it is too dry, so if you want to make your masterpiece last for a long time, keep it in a dry and cool place. Others, such as insect infestation, should also be taken care of.

Xuan paper art is unique to China and is a valuable heritage of China's national culture. The invention and creation of rice paper art is the crystallization of the collective wisdom of China's working people for thousands of years. Xuan paper plays a positive role in promoting the development of China's cultural and artistic undertakings and the exchanges between Chinese and foreign cultural and artistic undertakings.

In particular, it plays a "leverage" role in the continuous development and innovation of China's Chinese painting art, and is an irreplaceable and important carrier of any other paper in the world. Therefore, Master Li Keran praised with great emotion: "Without good rice paper, you can't make good Chinese paintings."

Paper is the lifeblood of Chinese painting, and no good paper can never make a good painting. Therefore, Xuan paper art is the only excellent paper to ensure the preservation, dissemination, transmission, innovation and development of Chinese painting, and the precious cultural heritage of the Chinese nation is known as "the treasure of the study and the light of art". Chinese painting is shining because of rice paper, and rice paper is handed down because of Chinese painting, and the two are closely linked, combined, relying on each other, shining brightly, and sharing brilliance, forming China's unique artistic and cultural heritage and standing in the east of the world.

Chinese painting material rice paper is divided into raw Xuan and cooked Xuan, there are also half-cooked types, raw Xuan water absorption is very strong, pay attention to the control of ink moisture when painting, the ink color adhesion is very strong and has been modified, suitable for freehand painting. Cooked Xuanjia alum has slow water absorption, large controllability, and proper water control, which is convenient for multiple renderings, and is suitable for fine brush painting. I don't know if this is satisfying, hehe.

When drawing on rice paper, you should pay attention to not too much ink. It is best to use a cloth to absorb water after painting, and then pay attention to the layout of the painting, and when preserving, pay attention to insects and moisture.

When you make rice paper, be careful of moisture. Pay attention to insect protection.

If you draw on it, you have to pay attention to the moisture.

Note 3: use a pen, ink, and water.

When choosing rice paper, it depends on whether it is absorbent, as well as the color of the paper and the feel of the touch

Burnt, thick, heavy, light, clear.

Raw Xuan and Cooked Xuan.

Pay attention to water and control it properly.

Wet and dry, priority.

Well, you probably need to pay attention to the moisture-proof paper.

If you want to buy that kind of rice paper, it will fall apart, this kind of paper is better, it should be 2 yuan a large sheet!

Xuan paper is different from the paper we usually see, this kind of paper is relatively thin, and we should pay attention to one point when painting Chinese paintings.

Are you asking what to pay attention to when drawing on rice paper, or how to store rice paper?

Freehand Chinese painting generally chooses Shengxuan, and Gongbi Chinese painting generally chooses Shuxuan. The paper used to paint Chinese paintings is mainly rice paper, and there are three types of rice paper:

Shengxuan. It is a paper that has not been glued and alum, with great permeability, more draft, easy to seep and dry up, suitable for freehand painting. The net skin single xuan in the raw xuan is better to use.

Reprocessing on the net skin single xuan, called special net skin single xuan, its quality is dense and soft, the surface is smooth, it is particularly easy to use, and it is also easy to use for painting, both to see the line, and to see the ink color.

Cooked Xuan. Brush a layer of alum water on raw rice paper to make mature xuan. Alum has fixity, and the ink color is not muddy on the paper, which is suitable for painting.

Half-cooked rice paper. It is made by adding a small amount of alum to raw rice paper. Such as boiling Xuan, suitable for painting half-fine brush and half-freehand painting.

In addition to rice paper, there are also Korean paper, leather paper, and hemp paper. Leather paper is produced in Zhejiang and other places, with high quality and low price, which is easy to produce good lines and easy to smudge. If it is used to paint clouds, it is easy to create an atmosphere with layers of smudging, leaving no traces, delicate and beautiful.

When choosing leather paper, you can pinch the corner of the drawing paper and gently shake the paper, and it is better to do it without sound.

High-quality rice paper should have the following characteristics: loose but not relaxed, tight but not solid, light but not slippery, moist but not dry. It is easy to see the dry and wet layers, and there is no damage after rubbing.

Both raw rice paper and cooked rice paper are useful for painting Chinese paintings.

Freehand Chinese painting generally chooses raw and hidden dry Xuan, and Gongbi Chinese painting generally chooses familiar Xuan. Shengxuan has not been processed, and it has strong water absorption, which is easy to produce very rich ink changes. After the alum water processing, the ink is not easy to penetrate, Tan Xieye can do a more neat and meticulous drawing, repeated rendering and coloring, and the colorful Gongbi painting is suitable for choosing the familiar Xuan.

Generally speaking, for beginners in the creation of Chinese painting, they are more inclined to half-cooked rice paper, because this kind of rice paper not only has ink rhyme changes, but also does not overly permeate, and is easy to master, rubbing, dotting, and dyeing, and is easy to use.

Benefits of Painting Chinese Paintings:

Painting Chinese paintings can give people a better understanding of traditional Chinese culture and history. Chinese paintings often depict Chinese culture, natural scenery, historical figures, etc., and through painting, people can have a deeper understanding of these aspects. Secondly, painting Chinese paintings can cultivate people's patience and perseverance.

Chinese painting works require a long period of meticulous depiction and delicate detailing, which requires the artist's continuous efforts and patience. Painting is a spiritual experience that requires not only the artist's concentration, but also perseverance and patience. Thirdly, painting Chinese paintings promotes physical and mental health and relaxation.

In the slow and delicate detailing, people can forget their worries and worries and focus on the process of painting, so as to achieve the effect of relaxation. Finally, painting Chinese paintings allows people to experience the feeling of beauty and allow people to better appreciate works of art. Chinese painting often carries the emotional expression of the artist, and through painting, people are exposed to different forms of beauty, and know how to appreciate art, so as to make themselves more rich in connotation and cultivation.

Chinese calligraphy and painting can be written on paper, silk, silk, fan, ceramics, dishes, mirror screens and other objects, the following kinds of common ones, murals are not included in the list.

1. Silk. Calligraphy and painting are drawn on silk, silk or silk fabric, which is called silk. Although there are many ancient painting scrolls, they are easily eaten by insects and damaged, but the paper copies are easier to preserve.

Silk looks more expensive, but the background color is not as white as paper. Because there is a lot of preparation before painting on silk, it is not as good as paper.

2. Paper. Chinese calligraphy and painting paper can be roughly divided into two kinds, one is easy to receive water is Shengxuan, Shengxuan is not easy to receive water with alum water, is cooked Xuan.

3. Murals. The ancients painted large murals in tombs, caves, temple walls, palaces, etc., and many of the murals have remained to this day and become national treasures.

4. a folding fan. The ancients painted fans mostly small and small to make them easy to carry. However, modern people mostly use giant fan paintings as interior decorations, so they are more practical than the ancients.

5. a round fan. Round fans are mostly round or oval in shape, and the area is not large. But there are also silk and paper versions. The large fan or palm fan used in the ancient court was as large as the human qi, and it is rare nowadays.

6. Ceramic. Vases, cups, saucers, mirror screens and other utensils are also made of calligraphy and painting, with different pigments and preparation methods, but the principle and appreciation of calligraphy and painting remain the same.

7. utensils. In addition to porcelain, calendars, lampshades, snuff bottles and even modern ties and clothing are also decorated with calligraphy and paintings, which are very popular and unique. Christmas cards, etc., which are popular in the West, are very common to use Chinese calligraphy and paintings.