The gouache is too gray, how to adjust the gray in the gouache painting?

Gouache should not be dirty powder.

Look at more good paintings, adjust more colors, and remember, the gouache color should be loud, if the color is already very heavy when you paint, if it is not loud enough, your finished painting will be more gray, because the characteristic of gouache is that it will turn gray when it dries! When painting gouache, you should be bold in using color, the color should be stretched, if the chroma is too close, it will not change after drying, and it will be gray.

When painting gouache. Unless the object is whitish, it can be slightly whitened. If not, then you should never use white.

When painting dark colors, you can use plain blue and red, but beginners are better to use cooked brown and plain blue, because the former is not easy to master, either cold or warm. When painting the highlights, you can try to add some lemon yellow, light yellow and other colors. It's best not to use a solid color for the highlights, but add a small amount of the color of the surrounding objects to the white so that the highlights will be more realistic.

In short, don't use white easily, because white, no matter what color you use to cover it, you can't cover it, and then it will be gray and gray, which will affect the picture.

Finally, I wish you an early departure!

Several masters have said about the same, and the juniors add a little bit.

The more types of colors you make, the easier it is to turn gray, and add as little water as possible, the moisture can't be controlled, and it's easy to dry.

Darken. If the whole tone is dark, use more solid colors (yellow, white, etc.) to brighten the highlights and suppress the dark.

That's it. One final note: keep your palette clean.

First of all, as they say, the dark goes down and the light comes up, but how do you do that? Now all the dark parts of the whole painting are painted in one go, then the bright parts, and finally the gray parts. If you feel that your level is not very good, it is best to clean the tool once after painting the dark part, change the water in the bucket and then draw the bright part, it is best to use pure color when painting the bright part, once the color is mixed, it will turn gray, and more than three colors will become dirty when mixed together.

First, don't use dirty colors, try to be as solid as possible, and don't mix more than three colors when mixing colors.

Second, the dark places must be darkened to highlight the bright places, and the color tone is fine.

Thirdly, finally brighten the bright area with lemon yellow or white powder.

I used to have the same problem, adding some black when painting the dark side, washing the pen when adjusting the color of the light side, and then using white powder first, and then adding other colors.

Be sure to remember to wash the pen when brightening the color, and the color in the color box should not be too dirty, so that you can't tell what color it is. It might be a little better that way.

A painting should have the darkest and brightest colors, the pen should be cleaned, don't use dirty colors, don't smear repeatedly, of course, if you want to paint gray tones, you should also look good in gray For example, the style of Gome can be gray but not dirty o ( o And I think as long as the picture is unified and the main and secondary are clear, the tone is clear, and the gray tone is also quite good

Add a little bright color, add dark color, paint less in the middle color, and it is better not to add white. The best color is the best pure point.

The color brightness contrast is not strong.

The color tendency is not noticeable.

The color purity is not well grasped.

You need to know more about the lightness, purity, and hue in color.

Theory is the pillar of practice, and understanding this knowledge of color is still very helpful for painting!

The contrast is not strong enough, the dark is dark, the amount is brightened, the moisture control is noted, and the relationship between the colors is found.

Contrast of the picture Overall effect.

Sometimes you can try to be bold and use some plain colors.

Don't have at least three colors on each stroke of a painting, can you take it without gray? Right.

Ash. I think what you call ash.

It's just a feeling.

It's a layer of ash.

Or is it gray in color?

General. There are several ways to correct these problems.

Don't use black.

White is used where the object is bright.

The color purity should be high.

Avoid mixing more than 3 colors.

The darkness goes down.

Brightly lit up.

Do not use dirty colors.

You may be putting too much water.

Or the pigment is not pure.

The color is as pure as possible.

Gray is a fascinating color. If the gray stool is adjusted well enough, then the gray can make the picture deep but not bright. There are two ways to adjust the grey color of gouache:

1. Warm and cold hair: By alternating the use of warm colors and cold colors, it is modulated into gray, and finally white is added to make high-grade gray.

2. Complementary color method: through the use of a variety of colors for complementary colors, such as red = purple + orange, orange = red + yellow, yellow = orange + green, on the basis of white walls, but Hu Wang is in practice What color is used depends on the influence of environmental colors.

Several commonly used methods of mixing gray scales.

1. By using the superposition of basic color and a large amount of white, you can coordinate different colors and make it into a light gray tendency, such as vermilion (equal amount) + lemon yellow (equal amount) + white (large amount).

2. The blending method of the same color and white, the color after blending is soft and beautiful, such as lemon yellow + light yellow + white, and the color is very soft.

3. The mixing method of adjacent colors and white shows that in the process of mixing gray, the control of white is very important. In the process of painting, there is often such a feeling, you can't help but add a little white, you can't help but add a little white, but you must pay attention to it, in the future, it will not only destroy the color of the thing itself, but also make the picture full of pink or make the color dry.

Some students draw a sketch relationship, there is no sense of color, and the jujube is white, so in the process of color distribution, we must pay attention to controlling the use of black and white, and do not use it at will.

Very distinctive.

There is always a touch of bright color that tugs at the heartstrings of countless people, and when the vibrant orange color comes into view, the luxury and fashion of the Hermès brand are naturally associated in mind. In fact, before World War II, the color of Hermès boxes was made of off-white cardboard that imitated pigskin.

During World War II, the stock of off-white bags of imitation pigskin was quickly used up. Since all the supplies were distributed according to the quota at that time, Hermès could not ask for a "ban release order" for the wrapping paper, and could only use the only remaining orange-red cardboard in the manufacturing plant, which was not very popular with the public at the time.

It just so happens that this orange-red color is quite consistent with the color of Hermes horse harness leather goods, and I didn't expect it to be unanimously praised by consumers. Therefore, after the war, in order to commemorate that resource-poor era, Hermes changed the packaging color of all its products to orange red, which is now "Hermes Orange".

High Gray: In gouache painting, high gray refers to a color system or a group of colors. Colors are blended to a low purity, giving a sense of harmony rather than a single color. Because the key to the use of color is collocation, no color is independent.

The high-grade gray is soft, calm, steady, harmonious, unified, not intense, not dazzling, no conflict, and the elements contained in the color are complex rather than simple. It's a color that exists in real life.

The gray in gouache is generally toned with black and white, and can also be supplemented with blue and dark red and white. Gray is a color between black and white, and can be roughly divided into dark gray and light gray. Gouache is gouache pigment, and its high-grade gray colors are:

Blue lotus, bud yellow gray, light crab gray, red bean paste, gray bean green, moon gray, rice camel, light green gray, etc.

The manufacture of gouache pigments requires a variety of colorants, fillers, cementing agents, wetting agents, preservatives and other binders. Among them, the colorant is a very fine pigment powder that is ground into a ball mill, and the filler is mainly a variety of white pigments or wheat starch.

The color types of gouache include reddish-brown, yellow, green, blue-violet, high-tonic and slippery gray (eight grays), grayscale, and some special colors (such as fluorescent pink).

Premium gray simply means that we make up for it.

Add the hues and add white to get the gray.

Here are a few commonly used ways to grade gray colors:

1. Yellow ash = meat color + lemon yellow + white + sky blue (one point).

2. Blue gray = pink green + lake blue and white.

3. Purple gray = rose red + sky blue + white.

4. Green gray = olive + yellow-green + white.

5. Egyptian gray = earth yellow + olive green + white.

6. Swan gray = gray + pink green + sky blue + white.

7. Highlight gray = white sky blue.

8. Green putty = dark green + earth yellow + rose.

9. Warm green = medium green (more) + dark red (less).

10. Banana gray = lemon + yellow-green + white.

11. Clay ash = ochre + violet + dark green.

12. Blue gray = blue + pink green + sky blue.

13. Warm pear gray = earth yellow + olive green.

14. Pacific Gray = Qinglian + Sky Blue + Puran + Pink.

15. Watermelon red = bright red + lemon yellow.

16. Gray ideal purple = rose red + sky blue.

17. Napoli yellow = white (more) + lemon yellow + flesh color.

18. Tuer yellow = ochre + flesh color + rose (one point).

In gouache pigments, each color has its own unique characteristics due to the different pigment compositions. These include mineral pigments and plant-based pigments.

For example, white has a strong covering power, but once mixed with other colors, the degree of hue change will be very large, yellow has a weak covering power, purple is easy to invert colors, and so on.

There are unique solutions in the actual painting process. These issues should also be taken into account in the relatively gray modulation.

High-grade gray is more difficult to grasp in color painting, usually, just grasp the height and purity of color, the purity of the bottom is gray, and there are more things to consider in painting color in the picture, such as the interaction and change between inherent colors, environmental colors, and light colors. In short, if you practice more, you will have a feeling, and the addition of the two colors will reduce the purity of the original color, and you can also add white, that is to say, several colors will become gray if you want to add. It's just that it's hard to grasp the things inside, so you can start by copying.

Not recommended for beginners. Take your time. When it's painted, it's high-grade gray. If the painting is broken, it is dirty.

Just add a little complementary color!

Commonly used high-grade grays are: moon bud yellow gray, light crab gray, light green gray, red bean paste, gray bean green, rice camel, blue lotus and so on. In the hue you can use two complementary shades on the hue ring to make a high-grade gray, such as red and green, yellow and violet.

Complementary hues and, the color is gray, one of which is a little more, that is, the gray has a tendency, no matter how many high-grade gray are made of, red, yellow and blue three primary colors white blended out, such as red complementary color is green, red + green + white = advanced gray, yellow complementary color is purple, yellow + purple + white = advanced gray, etc., these advanced colors are a color + complementary color + white = advanced color, in the painting is generally warm or cold.

Yellow Gray = Flesh Color + Lemon Yellow + White + Sky Blue (one point), Egyptian Gray = Earth Yellow + Olive Green + White, Swan Gray = Gray + Pink Green + Sky Blue + White, Cold Grey = Earth Yellow + Yellow-Green, High-gloss Gray = White Sky Blue, Blue Gray = Pink Green + Lake Blue White, Pear Gray = Olive Green + Medium Yellow + Earth Yellow, Purple Gray = Rose Red + Sky Blue + White, Apple Gray = Yellow-Green + Medium Yellow.

In fact, some high-grade gray is really difficult to adjust, so I personally think that it can be matched, Ailong 40-color high-grade gray, very easy to use, cost-effective, very simple color mixing, combined with solid color can be adjusted out of a lot of different colors, saving time and effort. The pigment is heavy, delicate and smooth, with natural strokes that won't be gray or dirty. It is especially suitable for training camps.

In the later stage, if the foundation of color mixing is not solid, or students with color weakness and color blindness, if they want to improve the joint entrance examination, they can use the 83 colors of the Ailong free pigment series, which is composed of 22 colors of pure color + 61 colors of high-grade gray, rich in color, no need for color mixing, directly and boldly paving the color, the picture has a sense of hierarchy, will not be gray, dirty, special tuning and durable, very natural, and the brothers and sisters who have used it say that it is very good. You can try it.

It is usually black and white, depending on the painting. Or plain blue, deep red and white.

If it is a painting with a high grade of gray, there are the following techniques:

Complementary color method: use the color wheel to match the color, three colors and two colors and one color, such as red is purple and orange, orange is red and yellow, yellow is orange and green...On this basis, another way to tone white is red, yellow, blue, green, orange, purple and white, which is red, yellow and white, and blue-gray, red-blue-white, yellow-gray, yellow-blue-white, yellow-blue-white, red-gray, green, orange, and purple.

This is the law, and in practice it depends on the influence of the ambient color.

Warm and cold modulation method: the color of the cold color and the color of the cold color will be mixed gray, and then the white is all high-grade gray, the definition of high-grade gray is not only the multi-layer mixing of its own color, but also the color relationship between the color and the contrast between the color.

Gray is black plus white, if you want to adjust high-grade gray, such as blue gray, there is a small amount of blue + gray in it, which is black + white + blue, and so on, what to add, painting gouache is nothing more than black + black. White + white, see what color + what color, don't be too restrained about the pigment, and use bold colors.