The expression of the prosperity of Song Dynasty painting, and what aspects of the prosperity of Son

Updated on culture 2024-03-07
3 answers
  1. Anonymous users2024-02-06

    My surname is because the Song Dynasty was a dynasty that valued literature over military force, and the phenomenon of redundant officials was serious. The accumulation of redundancies and redundancies makes the comparison of officialdom confusing.

    Therefore, the literati have to vent the troubled times to achieve material horses.

  2. Anonymous users2024-02-05

    The prosperity of painting in the Song Dynasty was mainly reflected in two aspects: first, the prosperity of realist art represented by courtyard painting; The second is the rise of literati painting, which expresses natural emotions.

    The painting theories and techniques of the Academy School of Painting occupied the entire Northern Song Dynasty painting circle and had a profound impact on Chinese painting. Zhang Zeduan, a representative of the Northern Song Dynasty Painting Academy, painted Hail Hunger on the River during the Qingming Festival, which represents the highest level of the development of Song Dynasty genre painting. On the basis of following the different styles of Huang and Xu in the five dynasties, the techniques have made great development and have made great achievements, and the representative figures are Zhao Chang's color folding flowers, Yi Yuanji's apes, Cui Bai's defeated lotus and wild goose, and Song Huizong Zhao Ji as the representative of the courtyard flower and bird painting; Landscape painting is also famous in many years, such as Li Cheng's Sailin Pingyuan in the Northern Song Dynasty, Fan Kuan's lofty mountains and snowy scenes, Xu Daoning's forests and wild waters, and Guo Xi.

  3. Anonymous users2024-02-04

    The Song Dynasty was the heyday of Chinese painting, and Song Dynasty painting was another artistic peak of Chinese painting after the Tang Dynasty.

    At the beginning of the Northern Song Dynasty, the ruler set up the Hanlin Painting Academy to recruit talents, which was the most prosperous and active stage in the history of court painting.

    The literati scholars regarded calligraphy and painting as an elegant spiritual activity and cultural attainment, put forward distinctive aesthetic standards, and the theory of painting creation began to form a unique system.

    The painting of the whole society embodies the characteristics of colorful and multi-faceted development in many aspects such as content, form, and technique.

    The prosperity of painting in the Song Dynasty was mainly reflected in two aspects.

    The first is the prosperity of realist art represented by courtyard painting;

    The second is the rise of literati painting, which expresses natural emotions.

    The painting theories and techniques of the Academy School of Painting occupied almost the entire Northern Song Dynasty painting circle and had a profound influence on Chinese painting.

    Zhang Zeduan, a representative of the Northern Song Dynasty Painting Academy, wrote "Riverside at Qingming Festival", which represents the highest level of the development of genre painting in the Song Dynasty.

    On the basis of following the different styles of Huang and Xu in the five dynasties, the techniques have made great development and have made great achievements, and the representative figures are Zhao Chang's color folding flowers, Yi Yuanji's apes, Cui Bai's defeated lotus and wild goose, and Song Huizong Zhao Ji as the representative of the courtyard flower and bird painting;

    Landscape painting is also famous in many years, such as Li Cheng's Sailin Pingyuan in the Northern Song Dynasty, Fan Kuan's lofty mountains and snow scenes, Xu Daoning's forests and wild waters, Guo Xi's depiction of the subtle changes of the four seasons of dawn and twilight, wind and rain, Hui Chong, Zhao Lingsui's lyrical scenes, Mi Fu, Mi Youren and his son's Yunshan ink opera, Li Tang, Liu Songnian, Ma Yuan, Xia Gui of the Southern Song Dynasty, etc.;

    In terms of figure painting, representative painters include Wu Zongyuan.

    On the basis of the high prosperity of painting, a large number of theoretical works on painting have also appeared.

    A large number of works such as painting history, painting theory, painting appreciation and collection records have been circulated, such as "Painting Observations", "Xuanhe Paintings", "Painting History", "Forest and Spring Elegance", etc., which have become an important documentary basis for the study of ancient paintings today.

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