How to grow the long tone of the bamboo flute quickly, and how to practice the long tone of the flut

Upstairs was right, but it was off the ......The long tone is the foundation, and the foundation is very important. To have a long sound, of course, you must know how to breathe. To put it simply:

Inhale deeply and exhale slowly. Inhale as deep as possible each time to ensure that you have enough air. Be correct during the exhalation process, as the tightness of the breath also affects your control of the airflow.

Breathing techniques include chest breathing and abdominal breathing, as well as a combination of chest breathing and abdominal breathing. The latter two are more effective. I'm a girl, and my qi is also insufficient, so I generally use the third type.

When the qi in the chest cavity is used up, the muscles in the lower abdomen tighten, and then it can continue for about 6 seconds. When you practice, your abdominal muscles will feel sore, like the kind of sour that makes your stomach hurt when you laugh too hard. After a long time, I got used to it.

In this case, my long notes range from 12 to 15 seconds, with longer mid-bass tones and shorter trebles. Ten seconds in one breath is a standard practice, but in fact, eight seconds is enough to blow an ordinary solo. There is a simple method of practice, which my teacher calls "qigong exercises".

Every morning, you can breathe deeply and exhale slowly, ten minutes is enough. ......It feels like practicing qi in martial arts. When you inhale, there is a way to grab the air, which is also a skill, which is to inhale exaggerated and deep in an extreme (less than half a second) time.

If you don't breathe deeply, it's not long enough.

Practice for an hour every morning with the key of C.

1. Pay attention to your own conditions, and make your two hands more coordinated through long-term learning. Before learning the flute, it is necessary to check whether the natural conditions meet the basic requirements for learning the flute.

2. Learn staves, before learning the flute, learn the knowledge of staves.

3. Pay attention to the practice of long tone, and practicing long tone is one of the important forms of learning the basic skills of flute. Through the practice of long tones, the mouth shape can be strengthened and endurance can be strengthened. The practice of long notes requires blowing a long, steady note after each deep breath.

The duration of each note should be no less than 15 to 20 seconds.

4. Pay attention to scale practice, which is an important part of the basic training of flute, which can practice the independence and flexibility of the fingers and the coordination of both hands.

5. Break through the key passages, in some scales, etudes and music, there will be individual phrases and passages with a certain degree of difficulty and complex rhythm, such parts are usually called "key passages". It is necessary to place the key passages and familiarize yourself with their notes, ascending symbols, and rhythms.

Changyin is the most basic way to play the bamboo flute well and practice luck, and it plays an important role in enhancing the strength of the mouth and the ability to control the breath and the coordination between the two. You can practice for about 10 minutes every day before playing the piece to achieve freedom of use.

There are three things to keep in mind when practicing:

Intonation When practicing long tones, in addition to paying attention to the accuracy of the scale, you should also pay attention to the consistency of the pitch of each note from the beginning to the end, and it cannot be high for a while and low for a while. When blowing bass, the damper is large, the mouth is slow, and the "mouth strength" should be relaxed; When blowing the high tone, the damper is small, the mouth is urgent, and the "mouth strength" should be tightened. "Damper", "Mouth Wind" and "Mouth Strength" can maintain the pitch when they work closely together.

Timbre - when blowing bass, the timbre is required to be mellow and rich; When blowing high notes, the timbre should be crisp and bright to prevent air leakage.

Breathe – Breathe naturally when blowing. The number of breaths per breath depends on the length of the phrase. Generally, long phrases should be inhaled more and short phrases should be inhaled, and it should not be excessive or insufficient, otherwise it will cause busy breathing and affect the fluency of blowing.

The best way to do this is:

Let's start with that; If you don't have a flute, you can practice; I first held my breath and endured it; and then yell him out; Don't stop; But it would be better if there was a flute.

For beginners, we learn the flute, and I suggest that you don't blindly pursue speed in the early stage. Because learning the flute, practicing the foundation is a relatively long process, but if there is a way, you can practice the foundation at the same time, improve your love for the flute, today I share with you is how to practice the long tone of the flute in the boring process, not only make the practice not boring, but also become more interesting! What's more important is to practice the breath well, in fact, there is a way to do this!

The first point, before practicing the long tone, we should have a general understanding of our breath, if the breath is not enough, practicing the long tone is quite uncomfortable, and it may be accompanied by a feeling of dizziness, so before blowing the long tone, I suggest that you first practice the breath, of course, the long tone is also a good way to practice the breath, but when you first start blowing, you can blow the long tone a little shorter, such as: 1?When you are out of breath, you have to hold on until the last second, because what really works is the last second, just like a marathon, and you are the winner who persists until the end!

The second point is that I suggest that you practice deep breathing exercises several times each time before practicing long tones, first take a deep breath, and then exhale slowly, pay attention to your breath, be sure to be steady, slow down, and exhale. In this way, you can achieve the desired effect, repeat the practice about 10 times, you are starting to practice the long tone, to ensure that you will feel the breath through the whole body, there will be no breath, this is also a warm-up exercise, whether it is performing on stage, or practicing the flute, everyone can do this. After all, when you watch TV, many athletes also have to warm up before going on the field, so as to give full play to their greatest advantages!

The third point is that when you practice the long tone, you must insist on blowing from the first breath until you don't have any breath, what effect is this? Let me tell you, if you persist like this for a month, and you go to play a tune that is not enough for the usual breath, you will be pleasantly surprised to find that the tune that you used to play without breath has suddenly become very simple, and you can play it very easily. That's the benefit of long tone practice.

That's why I recommend you to practice like this!

Everyone learning the flute must uphold a heart of love for the flute and a heart of respect for the flute, so since you have learned, then I hope that you will keep persevering, you will have a harvest, and you will have a great improvement, whether it is playing the flute or doing things, it is so! Thank you for reading.

What exactly is the problem? You're talking about this thing, right?

Personal experience, there are long notes in the song, most of the rhythm is not very fast, there is no need to grab the gas, and the general rush is in.

1. Between the eighth note and the sixteenth note, when the sound is continuously spitted (I don't express this well, the music theory of our learning folk music is not systematic to learn.......)This one is the most commonly used.

Figuratively speaking, the use of - for eighth notes and = for sixteenth notes, when the song requires continuous voicing to deal with a large series of similar --= or ==-, each -= is a reference point.

2. The attached point is a reference point that can grab the air, and so on, the second half of the syncopated tone is also an attached point, so you can also consider grabbing the air Of course, this rule will have a certain damage to the continuity and beauty of the song, and it is generally not easy to use or only used when the beginner's breath is not enough.

In addition, songs like "Three-Five-Seven" have a lot of long notes, and beginners can't catch up with it, but it uses cyclic ventilation, and there is nothing to grab gas.

If you are a beginner, there is no need to deliberately give yourself so many restrictions to practice qi, every day for a quarter of an hour to half an hour, you can practice the long bass tone, the basic practice is really boring, but I promise you to do it for a year, this kind of question will not be asked again. Of course, the premise is that you have to master the correct ventilation method of the so-called "Qi Shen Dantian".

I am a flute learner, if you are too, it is recommended that you practice the flute first, inhale the breath to the dantian, be careful not to be too nervous, relax the whole body, and then exhale slowly. When you are in the bass, you can turn the flute inward, and when you are in the high tone, you should open your chin, and the qi should be exhaled directly from the dantian. Come on!

First of all, you have to take a deep breath, and then exhale naturally, so do it several times, you are picking up the flute, and you are in the same state as taking a deep breath before, very natural, flat blowing, you don't need a lot of force, but also pay attention to the pitch and timbre, so that the long tone you blow out is very good.

If you really want to blow long, you must use abdominal breathing. You can lie flat and put your hands on the sides of your stomach to feel how you breathe while lying down. When blowing, control the speed of the airflow, practice more on the premise of ensuring the full timbre, inhale well every time, the airflow is stable, and blow until the air is finished.

It will naturally grow with effort. It is advisable not to try air tremor until there is a certain foundation for long tones.

Inhale first, inhale a breath for a while, blow out slowly, try to take as long as possible, of course, when you first start practicing, you use too much air, it is easy to cause dizziness, which is very normal...

You can do more aerobic exercises, long-distance running, and swimming are very useful for exercising long tones.

When blowing a long tone, ensure that it is long and stable.

1) Pay attention to your own conditions.

You can learn a lot of knowledge and flute playing skills, and you can also make your hands more coordinated through long-term learning. In particular, the ring fingers of both hands can be specially exercised and targeted. Therefore, before learning the flute, you should check whether your natural conditions meet the basic requirements for learning the flute, such as:

Lips, teeth, length of arms, length of fingers, flexibility of finger bending, natural flexion of wrists, length of ring and little fingers, and more. Especially for those who plan to enter a professional group in the future, if all the above natural conditions are met, then it will be twice the result with half the effort and it will be a matter of course.

2) Learn staves.

Before learning the flute, you should learn a little bit of stave, so that learning the flute will feel quick and convenient. In the process of accompanying their children to study, some parents often like to mark the name of the corresponding notation on the staff, but in fact this is very wrong and unscientific, because it will affect the child's phonemic fixation of the staff.

3) Focus on long tone practice.

Practicing long tones is one of the important forms of learning the basic skills of the flute. The mouth shape of beginners is still in an unstable state, and through the practice of long notes, the mouth shape can be consolidated and the endurance can be strengthened. The practice of long notes requires a long, steady note to be played after each deep breath.

In general, the duration of each note should be no less than 15---20 seconds. This is undoubtedly an excellent breathing exercise for beginners.

4) Pay attention to scale practice.

Scale practice is the most important part of the basic training of the flute, which can not only practice the independence and flexibility of the fingers, but also the coordination of the hands. Scales practice includes arpeggios, broken chords, and practicing scales can familiarize you with the fingering and tonality of various keys and improve your finger reflexes.

5) Break through key paragraphs.

Often, in some scales, etudes and pieces, there are always individual phrases and passages that are difficult to play, not very easy to finger and rhythmic, and are often referred to as "accents". These are the obstacles that prevent us from playing the whole song in its entirety, so we must overcome them one by one. First of all, you need to delineate the position of the key passages, then figure out the notes, ascending and descending symbols, and rhythm, and then choose a reasonable order of fingering, and you can overcome the difficulty by dividing the way.

When practicing, remember to take your time, you can't increase the speed very quickly as soon as you come up, slow practice is the most scientific method and magic weapon to solve the key passages. At the same time, it is necessary to practice this important passage repeatedly, sometimes up to 30 times or more, until you master this passage. Finally, the whole piece is played in a coherent manner.

If the flute is not practiced in the correct way, it is easy to lack oxygen and cause dizziness, so it is necessary to use the dantian (that is, the belly laughing book loss) to blow in order to learn the long tone efficiently.

To practice long tone, you must first have a correct standing posture, not shrug your shoulders, your shoulders should be flat, you should not bulge your left foot in front and your right foot in the back, your body center of gravity should be on your left foot, and your eyes should be level with the front.

When blowing a long sound, the mouth shape is grinned and smiling, that is, the damper is reduced, but the mouth shape cannot be changed. If the damper is smaller, the amount of air used will be smaller, and the gas will naturally be enough, so that the sound of blowing out and touching the gods will be longer. If the mouth shape is incorrect, the treble will not go up with caution.

When blowing a long sound, you should inhale through both your nose and mouth, and inhale a breath into your mouth before blowing, and blow it out slowly as you blow.

Blow slowly and steadily, pay attention to the rhythm, do not blow too long on one note and too short on the other, it is best to blow eight beats per note when practicing.

When practicing long notes, it is common to practice scales, starting from the bass and continuing to the high notes, repeatedly, in a loop. It's best to spend half an hour a day practicing long tones.