Salar song is a folk song of the Salar people, what are its characteristics?

Some folk songs, such as the ancient Brazilian yo-yo, are said to be primitive folk songs brought by the ancestors of the Salar people"Pasir Guyo" is a transliteration of the Salar language meaning round head, which is a love song sung by the Salar people in their own national language.

The most popular holiday song of the Salar is Isalma, Arima, Second Uncle and Saha, I love Jesús, which is called "Family Talk" "Alima" is a dress that praises the women of all ethnic groups living here.

In this song, the bride expresses her feelings when she gets married, which is a bloody and tearful indictment of feudal commercial marriages. As the song says, "Sahes, I cried and cried."

Barley and oats are grown together. When the black barley was ripe, they took it home, but the oats were scattered in the clearing. My hair is not long, my bone marrow is not thick, the engagement gift is treated as gold, and I am thrown away as a tile......"Your Herthos is an exhortation to the bride after sending her to the man's house.

Through vivid metaphors and proper reasoning,Teach newlyweds to respect their elders; We encourage people to take marriage seriously, love each other, grow old together, and ask family members to take care of "unreasonable" brides and educate them with words and deeds. The Salar "flower" Mengdaling has the melodic characteristics of the Tibetan "lai" (a kind of love song), which obviously absorbs the elements of Tibetan folk songs. The Hui banquet songs "Mo Naihao" and "Agate Song", Tibetan folk songs and Han folk songs, like a spring flow, enrich the Salar people.

"Saffron Order", "Three Rise and Three Fall Order", etc., loud and bright, beautiful lyrical, free rhythm but not loose,The use of the salar sentence pattern, compared with other ethnic flowers, has a unique style.

"Salar song" is a lyrical folk song sung by the Salar people in their own language.

Before the wedding banquet, it is completed by the elderly woman who sends off the relatives, the tune is melodious, the lyrics are profound, the life is very wide, and it contains a profound philosophy of life.

The Salar song has a beautiful style, a moving melody, a bright rhythm, an appropriate metaphor, a profound artistic conception and a harmonious rhyme, which is deeply loved by the majority of Salar people.

"Salar Song" is a folk song of the Salar people, the song is beautiful and the sound is very loud.

Salar is the main art form of Salar folk singing, which is mostly sung in the national language and is also used in major festivals.

Interact with Hui, Tibetan, Han and other national costumes and blend with each other. However, the dress of the Salar is largely the same as that of the Hui.

It has created a colorful and charming national folk dance, which has become a valuable asset to enrich the spiritual and cultural life of the nation, but since the Qianlong period of the Qing Dynasty, after the Islam of the Salar people began to divide into factions, due to religious interference, these dances have been confined for a long time, and they are not allowed to be performed in public.

This is the main art form of Salar folk singing, which is mostly sung in their own language or in Chinese.

Salar folk songs have two characteristics in total:One is the melodic key, which in turn is divided into two aspects. The first aspect is composed of two thirds, not the traditional melody ascending, but the melody turning, that is, the minor third plus the minor third; The second aspect is the "two-four-two" structure.

In addition, many of them use feather and horn tones, mainly in the pentatonic scale, and occasionally in the six-tone scale, to express the changes in emotions. <>

The second is the curved structure. There are three compositions in total, a single phrase repeat, a double phrase repeat, and a multi-phrase variation repeat. Although the material is single but the character is distinct, different development techniques are used, and there is a lot of improvisational treatment.

Salar folk songs have important cultural value and also influence the formation of folk songs of other ethnic groups. But now because more and more young people have lost interest in Salar folk songs and turned to pursue pop songs. Most of the old artists who are familiar with Salar folk songs have passed away, so that Salar folk songs have gradually lost their inheritance.

There is a lot of classic repertoire of Salar folk songs. The original folk song of the Salar people, "Brazil Ancient Yoyo", is composed of short poems of various meanings, which vividly depicts the beauty of their sweetheart and expresses their beautiful feelings for their sweetheart. There are also songs of the same type, "Salar Sai Sibuga" and "Emperor Awune".

"Sahes" is a wedding song. What is special is that the tone of this song is not joyful, but sad, and it is an indictment of feudal married life. In this song, it was written that I was crying on my wedding day, and before my body was grown, he threw me out of the house as a tile.

However, "Uzhe Jesus", "Alima", and "Meng Daring", which are also banquet songs, have completely different tones. These three songs are positive, like a trickle of small springs, the melody is melodious but the lyrics are profound, through metaphors, I hope that the husband and wife can grow old together, and hope that the marriage can be happy. It can be said that the folk songs of the Salar people are distinctive.

Some folk songs, such as "Pasir Gu Yoo", are said to be primitive folk songs brought by the ancestors of the Salar people. "Brazil Ancient Yoyo" is the transliteration of the Salar language, which means the round head, which is the love song sung by the Salar people in their own language, using the technique of comparison, praising the sweetheart, the rhythm is cheerful, the melody is smooth, and it is easy to express feelings. In addition, the works that have been widely circulated and have great influence include "Salar Sai Sibuga" and "Emperor Awune", etc., which are composed of many short poems of independent meaning, with beautiful vocabulary and vivid metaphors.

For example: "Sarassai Sibaga, skillfully make mouth strings; Ana Hongyan Aunt, clever tongue and ......!When singing the salar song, you can touch the scene and improvise the lyrics.

Banquet song. The more popular salar feast songs include "Ishar Maxiuer", "Arima", "Uncle", "Sahes" and "Uzhehiss", which is called "the dialect of the family". "Alima" is to praise the dress of women of various ethnic groups living here, and each lyric praises the costumes of women of a nationality, which has become a valuable material for folklore studies on national costumes.

Sahes, the Salar language for crying marriage tune, is a kind of sad song for the bride to express her feelings such as bitterness when she gets married, and is a bloody and tearful indictment of feudal marriage of sale, as sung in the song: "Sahes, I cry and cry, the barley oats grow together, the black barley is ripe and return home, but the mango oats are scattered in the open space." My hair has not grown, my bone marrow has not grown, I take the dowry as a ** to enter the door, and I am thrown out of the ...... as a tile”

"I Rejesus" is a kind of entrustment to the other party after sending the bride to the man's house, which is completed by the woman's elder before the wedding banquet, with melodious tunes, profound lyrics, a wide range of life, and a profound philosophy of life. Through vivid metaphors and appropriate reasoning, newlyweds are taught to respect their elders; exhort people to be serious and cautious about marriage; Husband and wife love each other and grow old together; Ask the in-laws to take more care of the "unreasonable" bride and teach them by word and deed.

Flower. Salar "Flowers" and "Meng Darling" have the melodic characteristics of the Tibetan "Rai" (a kind of love song), which obviously absorbs the elements of Tibetan folk songs. The banquet songs of the Hui nationality "Mo Naihe" and "Ma Wuge", the folk songs of the Tibetan people, and the slang songs of the Han nationality are like a stream of clear water flowing in, enriching the salar song.

Sarah's "Flowers" is no exception, but without losing its own unique style.

Meng Daling", "Salar Order", "Three Flowers and Grass Order", "Qingshui Order", "Water Red Flower Order", "Three Ups and Three Falls", etc., are high-pitched and loud, tactful and lyrical, the rhythm is free and not loose, and the use of Salar language lining sentences, compared with the flowers of other nationalities, it is unique and has a unique style.

In the late Qing Dynasty, the Salar Muslims in Qinghai rebelled, and the governor of Shaanxi and Gansu went to Qinghai to suppress bandits, and died in a flash flood in Nianbo (now Ledu).

The Salar people are a people who are good at singing, and in the long-term historical development, they have created a rich and colorful nation**, and they sing historical stories and folk legends in the form of folk songs. Some of the contents praise the fearless spirit of the people in fighting against nature, and some criticize the unreasonable feudal marriage system, and so on, vividly depicting the traditional customs and human feelings of the Salar people and their yearning and pursuit of a better life. In addition to the language of the Salar people, the Salar folk songs also use Chinese and Tibetan languages, which not only adds a strong national flavor and local flavor, but also reflects the influence of other ethnic cultural factors on the Salar people.

There are many kinds of Salar folk songs, and in the long-term historical development process, they have formed a colorful and distinctive ** form and singing style. The Salar folk songs maintain the ancient ** style of the Salar people, showing an original and original ecological style, and its lyrics are also the essence of the Salar language. On November 11, 2014, Salar folk songs were approved to be included in the fourth batch of national intangible cultural heritage list.

Salar folk songs are closely related to the living environment, national character and labor mode of the ethnic group, and in the development process of Salar folk songs, in addition to retaining some of their own characteristics, the culture of other ethnic groups also has a certain influence on the formation of their singing style.