When was Qinghua porcelain unearthed?

1.The historical background of blue and white porcelain.

Blue and white porcelain is a type of traditional Chinese porcelain with a long history that originated in the Tang Dynasty. During the Yuan and Ming dynasties, blue and white porcelain developed rapidly and became an indispensable type of traditional Chinese porcelain at that time. It is made of ground porcelain as raw material and copper and cobalt ore as dye, which is fired at high temperatures.

The porcelain body of blue and white porcelain is white and transparent, and the surface is painted with blue patterns, which is full of mysterious oriental atmosphere.

2.The production technique of blue and white porcelain.

The production of blue and white porcelain requires a number of complex processes, the most important of which is painting. Painting is the essence of blue and white porcelain, which requires not only the skill of the painter, but also the shape and size of the porcelain surface, as well as the role of dyes. In the process of painting, it is necessary to master different painting techniques, such as hook method, hanging tears, and false and closed world method, etc., to show different artistic effects.

3.The development and change of blue and white porcelain.

Blue and white porcelain reached its peak during the Ming Dynasty, but by the Qing Dynasty, its style had changed. The blue and white porcelain of the Qing Dynasty is mainly based on the theme of flowers and birds, landscapes, etc., with brisk lines, smooth modeling and vitality. At the same time, there are also blue and white porcelain artists who have created new styles, such as Lang Shining, Tang Bohu, etc.

In modern times, the production techniques and artistic styles of blue and white porcelain have been constantly updated, but they still maintain the foundation of traditional styles and have become an indispensable part of traditional Chinese culture.

4.Collection and conservation of blue and white porcelain.

Blue and white porcelain is an important part of China's cultural heritage, so more efforts are needed in terms of collection and conservation. Collecting blue and white porcelain requires professional knowledge and experience, as well as some identification skills to prevent buying fakes. In terms of protection, it is necessary to avoid moisture and collision of porcelain, and at the same time pay attention to the cleaning of porcelain, and avoid using too heavy detergents to avoid damaging its surface pattern.

5.Epilogue.

Blue and white porcelain is a treasure among traditional Chinese porcelain, and its exquisite production skills and unique artistic style have made it famous all over the world. With the passage of time, the value and status of blue and white porcelain have also risen. Today, blue and white porcelain has become an indispensable part of the world cultural heritage, bringing people endless aesthetic enjoyment and cultural experience.

When did blue and white porcelain appear? (Historical Question).

Blue and white porcelain first appeared in the Tang Dynasty, from the existing Tang Dynasty blue and white porcelain and archaeological fragments, the quality of Tang Dynasty blue and white porcelain is not very high. The blue and white porcelain of the Song Dynasty did not have a major development and was still in the exploration stage. In the Yuan Dynasty, some famous blue and white porcelain items have been handed down, and the quality has been greatly improved.

The Ming Dynasty was the peak period of the rapid development of blue and white porcelain, although there was a decline in the middle, but by the time of the Kangxi Dynasty of the Qing Dynasty, blue and white porcelain reached its peak. In the middle and late Qing Dynasty, blue and white porcelain completely declined, and there was no Tong Mengcao in the international infinite scenery.

Blue and white porcelain first appeared in which dynasty.

Blue and white porcelain has a long history in China. According to archaeologists, the Gongxian kiln in Henan Province in the Tang Dynasty had primitive blue and white production. In other words, blue and white porcelain first appeared in the Tang Dynasty.

The best blue and white porcelain is Yuan blue and white. Yuan blue and white overhaul of traditional porcelain subtle and introverted style, with a distinctive visual effect, Zhi Fiber gives people a concise ** With its atmospheric heroic spirit and artistic original spirit, the blue and white painting art has been pushed to the peak, and the prosperity and longevity of blue and white porcelain in later generations have been established.

The blue and white porcelain produced by the Ming and Qing dynasties is even more dazzling on the basis of the Yuan Dynasty, whether it is the official kiln in Jingdezhen or the private kiln, there are many fine products. It also created and burned varieties of blue and white five-colored, peacock green glazed blue and white, bean green glazed blue and white, blue and white red color, yellow ground blue and white, and brother glaze blue and white.

In general, mature blue and white porcelain appeared in the Yuan Dynasty. In the Ming Dynasty, blue and white became the mainstream of porcelain, and it reached its peak during the Kangxi Dynasty of the Qing Dynasty.

Yuan Qinghua. When was Blue and White Porcelain released.

Blue and white porcelainThe original blue and white porcelain has seen signs in the Tang and Song dynasties, and the mature blue and white porcelain appeared in the Hutian kiln in Jingdezhen in the Yuan Dynasty. In the Ming Dynasty, blue and white became the mainstream of porcelain. During the Kangxi period of the Qing Dynasty, it reached its peak.

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Which dynasty did the blue and white porcelain appear

The original blue and white porcelain has been seen in the Tang and Song dynasties, and the mature blue and white porcelain appeared in the Hutian kiln in Jingdezhen in the Yuan Dynasty. In the Ming Dynasty, blue and white became porcelain'Mainstream. During the Kangxi period of the Qing Dynasty, it reached its peak.

Introduction to blue and white porcelain:

Blue and white porcelain, also known as blue and white porcelain on white ground, is often referred to as blue and white, and is a treasure of Chinese ceramic firing technology. It is one of the mainstream varieties of Chinese porcelain, which belongs to underglaze colored porcelain. Blue and white porcelain is made of cobalt ore containing cobalt oxide as raw material, depicting ornamentation on the ceramic body, and then covering with a layer of transparent glaze, which is fired at one time by a high-temperature reduction flame.

The cobalt material is blue after firing, and has the characteristics of strong tinting strength, bright color, high firing rate and stable color. During the Ming and Qing dynasties, it also created and burned blue and white five-colored, peacock green glazed blue and white, bean green glazed blue and white, blue and white red color, yellow ground blue and white, brother glaze blue and white and other derivative varieties.

Blue and white porcelain style:

On the blue and white porcelain, the date is marked with the method of writing, engraving, printing and other methods to indicate the age of porcelain firing, which is called the era model. The ancient porcelain of the author's country is mainly based on the chronology, and the chronology is divided into two categories: the year of the emperor and the stem of the year of the heavenly stem and the earth. During the Yongle period of the Ming Dynasty, the chronicle model began to appear on the blue and white porcelain, and the seal script font was elegant and smooth, and the edge was decorated with lotus petal patterns.

Xuanjing is dignified and strong. Chenghua iron silver hook, glazed with clouds. Jiajing's strokes are thick and heavy, and the strength is hidden in the show.

The predecessors once summarized the Ming Dynasty chronicle as follows: "Xuande is more, Chenghua is fat, Hongzhi is beautiful, Zhengde is Gong, and Jiajing is miscellaneous". The Kangxi font of the Qing Dynasty is neat, and the blue and white material is bright.

Yongzheng regular script is vigorous and powerful, and the format is exquisite. Qianlong, Jia, Daoguang are mostly seals, and the fonts are arranged closely, like a seal. In modern styles, there are more "Jiangxi Porcelain Industry Company" models, and there are also English models "China", which is the symbol of modern export porcelain, and is the earliest English model used in blue and white.

There are very few years of blue and white porcelain in the folk kiln, and there are "big next year" and so on, and the font is sloppy. Written casually.

The auspicious words and sentences containing auspicious meanings are often seen on folk blue and white porcelain. The font is mostly grassy, chic and elegant, and it is done in one go. Phrases such as "longevity and well-being", "longevity and wealth", and "all blessings are the same" express people's yearning for a happy life.

The name of the hall is written on the porcelain with the elegant name of the hall and the name of the person, as a symbol of the private collection. There are "Yuyan Book House", "Ruoshen Collection", "White Jade Zhai" and so on. The famous porcelain is well-made and has a high collection value.

The praise model expresses the love of ceramic art for porcelain, such as "jade treasures", "ancient and modern treasures", "Changjiang beautiful jade" and so on. The four-character model of "Gwadi Jade" is fresh and handsome, and it is very interesting. "Tile" is pottery, which has a long history than porcelain, and is the eldest brother, and the porcelain is whiter and smoother than the beautiful "jade", and the "jade" can only be condescended to the "younger brother".

The ornamental model is also called the "pattern model", decorating the bottom of the vessel with concise patterns, which is the characteristic style of folk blue and white porcelain, and the "Xiao shape seal" in the seal carving has similarities and differences. The patterns include Bogutu, dark eight immortals, eight auspicious and so on. The "dried bean curd" in the ornamental section is a diamond-shaped frame structure, just like a high-rise building in a modern building, and is a mark of a folk workshop, also called a "flower monogram".