Meaning of bamboo stone 10, what is the meaning of bamboo stone

Updated on culture 2024-04-06
9 answers
  1. Anonymous users2024-02-07

    Bamboo. There are festivals that imply high festivals, solar terms, and chastity, which means festivals.

    Stone. Hardness means perseverance, sticking to one's own point of view unwaveringly, stubbornness.

    He refused to let go when he bit the green mountain, and his roots were already deep in the rocks.

    After thousands of temperings, you are more tenacious, and let you come from the east and west, north and south.

  2. Anonymous users2024-02-06

    He refused to let go when he bit the green mountain, and his roots were already deep in the rocks.

    After thousands of temperings, you are more tenacious, and let you come from the east and west, north and south.

  3. Anonymous users2024-02-05

    It must be explained that it is a poem. Look.

  4. Anonymous users2024-02-04

    The meaning of the whole poem of "Bamboo and Stone" is:The root system of the bamboo firmly bites the green mountain and does not relax, and the place where it takes root turns out to be in the crevice of the rock. No matter how nature sharpens it, the bamboo is still so strong, and the bamboo never changes its posture despite the natural blowing of the east, west, north and south winds.

    Original poem:

    Bamboo and Stone" Zheng Xie.

    Insist that the green mountains are not relaxed, and the roots are in the broken rocks.

    Thousands of blows are still strong, and the wind blows from east to west, north and south.

    Notes:

    1) Bamboo: Bamboo rooted in the cracks of the stone. The poet is a famous painter, and his painting of bamboo is particularly famous, which is a poem he inscribed on a bamboo and stone painting.

    2) Determination: The metaphor has strong roots, like biting the green mountains and not letting go.

    3) Rooting: Rooting, rooting.

    4) Original: Originally, originally, originally.

    5) Rock breaking: Cracked mountain rock, that is, the crevices of the rock.

    6) Grinding: torture, frustration, tempering.

    7) Hit: Strike.

    8) Strong: Strong and powerful.

    9) Ren: Let it be, no matter what, no matter what.

    10) Er: You.

    Appreciation:

    "Bamboo and Stone" is a seven-character inscription poem created by the Qing Dynasty painter Zheng Xie, entitled on the author Zheng Banqiao's own "Bamboo and Stone Map". What the poet praises is not the softness of bamboo, but the fortitude of bamboo. By using things as metaphors for people and supporting things as words, the author implicitly expresses his noble thoughts and sentiments that will never follow the crowd, and his upright and iron-clad backbone by singing the praises of the strong bamboo in the broken rock.

    The language of the whole poem is simple and the meaning is profound.

  5. Anonymous users2024-02-03

    Bamboo stone. Qing] Zheng Xie.

    Insist that the green mountains are not relaxed, and the roots are in the broken rocks.

    Thousands of blows are still strong, and the wind blows from east to west, north and south.

    Translations. The bamboo grabs the green mountains and does not relax at all, its roots firmly rooted in the crevices of the rocks. After thousands of tortures and blows, it is still so strong, whether it is the southeast wind of the scorching heat or the northwest wind of the harsh winter, it can withstand it, and it will still be tough and upright.

  6. Anonymous users2024-02-02

    Notes Bamboo stone: Bamboo rooted in the cracks of the stone. The poet is the famous painter Zheng Xie, who is particularly famous for his bamboo paintings, which is a poem he inscribed on bamboo and stone paintings.

    Determination: The metaphor has strong roots, like biting the green mountains and not letting go.

    Rooting: Rooting, rooting.

    Hara: Originally, originally, originally.

    Rock Break: Fractured rock.

    Grinding: torture, frustration, tempering.

    Hit: Strike. Also: still.

    Ren: Ren. Er: You.

    Translation: Bamboo has its roots deep into the green hills, and its roots are firmly rooted in the cracks of the rocks. After thousands of tortures and blows, it is still so strong, whether you blow the southeast wind in the scorching heat or the northwest wind in the harsh winter, it can withstand it, and it is still as tough and upright as before, and it survives tenaciously.

  7. Anonymous users2024-02-01

    "Bamboo and Stone" is the work of Zheng Xie, a calligrapher and painter of the Qing Dynasty.

    The literal meaning of the whole poem: the bamboo grabs the green mountains and does not relax at all, its roots firmly rooted in the cracks of the rocks. After countless hardships and blows, the body is still strong, whether you blow the southeast wind of the scorching heat or the northwest wind of the harsh winter.

    The whole poem is as follows: insist that the green mountains are not relaxed, and the roots are in the broken rocks. Thousands of blows are still strong, and the wind blows from east to west, north and south.

    Appreciation: This poem is a work of bamboo and stone drawings. Zheng Xie paints bamboo, not only with full of reason, painting a variety of natural styles of bamboo, but also often through inscription poems to endow bamboo with human fortitude and noble temperament, so as to express his ambitions and aspirations.

    This poem focuses on bamboo, and also on stone, by singing the praises of bamboo's resistance to wind and cold and its roots in the green mountains and broken rocks, and entrusting its own life and moral ideals.

    Insist that the green mountains are not relaxed, and the roots are in the broken rocks", using anthropomorphic techniques to describe the roots of bamboo in scattered and broken rocks, not afraid of thin soil and hard stones, and the foundation is not strong, but like sharp teeth, once bitten will not relax. "Determination" writes its unswerving form, and "Roots" says that its nature is lonely and does not follow the custom, which shows that its roots are deep and stable. The word "original" has the meaning of pushing its roots, and it is precisely because of this bamboo that "the roots are in the broken rock", and the green mountains are the home, so that they grow more strong and upright.

    This vividly portrays the strong and tenacious character of bamboo. The second sentence provides both an explanation of the first sentence and a copy of the last two sentences. With the foreshadowing of the first two sentences, the last two sentences naturally lead:

    Thousands of blows are still strong, and the wind blows from east to west, north and south. The word "also" has the meaning of still, and it also has the meaning of the opposite. It means that no matter the storms and rains in all directions, the frost and snow of the four seasons, the thousands of torments and blows, it is more vigorous and upright, tenacious and unyielding.

    This further depicts bamboo's arrogance in defiance of environmental pressures. This is not only the natural nature of bamboo, but also what the poet longs for and pursues. The poet used the words "thousand" and "ten thousand" to write the tenacious, fearless, calm and confident demeanor of bamboo, and it can be said that the artistic conception of the whole poem suddenly came out.

    In praising the firmness and tenacity of bamboo, the poet implies his own strength.

  8. Anonymous users2024-01-31

    Meaning: The snow bends the bamboo, but it doesn't touch the ground no matter how low it is. As long as the red sun is in one place, as soon as the snow melts, it still straightens its waist, and the sky is above the clouds.

    From: Zhu Yuanzhang, the founding emperor of the Ming Dynasty, "Yongzhu".

    Meaning: It means that he will never give up his principles when he is oppressed, and as long as he has the opportunity, he will still stand up to the sky. This poem is full of heroism and is amazing, although Zhu Yuanzhang is a big old man and does not have much poetry skills, this poem is powerful, domineering, and quite charming.

    Background of creation

    The background of this poem is related to the origin of Zhu Yuanzhang, who was born in a poor peasant family. Ranked fourth in the family, and the brothers in the family ranked eighth, hence the name Zhu Chongba.

    In the third year of Zhengzheng, there was a drought in Haozhou. The following spring there was another severe plague of locusts and pestilence. In less than half a month, Zhu Yuanzhang's father, eldest brother and mother died one after another.

    Only Zhu Yuanzhang and his second brother were left, and the family had no money to buy a coffin, not even a piece of land to bury their relatives, and their neighbor Liu Jizu gave them a cemetery.

    In order to survive, Zhu Yuanzhang and his second brother, sister-in-law and nephew were forced to separate, and each escaped.

  9. Anonymous users2024-01-30

    Translations.

    Tightly clinging to the green mountains and not relaxing, it was originally deeply rooted in the cracks of the stone to disturb the feast.

    Thousands of grinds slow down the silver body bones are still strong, let you blow the east, west, north and south winds.

    "Bamboo and Stone" is a seven-character quatrain created by the Qing Dynasty painter Zheng Xie. This poem is a bamboo poem. What the poet praises is not the softness of bamboo, but the fortitude of bamboo. The first two sentences praise the inner spirit of the bamboo rooted in the broken rock.

    Appreciation:

    The bamboo in the poem is actually the embodiment of the noble personality of the author Zheng Banqiao, in life, the poet is such a kind of rock bamboo that has a close connection with the lower class people, jealous and hateful, and not afraid of the powerful. The inscription poems of the author Zheng Banqiao, like his paintings, have a strong sense of three-dimensionality, which can be appreciated by painting.

    This poem is exactly like this, whether it is bamboo or stone, the image is vivid in the poet's pen, if in front of him. The disembodied wind is also depicted as if it were blowing in the face. However, what the poet pursues is not only the external appearance, but also instills his own ideals into each thin rock bamboo, and integrates his own personality, so that the bamboo and stone reveal a kind of external deep meaning and inner charm.

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