Doubts about painting, what problems are encountered in painting

In fact, the most important thing is to exercise his own creative and imaginative ability first, which is the key to becoming a famous painter, technical teacher, tutorial class can be given to you the day after tomorrow, but these are not the most important! But there is no rich creativity and imagination to draw pictures, make designs, and 3D works have no feelings and plots! A beautiful painting or three-dimensional work, conceptual design, etc., is not in the quality of techniques or techniques, but ultimately in the relationship between the emotions and plots in the work to conquer the audience!!

Artists with imaginative and creative abilities can hire graphic designers, and this is the difference between the same human being, the path of a painter with the ability to meet the needs of society, or the path of a painter who has no consciousness and can only work!

Hand painting is the so-called modeling ability, in the past are required to have a certain amount of hand-painted skills to engage in art work, now the computer has greatly shortened this standard, if you do not have the foundation to learn a little hand painting, go to the formal art colleges near your location, where there will generally be a hand-painted tutorial class for the examination, where from the beginning of the beginning, painting plaster geometry has the teacher to guide you to learn the most basic painting knowledge such as perspective modeling lines.

There is no way to paint, only whether you are willing to do it.

My teacher had already made it clear to us in the first lesson with us, "As long as you are not mentally retarded, you can draw a good picture!" ”

Learning to draw is not about rote memorization, but about seeing more, drawing more and practicing more.

For the things you want to design, it is better to add a little bit of your favorite and desirable things, I believe this will make your design more energetic and interesting.

In my "User Profile = > Profile" there is a **. It's my art library, so you can find the materials or tutorials you want. You can also leave me a message directly on the message board there.

If you have any questions, maybe my blog will give you some hints, and you are welcome to come and see them.

Usually draw more sketches and sketches can be drawn well.

There are a variety of problems that you will encounter in the process of learning drawing, such as:

1. What should I do if the brush has been used for a period of time?

This may be caused by the thick layer of paint sticking to the peak of the pen and not cleaning it immediately after painting, and the paint is drying up on the brush, just wash the pen with water or wipe it clean with banknotes.

2. The pigment has a high viscosity and is not easy to manipulate.

Digital oil paintings generally use high-gloss acrylic paint, acrylic pigment itself is volatile, so the water loss is relatively fast, and there will probably be a department pigment that is more viscous, as long as water is added to dissolve, it is easy to manipulate.

3. What should I do if the surface and color in the painting are wrong?

Surface and color painting errors can be modified according to the drawing reference provided in the oil painting, because the color is very covering, so, just wait for the dry roar on the last time on the right color, and, as long as you draw one of the color blocks, it is best to carefully observe the details before painting, so as to avoid mistakes.

4. The pigment can not be used for drying, because acrylic paint is a highly volatile pigment, it is easy to dry up during the painting process. You can add a drop of warm water, and then use a toothpick or spatula to stir evenly, and you can use it.

5. Numbers and lines cannot be covered on the drawing paper.

Some lighter colors have weaker coverage, but it is not impossible to cover completely, you only need to fill the pigment thicker or wait for the pigment to dry and then fill it a second time.

Qitian (founded in 2006) has the answer for you.

The distinction between projection and shadow is very simple. Take the gypsum body as an example, the white gypsum body in the dim light, no matter what the angle, there is always a dark part and a projection, and the projection and the dark part are often together, and the combination is relatively close.

Let's start with the shadows. The dark part belongs to the backlight side, its color is generally not as heavy as the color of the projection, the gypsum body is white after all, in the case of the color of the interlining, it is not as dark as the color projected on the interlining. If it is a different item, it may be different.

As for the projection. When the interlining or background you choose is shallower than the shadow you choose, you can blur the projection a little bit, just emphasize it, and it doesn't have to be heavier than the dark part. Instead, you need to emphasize the projection, but not too much.

It also depends on the physical object you choose.

If you really can't tell the difference, you can squint your eyes and blur the real thing. This will make it easier to distinguish a bit.

Hopefully it will be adopted.

Shadow is the shadow cast by an object, and since natural light can be roughly thought of as directional light, it will appear that the edges of the parts close to the object are clearer, and the edges of the parts away from the object are looser (which can also be understood as blurring near and far).

The dark part is a part of the object itself, and its brightness should be a little brighter than the light-dark boundary line and projection, because although there is no direct light on it, there will be environmental reflections on it, resulting in a little improvement in its brightness So the dark part can not be painted too black, otherwise it will be said by the teacher that "the painting is stuffy" and loses the sense of reality. Above.

Projection is like your own shadow, that is, the shadow cast under the illumination of light, if you can't tell the difference, just take an object and shine it in the light, and the shadow will come out. The dark part is the place where the light does not shine, and it is generally darker.

1. Depending on what type of painting you want to use, you can paint landscapes such as sketches, gouache, watercolors, Chinese paintings, oil paintings, etc., and there are many comic tools, such as markers, colored pencils, pencils, various pigments, etc.; I don't understand where the painting tools are arranged, and I don't know what you're trying to ask; Although the details are very important, but only if the overall picture is good, we will pay attention to the details, if the whole is not good, others will not want to look down, let alone the details, the details are painted in depth on the basis of the whole, that is, the painting is a little finer.

2. Sketching is the basis of painting, and there are absolutely advantages and disadvantages to learning a little, because you have to have a certain modeling foundation, there are many things to learn to learn animation, and there is software or something, you can check it on the Internet.

3. This thing may not be said, but some people have because some people know the light and dark when they paint for the first time, but not only talented people can draw well, just like me, as long as you practice carefully, look at more paintings, and see more famous paintings, there are certain benefits.

Sketching is basic. The pen is sharpened, the drawing is careful, and the details are out.

I'm sorry for the first two, I didn't learn that.

If you learn Chinese painting, you don't need to learn sketching, you can just learn object sketching, like cones and the like.

I think hobbies are the best talents, and as long as you have hobbies, you can accomplish them no matter how difficult it is.

That's a good question!!

Based on my experience with drawing, I think there are a few main points.

One; Pay attention to the structure and grasp the perspective first of all, the object or the task is roughly composed of a few large structures, and then you have to remember the laws of perspective, otherwise it will be quite deformed.

Two; It's the characteristics of every object or person, so be sure to grasp the characteristics, otherwise the work you draw will be very different from the real thing or distorted.

Three; Pay attention to the reference object and light and shadow, if you are drawing a still life sketch, you must pay attention to the reference, the left and right, the front and back, the relationship between them, and the distance, and then look at the light coming from there, so that the object will be very vivid, very three-dimensional.

This picture has a lot of meaning. Compared with other aspects, the expression of artistic conception is better in this aspect.

The first step, of course, is to copy, find a good sketchbook, copy quietly, and figure it out carefully. The second step, of course, is sketching, practicing the feel and feeling. The important point is to insist on painting every day, and to keep increasing the amount, so that the improvement is very fast!

Start with the line, the wrist should be flexible, and the line should have a change in thickness and elasticity.

Time plus a good head and a pair of diligent hands.

When people refer to "fine art", they often think of it as a picture.

Drawing, drawing, or painting are synonymous, so many students think that art class is a drawing class. In fact, art is a very big family, and painting is only one part of this big family.

In the art family, painting comes first, because there are many ways to paint, and it is precisely because of this that people often misunderstand and equate painting with art. Painting is followed by sculpture, and there are many varieties. The biggest difference between it and painting is:

Painting is created on a flat surface, while sculpture is three-dimensional. In addition, architecture, arts and crafts, photography and calligraphy are also members of the art family, and they are not quite different from painting and sculpture in that some members of their small families do not belong to the art family.

For example, if we think of art as a grandfather, then painting, sculpture, architecture, arts and crafts, photography, and calligraphy are all his sons, and this son has his own small family. There are Chinese paintings, oil paintings, watercolor paintings, and so on.

Arts and crafts include clothing design, daily necessities design, book art design, etc., which can be regarded as the grandson of art. Among these grandchildren, Quan, who belongs to the two families of painting and sculpture, lives with his grandfather. And some of the grandchildren of the other families lived in other places.

When drawing, you must first determine the proportional position of the character's facial features, and the proficient ones are generally visually inspected, and novices can use [pen measurement] to make up for the shortcomings of visual inspection.

Brush Measurement is a technique of Western sketching, and the purpose of this technique is not to determine the "proportions" of the things drawn, but to help oneself determine the precise position of the things drawn on the drawing paper. Generally speaking, pen measurement is how to better draw the things drawn in reality accurately on paper.

To master the art of "proportion" in painting, you must first learn to observe. Comparison of eyes and face, comparison of head and body, comparison of people and background, etc. This is how "proportionality" is generated by "comparison".

In general, you need to strengthen the training of observation.

ps, the easiest thing is to pull the ruler to pull the position of the head, shoulders, hips, and feet, and draw directly from left to right.

First, the top and bottom height are optimistic about the proportion.