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The sixty-fourth episode of Hu Yan Zhuo Moonlit Night earns Guan Sheng, Song Gongming.
Xue Tian captured Suo Chao Wu used the plan to break through Guan Sheng's siege of Wei to save Zhao, and gradually retreated. Hua Rong, Lin Chong.
Ambush both sides of Feihuyu and repel the pursuers. Song Jiang.
The soldiers returned to Liangshan. Zhang Heng robbed Guan Sheng's village and was captured. Sanruan and Zhang Shun rescued Zhang Heng, and Ruan Xiaoqi was captured.
Hu Yanzhuo surrendered, Guan Sheng did not doubt, stole the camp at night, and Guan Sheng was captured. On the Hall of Loyalty, Song Jiang treated Guan Sheng seriously, Guan Sheng died if he wanted to, and then he was moved by righteousness and became the front striker of the attack on Beijing. defeated Suo Chao as soon as he fought, and Wu Yong deliberately lost to Suo Chao in the first battle.
and let him go into the city with joy. Wu dug a sinking pit in the snow, led Chaochao to chase after him, and was captured by the ambush soldiers.
The sixty-fifth episode of the Tuota Heavenly King appeared in a dream, and the white strip in the waves reported the grievances Liang Zhongshu could not hold out, Song Jiang treated Suo Chao with courtesy, and Suo Chao returned to Liangshan. Song Jiang was sick, Zhang Shun wanted to go to Jiankang Mansion to ask An Daoquan to come for treatment, but Zhang Wang was thrown into the water on the Yangtze River boat and stolen and entangled. Zhang Shun bit the rope, went to Jiankang Mansion with the help of Wang Dingliu, killed the fireworks prostitutes, and forced An Daoquan to go up the mountain.
He threw Zhang Wang down in the Yangtze River boat and persuaded Wang Dingliu to go to Liangshan. Dai Zong made the Shenxing Dharma take An Daoquan up the mountain and cure Song Jiang's illness. Wu Yong wanted to conquer Beijing in the Spring and Autumn Period and rescue Lu Junyi and Shi Xiu.
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1. Synopsis.
The sixtieth episode, Wu used wisdom to earn jade unicorns, and Zhang Shun made trouble in Jinshadu at night.
Wu Yong and Li Kui went to Beijing together and said that Lu Junyi had gone up the mountain. Wu used to tell Lu Junyi that within 100 days, the corpse was in a different place. said that he could take refuge thousands of miles away from the southeast, and left four lines of song for Lu.
Lu Junyi's family stayed in Yanqing, and took Li Gu to take refuge in Tai'an Prefecture, Shandong Province to burn incense and watch the scenery, passing through Liangshanbo halfway, and was fought by all the heroes in turn, and fled to Li Jun's boat, where he was capsized by Sanruan, Zhang Shun and others.
2. Introduction to the original work.
The Water Margin is one of the four great Chinese masterpieces, which describes the uprising of 108 heroes led by Song Jiang in Liangshan in the late Northern Song Dynasty, as well as the story of accepting Zhao'an and fighting everywhere after Juyi. This is also one of the most epic works in Chinese literature. It is one of the earliest chapters written in vernacular in Chinese history.
There are many editions, which are widely circulated and popular, and have had a profound impact on narrative literature in China and even East Asia.
3. Theme of the work.
Water Margin, with its outstanding artistic depiction, reveals some essential aspects of the process of the occurrence, development and failure of peasant uprisings in feudal China.
The social significance of "Water Margin" lies in the fact that it profoundly exposes the darkness and decay of feudal society and the crimes of the ruling class, and explains that the fundamental cause of the peasant uprising is "official coercion and civil rebellion".
The artistic achievements of "Water Margin" are prominently reflected in the creation of characters, and at least one or twenty typical images with distinctive personalities appear in the book, which are flesh and blood, lifelike, and leap onto the page. The reason why "Water Margin" has become a work of great influence in the history of Chinese literature is not only because of its rich ideological content, but also because of its artistic maturity. "Water Margin" inherits and develops the excellent traditions of realism and romanticism, and combines the two.
4. Literary influence.
"Water Margin" is the first long story written in vernacular in Chinese history, creating a precedent for vernacular chapter hui. In the Ming Dynasty, it was included in the "Four Great Strange Books". Since modern times, the "Four Strange Books" have evolved into the classical ** "Four Great Masterpieces", and "Water Margin" is one of them.
The style, conception and concept of "Water Margin" have had a significant impact on later generations of China and even East Asia.
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