Ma Zhiyuan s Tianjingsha Qiusi and Bai Pounce s Tianjingsha Qiu

Ma Zhiyuan's Tianjingsha Qiusi wrote ten kinds of scenes, showing the longing of a wanderer who has been drifting in a foreign land for a long time to miss his hometown, giving people a feeling of sadness, loneliness and loneliness. There is no sadness in the Tianjing Shaqiu, and the district is "a little Feihong shadow." One sentence makes the whole song still and moving, and the sentence "green mountains and green waters, white grass, red leaves and yellow flowers" vividly depicts the autumn scene.

Appreciation] This is Ma Zhiyuan's famous song, 28 words outline a picture of the wilderness. This song is composed of the heartbroken man touching the scene. The author's lyrical motives can be seen from the title.

The first two sentences of withered vines and old trees are faint, and the small bridge and flowing water are people's homes, which creates a cold and gloomy atmosphere, and shows a fresh and quiet realm. The small bridge and flowing water people feel elegant and leisurely. The 12 characters paint a picture of a secluded village in late autumn. The poet depicts a desolate and miserable artistic conception of the autumn wind, adding another layer of desolation to the secluded village.

The setting sun gives this dim picture a bleak light, which deepens the sad atmosphere. The poet skillfully connects ten kinds of prosaic objective scenes, and through the six characters of dry, old, faint, ancient, western, and thin, the poet's infinite melancholy is naturally contained in the picture. The last sentence, the broken intestine is the finishing touch at the end of the world, at this time in the late autumn village picture, there is a wandering wanderer, in the desolate ancient road of the remnant sunset, leading a thin horse, facing the miserable autumn wind, walking all over, sad and broken, but I don't know where I want to go, revealing the poet's sad feelings that I have never met, and appropriately expresses the theme.

1: Frustration, pain, sadness, loneliness.

2: Cold, gloomy, bleak, choked with his chest and face, tears and sadness.

3: The heartbroken man is at the end of the world.

4: A little Feihong shadow.

5: Green mountains and green waters, white grass, red leaves and yellow flowers.

Yes. Tianjingsha Qiusi.

Ma Zhiyuan Yuan Dynasty

Withered vines and old trees, faint crows, small bridges and flowing water, ancient roads and westerly winds and thin horses. As the sun sets, the people who break their intestines in the acres of holes are at the end of the world.

Tianjingsha Qiusi is a loose song composed by Yuan song writer Ma Zhiyuan. This song juxtaposes a variety of scenery and combines them into a picture of the autumn suburbs at sunset, allowing the wanderer to ride a thin horse on a bleak background, revealing a sad mood and expressing the sad feelings of a wanderer who misses his hometown and is tired of wandering in autumn. The first three sentences are all composed of noun phrases, listing a total of nine scenes, which is concise and meaningful.

The whole song is only five sentences and 28 characters, the language is extremely concise but the capacity is huge, the meaning is far-reaching, the structure is exquisite, and the frustration is caused, and it is praised as the "ancestor of autumn thinking" by later generations.

Yes. Tianjingsha Qiutan Brother Thoughts".

Withered vines and old trees, faint crows, undrafted small bridges and flowing water, and ancient roads let Hong attack the west wind and thin horses.

The sun is setting, and the heartbroken man is at the end of the world.

The author of Tianjing Sha Qiusi is Ma Zhiyuan, and this song is a loose song.

Differences: 1. As the most famous (at least one) poem describing autumn, Qiu Si opens with three sentences, through three nouns per sentence, that is, three simple things per line are depicted, and finally points out a sentence "The sun is setting, and the broken intestines are at the end of the world" Huiyan's sullen mood, from the outside and the inside, from the object and me, there is not only the fluency of the transformation from the thing to the emotion, but also the dripping from the love to the thing, which is indeed a rare good word; Autumn is also a writing, but there is no love in the whole text, just a beautiful autumn picture, but there is no dubbing like the last sentence of Qiu Sili "The broken intestine is at the end of the world", just through the picture of the audience to experience it themselves.

2. Autumn is also very different from Qiu Si in the depiction of autumn scenery. The same is to write autumn scenes, autumn thoughts are from the beginning through the description of a few micro things, feel the author's inner melancholy, "withered vines", old trees, faint crows, small bridges, flowing water, people, ancient roads, west winds, thin horses, are all close-up scenes, but autumn is from the distant view "lonely village sunset" to the close-up scene: "light smoke old tree jackdaw, a little Feihong jujube under the shadow of the beam", then the distant view "green mountains and green water", and then the close-up view "white grass, red leaves and yellow flowers".

It shows that there is still a difference between the mood of the author of autumn and the mood of the author of autumn thought.

3. Different sense of color. There is not a single color word in Qiu Si's whole poem, but it is gray on the whole; However, there are colors such as "green, green, white, red, and yellow" in autumn, which also shows that the author's mood is different.

4. The degree of emotional catharsis is different. Compared with Qiusi, Qiusi is the majority of people who know Qiusi, which also shows that the word Qiusi is more recognized by everyone, and the main reason is that this poem depicts those things that make people feel cold and dark through white description, to point out the sadness and coldness of the author's heart (in fact, all ordinary people) for autumn, and Qiu, who is much more cheerful emotionally, is slightly inferior to Qiusi in terms of the impact of emotional catharsis brought by people, so it is easier for everyone to remember Qiusi.

The similarities are more general, they all depict autumn scenes; All use the realistic technique of white drawing; All express their inner feelings through the description of scenery. ,7,

Ma Zhiyuan's poem, the first four sentences are written about the scenery, these scenes are all love words, "dry", "old", "faint", "thin" and other words make the rich autumn colors contain an infinite desolate and sad mood. And the last sentence "the broken intestine is at the end of the world" has the finishing touch as a curved eye, making the scene described in the first four sentences become the environment of people's activities, as the trigger of the sad emotions in the heart of the people who have broken the intestines at the end of the world. The scenery on the song is not only what Ma Zhiyuan saw during his journey, but also the object in his eyes.

But at the same time, it is also the carrier of its emotions, and it is the object of the heart. There is affection in the whole song, there is a scene in the love, and the scene is wonderfully combined, which constitutes a moving artistic realm.

This poem is very short, with only five sentences and 28 characters in total, and there is no autumn word in the whole song, but it depicts a bleak and moving picture of the autumn suburb sunset, and accurately conveys the traveler's sad state of mind. Praised as the ancestor of Qiu Si, this successful piece embodies the artistic characteristics of classical Chinese poetry in many ways.

Xiao Ling in the song "Tianjingsha Autumn Thoughts" uses the method of allegorical scenery to depict the scene at dusk in autumn, portraying the image of a wanderer who is running around, expressing the thoughts of a wanderer in a foreign land.

This poem first writes the scene and then the love, and the scene is in the service of lyricism. The author, Ma Zhiyuan, first used the method of white drawing, using only 18 characters to depict 9 different scenes, and harmoniously and naturally incorporated them into a single drawing, thus forming a mutual contrast between movement and stillness, light and dark, background and subject. "Withered vines and old trees and crows" indicate that it is late autumn at this time, and "Ancient Road West Wind Thin Horse" indirectly portrays the image of a wanderer in a foreign land.

At the same time, the author also pinned his sad feelings on this scene, making the already very bleak scene even more sad. The author also pays great attention to the coordination of scenery and emotion.

Tianjingsha Qiusi.

Withered vines and old trees, faint crows, small bridges and flowing water. The ancient road is a thin horse with a west wind, the sun is setting, and the broken intestines are at the end of the world.

Withered vines, old trees, faint crows.

Small bridges and flowing water.

Ancient road west wind thin horse.

The sun is setting, and the heartbroken man is at the end of the world.

Tianjingsha Qiusi (Part 1).

Meta]· Ma Zhiyuan.

Withered vines and old trees, faint crows, small bridges and flowing water, ancient roads and westerly winds and thin horses.

The sun is setting, and the heartbroken man is at the end of the world.

Tianjingsha Qiusi (the second).

Meta]· Ma Zhiyuan.

The flat sand is dotted with fine grass, the meandering stream is murmuring, and it is plugged with the early cold of early autumn.

A new goose, yellow clouds, red leaves, green mountains.

Tianjingsha Qiusi (the third).

Meta]· Ma Zhiyuan.

The west wind is stuffed with a beard, and the bright moon is immediately pipa, and the bottom Zhaojun hates a lot.

Under the stage of Li Ling, the light smoke fades and the grass and yellow sand.

Tianjingsha Qiusi.

Ma Zhiyuan: withered vines, old trees, faint crows.

Small bridges and flowing water.

Ancient road west wind thin horse.

The sun is setting, and the heartbroken man is at the end of the world.

It can be translated as: dead vines entangle old trees, and crows that return to their nests at dusk perch on the branches. Under the small bridge, the water is murmuring, and there are several families next to it.

On the ancient and desolate road, the autumn wind was bleak, and a tired thin horse carried me forward. The sun is slowly setting in the west, and the extremely sad traveler is still adrift at the end of the world.

This song tells the story of a wandering person who is in custody, and at dusk, he feels a surprise attack. Feeling and thinking, thinking and grieving, crying and crying, crying and pain.

Withered vines and old trees, faint crows, small bridges and flowing water, ancient roads and westerly winds and thin horses. The sun is setting, and the heartbroken man is at the end of the world.

Ma Zhiyuan was keen on fame when he was young, but due to the high-pressure policy of the Yuan rulers, he never achieved his ambition. He lived a life of wandering for almost his entire life. He was also depressed because of it, and he was embarrassed all his life.

So during the detention journey, he wrote this poem "Tianjingsha Qiusi".

Dead vines entangle the old trees, the branches perch on the crows that return to their nests at dusk, under the small bridge, the water is murmuring, there are several families living next to it, on the ancient and desolate road, the autumn wind is bleak, a tired, thin horse carries me forward, the sunset to the west, slowly falling, the extremely sad old man is still adrift at the end of the world.