Ace Advance!! How do you draw a background in gouache?

1.The overall sense is too blunt and the hierarchy is not clear enough. Especially before and after the cloth pattern: fresh gray, cold and warm expression is not enough.

2.The subject should be bright and cold, and the other background should be the opposite.

3.The background pattern should continue to warm and gray as it moves farther away from the main object, and the color becomes thinner and thinner. It's kind of like a divergent type.

4.The cloth pattern is expressed as loosely as possible, and the painting is not too rigid and specific. The farther away from the subject, the blurrier it becomes.

5。The front is bright and cold, and the warm gray point in the back makes him stand back.

The background is in the back, it doesn't have to be too clear, but it must be tangible, that is, the general outline, the color should look at the whole, look at the hue, if the whole hue is a little hot, you should draw a little lower temperature on the background to make the whole tone harmonious, the picture must be harmonious.

When painting the canvas, we should pay attention to the trade-offs, you can omit some cloth patterns, depict the key points, so that the picture has a sense of space, and the canvas in the picture is too hard, you should add the ambient color, a little more layer, you can melt a little with water.

Spread large color blocks first.

The bright part is brightened with white on the basis of the original color.

Add more other colors to it, make it a little grayer, add an ambient color, and if it's a little colder, it will naturally recede.

The outline line should be drawn first, and the different colors should be traced, after all, there are shadows, and the colors are different in depth.

Put the good concentration. Hold the light image.

A master passing by!! Means powerless!

Gouache and sketching have something to do with it. If you want to learn gouache well, you must have a strong sense of color and have an understanding of the basic theory of gouache painting. Color grading is very important, and the picture must not be dirty.

This is very important!!

To draw some, such as thinner. Penetrate. For lighter expressions, it is necessary to dilute the pigment with more water.

At the same time, when you are coloring, you should focus on the main color of a painting. If you have a certain foundation in painting, then you don't need to worry about this problem, you can copy more good works first. If you copy more, the problem of color grading will be solved naturally, and you will not be afraid of sketching.

When the inter-color is mixed with the inter-color, it becomes a variety of grays. Red and yellow turn to orange, red and blue turn purple, and yellow and blue turn green. Red, yellow, and blue are the three primary colors, while orange, purple, and green are the three colors.

When the inter-color is mixed with the inter-color, it becomes a variety of grays. But gray should have a tendency to color, such as: blue gray, purple gray, yellow gray, etc.

1.Red and yellow turn to orange - 2Less yellow and more red to dark orange, 3

Less red and more yellow to light yellow 4Red and blue turn purple – 5Less blue, more red to purple, plus more red to rose red, 6

Yellow and blue turn green - 7Less yellow and more blue to dark blue, 8Less blue, more yellow to light green9

Red plus yellow and little blue turn brown - 10Red and yellow and blue turn gray and black (a variety of different shades of color can be adjusted according to the amount of weight).

1. The overall tone is gray, because the contrast between light and dark, cold and warm is not strong. For example, the wrinkles on the interlining are not obvious, and the color is not strong, and you will feel that the interlining is a little flat and gray.

2. The dark part should be aggravated, such as the backlight side of the jar.

3. The color used for highlight brightening can be pure, that is, the purity should be higher. The transition between light and dark should be more pronounced, which will make the object more decent (three-dimensional).

4. If the shadow is not enough, it will make the object float, that is, it does not feel like it is really pressed on the interlining.

5. Sometimes you can use the contrast color appropriately, which will enhance the three-dimensional sense and contrast of the object. For example, the dark part of the green apple is warmer because of the dark tone, you can add a little green contrasting color, which is warm, so that the apple can be more rounded.

6. The edge of the overlapping object should be slightly clearer, such as the junction between the plate and the interlining, and the junction between the interlining and the interlining.

Another: The highlight of the can body is a bit big and unreal, and the highlight portrayal of the mouth of the can is a bit too much. will appear as a jar flat rather than a cylinder. The same is true for the handling of plates.

In short, the place that should be deep should be deep, and the place that should be bright should be brightened. Pay attention to the contrast between shadows and light and dark. The junction of objects should be properly stuck.

That's all for now.

Modeling and color need to be strengthened, observe things more, to find some colors, to be decisive under the pen, affirmatively, don't drag the mud and refuse to write, and pay attention to the front and back, primary and secondary, virtual and real relationship. Copy more, see more, sketch more, come on.

Your fruit is well drawn, and the light and shade are also in place, but your background transition is not enough, which also causes the three-dimensionality of your picture In addition, the colors in the yellow and yellow background are all recorded together It's a bit messy I'm studying art This is just a little bit of my opinion If it's not right, you can also correct me My answer is for reference only Come on, keep up the good work!

Well, the ambient color is really there, I feel that the interlining color is a little dirty, not only the interlining color is dirty, but the whole painting is dirty, it's too gray, and it's all gray when you replace it with a sketch.

The heavy color is not enough.。。。 You have to pay attention to the real and the false. It's going to be brightened up in front of it.。。 Your color is too floating. Although it's the style of the Academy of Fine Arts. But the heavy color still has to be pressed.。。

Beginners start their painting process from sketching, color and sketch are two forms of painting that are interrelated and different from each other, when we can see a certain color relationship, how can we shape a group of still life to feel enough and have a strong sense of space?

Without the specific connection of sketching, the shaping of color may never be possible. Therefore, when we are faced with a group of still lifes, in addition to trying to observe, rational sketching ability is the basic basis for body shaping, of course, we can't sketch for the sake of sketching, blindly emphasizing the relationship between light and dark may lose the meaning of color. Sketching with color is a taboo in watercolor painting.

How? It is possible to analyze the basic form of "three sides and five tones" in a general way, emphasizing the independence of brushstrokes, and reducing an object into a limited number of colors, that is, the block surface painting method. In this way, the picture will be clearly layered, the colors will be concise and clear, and with the change of brushstrokes, the work will appear clean and neat, with a strong form and strong expressiveness.

As for the shaping method of the block surface, beginners can practice more color gradation from light to dark to distinguish the color level.

1. Introduction to gouache painting.

Gouache painting is a type of Western painting, which refers to works of art painted with gouache, watercolor brushes, oil brushes, Chinese brushes, etc. A picture of a mixture of powdery pigments mixed with water. The gouache color is generally opaque, and it has a strong covering ability, which can be deeply and meticulously depicted.

When used properly, it can have both the richness of oil painting and the brightness of watercolor. There are two basic painting techniques: dry painting and wet painting. Because gouache painting absorbs some techniques of watercolor painting, it is vivid and loved by people.

2. Selection of gouache tools and materials.

1: Brush: gouache painting with a free brush, there are many types of brushes to choose from, such as: gouache, watercolor pen, oil brush, Chinese brush, makeup pen, spatula and homemade pen, etc., painters can choose according to their own painting habits and the degree of love for the pen. Generally, the brush of gouache painting requires that the brush tip should be round, square, pointed and flattened, and the size is different, so as to facilitate the expression of any depicted object.

2: Paper: Gouache paper is also relatively casual, generally using harder and thicker paper, and even newspapers and whiteboard paper can be framed on the board to draw landscape paintings or advertising paintings. The soft paper is easy to wrinkle, the paper that is too hard and brittle is easy to break, and the oil painting paper and double offset paper do not absorb water at all and are difficult to hang color, so it is not suitable to use gouache painting. Strictly speaking, to draw and save a good gouache painting, it is best to use gouache, watercolor, card and other paper, they are convenient and easy to use, and their picture effect can be preserved for a long time.

3: Pigments: At present, the gouache pigments often seen in the market are: titanium white, lemon yellow, light yellow, medium yellow, dark yellow, Shi yellow, orange red, vermilion, big red, sunset red, summer red, dark red, pink, rose red, violet, green lotus, ultramarine, dark blue, general blue, emerald green, grass green, light green, ripe brown, dark brown, brown, black, etc., with these colors, you can depict colorful and vivid gouache paintings as you like.

4: Cleanup Tool:

When drawing, you need to prepare a suitable pen washing holder, such as a small plastic bucket and a large canning bottle. Generally, the mouth should be larger, so that it is easy to quickly rinse the brush in the water when you are nervous about painting. In addition, when painting, you should also prepare a sponge or find a cloth with strong absorbent water as a cleaning tool.

It serves two purposes:

1) When cleaning the pen, the nib is always worn with a lot of water, and with this tool, you can use the pen to gently wipe it upwards to absorb the excess water on the nib.

2) When the color is too thin or the pen is too colored, you can also control the amount of moisture and color on the pen tip, especially when the picture needs to be dry, this cleaning tool is very important. In addition, when you're done, you can use a rag to clean the palette and keep your drawing tools tidy.

Be bold in your drawing, not in parts.

2. Deal with the relationship between light and dark and environmental color.

3. The color should be rich, and if you can't see the green, the green is green, and the red is red.

4. Gouache cannot be painted in solid colors.

5. Master the dryness and wetness of the water.

6. Go outside to sketch more, the colors in nature are very beautiful.

7. Master the properties of gouache. Because the color will darken when the gouache dries.

Draw near objects, and the brushstrokes should be visible.

When painting distant objects, the brushstrokes should be subtle.

Draw the bright part, and the brushstrokes should be clear.

Draw the dark part, and the brushstrokes should be blurred.

First far and then near, first deep and then light.

First gray and then glamorous. Wet first and then dry.

First the whole and then the part.

The composition is beautiful, black, white and gray, large contrast, five levels, three factors.

For example, paint the dark part of the apple with plain blue, dark red, ripe brown, etc.

Reflective medium green, etc.

Intermediate colors are bright red, dark red, white, a small amount of orange, etc.

The color of light is bright red, vermilion plus white and yellow, etc.

Projection with ultramarine, purple, earthy yellow, white, etc.

Sometimes it's beautiful to put the primary color straight on.

Read more books to be familiar with the pigment and master it For example, ripe brown is greenish and cold, ochre is reddish and warm.

First of all, my question about the three major things.

There are many requirements for sketching. First of all, the composition is accurate, and then, you need to make a big shape and show a sense of volume, the shape must be accurate, if it is not accurate, don't tone it up first. Once this step is done, you will begin to tone up as a whole, remember, the portrayal should be accurate, and pay attention to the grayscale distinction, and do not use a 2B pencil to the end.

Finally, there is the deepening and adjustment phase. You have to see if your painting has space, volume, and layers. When going deeper, you should pay attention to the overall observation, go deep in the parts, and do not stare at one place to draw to the end.

Gouache. It's hard to say about this. The shape of the gouache is not very demanding, mainly your color.

It must be unified as a whole, with a large tone, such as warm colors, ants or cold colors. Read more books and get a good understanding of some terms. And gouache should not add too much white, otherwise the painting will be powdered.

Coloring, don't add water, otherwise it will become a water group to dismantle the hall color. Pay attention to the humidity and viscosity of the color.

Hope you benefit from it.

Sketching is to be accurate, light and dark unity, in-depth depiction; Gouache is the standard, and then boldly use color to apply the knowledge of sketching.