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The root of the eye is where the perception of vision occurs, and the eye is the meaning of vision. It is not visible, and there is a pair of clear colors. This is the eye of the twelve of the five roots and the eye of the eighteen worlds.
This is where the perception of vision takes place, and the perception is dependent on the root of the eye, because of the color environment, and it has the effect of other cognition. The "Hundred Laws Compilation Interpretation" says: "The one who has the root of the eye can look at the meaning of all realms, Sanskrit cuts, this cloud is exhausted, the eye can exhaust all the colors, and the realm of far and near, can be seen at a glance, and it is the end of the name."
And those who roll their eyes are quite useful, according to Tang Yan'. This is said in the "Mahayana Broad Five Aggregates": "The root of the cloud and the eye is said to be the realm of color, and the pure color is the nature, which is said to be in the eye, and a point of pure color, such as pure Daigo, this nature has a reason, and the eye knows that it is born, and nothing is not born."
The inner root that can generate knowledge is created by the four great pure roots, the roots of righteousness and righteousness, and the root of the real eye. And the eyes visible to the naked eye are made of the four coarse colors, and the name is Fu Chengen.
It refers to the vision and perception of the eyes due to contact with objective things. "Yuanjue Sutra": "The heart is pure, so the dust is clear; Seeing the clear, so the root of the eye is clear.
Five generations of Qi Ji "You Daolin Temple Four Pavilions View Song Du Poetry Edition" poem: "The eyes of the monks are quiet, and they should see the guest chanting gods." Song Chen Shidao "The Second Rhyme Sends a Reply to Chao Wujiao":
The roots of the eyes are clear and the dust is not left, and the Dengjia does not look back. ”
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Where does it exist? It is difficult to see, but the traces that fall inadvertently are often only a look, a whisper, and a paragraph. Who said that the scene in the world is just the existence in the vision
Some of life is born on the earth, some fly in the sky, and some live.
Who said that the scene in the world is just the existence in the visionLife, some born on the ground.
Some fly in the sky, others sink. In the rings, I am like a tossing leaf
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The first two sentences focus on the scenes: green plains, Baichuan, Zigui, and smoke and rain, and the unique scenery of the water town in early summer is outlined in a few strokes. The last two sentences are written by people, and the image of farmers planting rice in paddy fields is mainly highlighted on the picture, thus setting off the tension and busyness of labor in "April in the countryside".
The front and back echo and interweave into a brightly colored picture.
In the south of the Yangtze River in April, the hillsides are green, the fields are green, the green trees, the green grass, the green seedlings, what unfolds in front of the poet's eyes is a world dominated by green. On the green field, the canals crisscross and crisscross, overflowing, flowing, and white; The paddy fields full of water are also white. As far as the eye can see, the green fields and the white water are all shrouded in a faint smoke.
Is that fog? Smoke? No, it was a misty drizzle, and from time to time a few cuckoo calls came from the trees and the air near and far.
The first two lines of the poem describe the scenery of the land south of the Yangtze River in early summer, with a broad vision and delicate brushstrokes; The tone is vivid, and the artistic conception is hazy; The combination of static and dynamic, color and sound. "The rain is like smoke in the sound of Zigui", the drizzle like smoke and fog seems to be called by the chirp of Zigui, which is especially rich in a sense of realm.
There are few idlers in the countryside in April, so the sericulture is planted again. The last two sentences sing about the busy farming in the early summer in the south of the Yangtze River. Mulberry picking and silkworm raising and rice seedling planting are the two major agricultural tasks related to clothing and food, and now it is the busy season, and every household is busy.
Don't overlook the last sentence of the poem, thinking that every family is the first to do a good job of picking mulberries and feeding silkworms, some people transport seedlings, and some people plant seedlings; Some people are sericulture first and then sericulture, some people are sericulture first and then sericulture, and some people are only busy with one of them, and some people have to do other work. "Only after the sericulture and the field" is just simplifying the complex and outlining the busy atmosphere of the rural farmers in April. As for not saying that people are too busy, but saying that there are few idlers, it is deliberately to be tactful and soothing, in order to maintain a calm and quiet bearing in the midst of people's busy and tense life, and this calm and quiet is in harmony with the hazy tones of the watercolor paintings depicted in the first two scenes.
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Green Plains, White River, Zigui, Smoke and Rain.
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The poem "Climbing the Stork's Tower" describes the "sunset" (daylight), "mountain", "Yellow River", and "sea" (imagination) and other scenes. The first two lines of this poem are written about natural scenery, but the beginning of the pen is shrunk thousands of miles away, so that there is a tendency of thousands of miles at hand; The last two sentences are written unexpectedly, dissolving the philosophy and scenery and situation seamlessly, becoming an immortal swan song on the stork tower.
Ascending the Stork Tower" Tang Dynasty: Wang Zhilian.
At the end of the day, the Yellow River flows into the sea.
If you want to be poor, go to the next level.
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At the end of the day, the Yellow River flows into the sea. If you want to be poor, go to the next level. It depicts the distant mountains, the Yellow River, and the far sea (imagined).
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In this poem, the sunset, the Yellow River, and the mountains are described.
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