How to color the Japanese style in the later stage? How to mix the color of the Japanese small fresh

Updated on vogue 2024-04-22
13 answers
  1. Anonymous users2024-02-08

    I think it's a little cooler.,I think cool colors are more suitable for Japanese style.,I think so.。。

  2. Anonymous users2024-02-07

    Cool the tones, because Japanese can generally give people a bright feeling, but not too warm.

  3. Anonymous users2024-02-06

    I feel that it should be cool, so that it can match the style and highlight the content style of the work.

  4. Anonymous users2024-02-05

    There seems to be a continuing trend of Japanese "little freshness"**, and more and more people are starting to use film cameras to "find feelings" or digital cameras for post-processing.

  5. Anonymous users2024-02-04

    In fact, there are both warm and cool colors, saturate a little, and then add some grayscale, there will be a Japanese feeling, and the most important thing is to shoot the content of the Japanese system.

  6. Anonymous users2024-02-03

    I feel that I should adjust the cool color, because the average Japanese person is generally pink, and a little colder will make people feel more suitable.

  7. Anonymous users2024-02-02

    Personally, I feel that the post-color grading of the Japanese style is typical of the Japanese style is light blue and airy in natural light, the picture is transparent and natural, with simple and light colors and bright tones, with special attention to the treatment of light and shadow, and the deliberate off-focus effect. In the professional terms of photography, it is described as a low-contrast and high-profile **, and the Japanese picture seems to be a faint world, a small emotion of adolescence. Not all** are suitable for Japanese small freshness, throughout the more popular Japanese works, mostly sunny days are also mostly large apertures, mainly 50mm fixed focus, the theme is often the small still life around you, small scenery, small feelings or small history.

    With excellent imaging with a 50mm fixed focus close to the human eye's field of view, it is also very close to the people. As far as digital is concerned, the best and best choice for shooting Japanese is the fixed focal head, of course, other large apertures are also possible, and mobile phones can also shoot them. The best recommendation here is, , etc., some lenses** are not very expensive.

    I personally feel that these are very good methods, so I think it is still very helpful, and a lot of times you can choose, after all, these are choices, so that we can better pursue our ideal tone, and in daily life can also shoot very good, let us be very cute, or beautiful, I feel very good, if you can learn this technique, I personally feel that it must be very good, so I especially like this**, And the shooting is very distinctive and distinctive, which makes me feel very good and makes us feel good, especially in the performance of **, there is a lot of progress, which makes us feel very comfortable.

  8. Anonymous users2024-02-01

    Japanese style tends to be warm, and it is different for different background places, sometimes it is more vivid. It's also quite suitable for Japanese style.

  9. Anonymous users2024-01-31

    In terms of color grading, there are many people on Xiaohongshu and Weibo who specialize in teaching, and the tutorials are very detailed, and there are many other styles of tutorials.

  10. Anonymous users2024-01-30

    You can check the Japanese style or Japanese filter on the Internet, and follow the tutorial to adjust the color, I think there are more cool tones.

  11. Anonymous users2024-01-29

    Small freshness, a little is generally a cold color, so in the process of adjusting the appropriate cyan and green, and the small freshness is not very high in clarity requirements, don't be too sharp, otherwise there will be no so-called hazy, soft beauty!

    1.In terms of color, use the Saturation tool to reduce saturation in the adjustment layer.

    2.Use the Curve Adjustment Layer to reduce the contrast and increase the overall brightness, and for overexposed or high-key areas of the studio, you can pull down the curve, note that it is pulled down along the output line on the right.

    3.When choosing the content to shoot carefully, you can pay attention to the colors with high brightness and combine them into a picture.

    4.Of course, you can add a touch of blue or a little warm yellow to **, and a slight addition of magenta can also have a kind of color sense of film, all with the curve tool.

  12. Anonymous users2024-01-28

    Japanese** color mixing techniques include: the shape of the sky, the color of the road, and the overall tone.

    1. The shape of the sky

    Pay attention to the sky part of this one. It is not the usual sky shape, but painted with a layer of cyan, and the scope of influence is limited to the upper part of the picture, and does not extend to the whole picture, forming a linear gradient effect.

    2. The color of the road

    In the Roll Sheet, the color of the road is noticeably blue, but the walls are less affected by blue.

    3. The overall tone of wild trembling

    The overall tone of the image is cool, but there are no noticeable low or high light loss features.

    P-Diagram Notes:

    1. Pay attention to brightness. The brightness intensity is an important point to display, and the brightness adjustment is very important when the P image.

    2. Pay attention to the background. P-image, it is best not to change the background at will.

    3. Add jewelry. Adding some trinkets is also one of the highlights of **, and reasonable use will also become more perfect.

  13. Anonymous users2024-01-27

    Generally speaking, the style of the Japanese ** is more quiet, mostly still life, figures, supplemented by a large aperture, coupled with the use of reasonable light and the treatment of white space, giving people a sense of tranquility and serenity. Moreover, the Japanese ** often use backlight, side backlight, positive backlight, and the overall color is light.

    A little personal experience.

    1.Suppress the highlights, brighten the shadows, and increase the tolerance of **;

    2.Use curves to improve contrast;

    3.Match individual hues to simulate film tones.

    In the end, it mainly depends on whether you use desktop software or mobile software. I use fotor more often. It has some Japanese-style filters, and there are curve adjustments. They also have desktop software at home, which is relatively complete.

    However, the real Japanese style does not rely on the later stage, mainly in the early stage, if the early stage is not right, it is useless in the later stage.

    Hope, thank you.

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