How is the spirit of craftsmanship reflected in folk crafts and intangible cultural heritage?

The spirit of craftsmanship has always been an important spirit advocated by our country, but with the development of the times, the spirit of craftsmen will also occur in different interpretations, at today's point in time, China advocates the spirit of craftsmen, and even the spirit of craftsmen has become a national issue, which is based on two backgrounds, one is that China's manufacturing needs to be upgraded, and the other is that China's consumption is upgrading. Don't vulgarize the "craftsman spirit" and name all those who engage in manual labor the "craftsman spirit". So, what exactly is the spirit of craftsmanship?

The ancients were right, slow work makes good work! If you want to be fine, it is impossible to quickly and massively. A sculpture requires a craftsman's spirit, a painting needs a craftsman's spirit, and a well-designed draft also needs a craftsman's spirit.

Each work is like an answer to life. It can be seen that you can't sleep for days and nights for a piece of work, just to be more perfect, and to be in awe of the work.

Do not rush for quick success, do not rush for success, grasp the correct context of the development of things, explore the problems that may arise in the context, analyze the difficulties in the important core problems, find the key technologies to overcome the difficulties, build solutions based on key technologies, realize the overall optimization of the production process or process through the solutions, solve the problem in essence, fill the technical shortcomings from the foundation, instead of retreating, bypassing the problem with existing methods or seeking alternative methods with lower difficulty.

They do not care about returns, do not seek fame and fortune, just to continue a tradition, to complete a mission, with firm belief and responsibility to inherit the skills of their ancestors. As a belief, "craftsman spirit" embodies the quality of rigorous, focused, and excellence——— **Yu: Sina Minnan Original title:

The inheritance of intangible cultural heritage requires the "spirit of craftsmanship".

Type 1 New creations are made according to different needs.

The second type is to be professional and attentive.

The third form has feelings, beliefs, and attitudes.

Type 4: Acknowledging one's own identity.

The fifth type is not to give up, not to change the original intention.

Form 6: Live in your own world.

The seventh style has a cultural foundation and is a bit unique.

Type 8 Do only one thing in your life.

The ninth pose: Compare the heart to the heart.

Formula 10: Review the old and learn the new.

Eleven Style: Eat by hand.

Twelve Styles Do not bend the waist for five buckets of rice.

Thirteen Styles Experience hardships and create destiny.

Fourteen Styles Persistence is the only rule.

Fifteen Styles are full of awe of the industry they are engaged in.

Sixteen Styles Stand alone.

Seventeen styles have cultivation, quality, morality, and attainments.

Eighteen Styles need to be moderately professional and commercialized.

Nineteen style meticulously crafted, keep improving.

Twenty Styles To have an extraordinary and even almost neurotic artistic pursuit of one's own craft.

Traditional culture includes traditional crafts, but does not include intangible cultural heritage.

Traditional culture includes traditional crafts, folk crafts, traditional theories, clothing and clothing, folk customs and folk customs, and Chinese architecture.

Chinese drama, traditional literature, etc.

1. Treat China's traditional culture differently.

Advantages and disadvantages are conducive to the pace of social progress. Excellent: people-oriented thinking, the Shang and Zhou dynasties had "the people are only the state, the solid Bangning."

said. Inferior: Respect the old-fashioned, "the sky is changeable, the earth is changeable, and the law of the ancestors is immutable". The pedantic, bureaucratic aristocracy, oppression of the people, and inhibition of the common people from seeking more material benefits through commerce or other means.

2. Look at the problem from the perspective of the times and from a comparative point of view and method. "Alone in the book early in the foreign land for strangers, every festival to think of relatives", "mother's hand line, wanderer shirt", noble family. "Tianxingjian, a gentleman is self-improving", indomitable spirit.

Benevolence loves others" noble morality. Ma aided the horse leather shroud, Huo went to illness.

The Huns are not broken, why is the family be, Cao Cao.

When singing about wine, the geometry of life", Wang Changling.

Qin Shi Mingyue Han Shi Guan", meritorious aspirations.

3. Inheritance, reference and innovation, and active integration into world culture are the only way for China's cultural development in the future. In the construction of culture, we must persist in inheriting, absorbing, and innovating. Mostly valuable things, reflecting the essence and laws of things, some noble qualities.

But against infinite exaltation. Chinese traditional culture was formed in a specific period, and it must have its limitations of the times, and any exaggeration is wrong.

The above information refers to the encyclopedia - traditional culture.

Blue and white porcelain, tripod, paper-cutting, tower, temple,

Jade carving, embroidery, ivory carving, clay sculpture and so on.

Chinese folk handicrafts themselves contain a deep cultural and artistic thought, which is not only a means of people's livelihood, but also penetrates people's deep and rich aesthetic feelings. The reason why the traditional handicrafts of the key family belt can be recognized and loved by modern people may not lie in its former use value, but in a kind of emotional return, which is the cultural appeal contained in it. When people come into contact with it and understand it, they can feel the shock of the heart and the emotional resonance of the heart.

Most of the people in the manuscript unconsciously get a kind of comfort in front of the folk handicrafts, like returning to their hometown after a long absence. The return of emotion, aesthetic pleasure, here is sublimated, such as the intoxicating love so that the aesthetic value of folk handicrafts has been fully exerted and embodied. This is where the value of traditional folk arts lies in modern society.