How do you understand the artistic conception of Chinese gardens, which is characterized by allegor

Garden is not simply an artistic image, but also a kind of material environment, garden art is the theory and technique of artistic treatment of the environment, it is the art combined with the function, it is the art of life, it is the art of combining with science, and it is a comprehensive art that integrates a variety of arts.

Chinese garden art advocates the infinite life heritage through the limited natural landscape, advocating the coexistence of the virtual and the real, the unity of existence and non-existence, the combination of form and spirit, the integration of scenes, the pursuit of the feelings outside the scene, the image outside the image, and guide the visitors to understand the wonderful land in the landscape and the tower, and the lively vitality is vibrating. The garden art nurtured on the soil of Chinese culture has a close relationship with Chinese literature and painting. The ideological origin of the concept of garden artistic conception can be traced back to the Eastern Jin Dynasty to the Tang and Song dynasties.

At that time, the literary and artistic trend was to advocate nature, and landscape poems, landscape paintings and landscape travelogues appeared. There has also been a turning point in the creation of gardens, from architecture as the main body to ......The garden is a real natural realm, and its artistic conception changes over time. This kind of change in time sequence is called "seasonal change" in the garden; The change of morning and dusk is called the change of "phase"; Changes in cloudy, sunny, windy, frosty, snow, smoke, and clouds are called "meteorological" changes; There are changes in living plants, called "age phase" changes; There are also phenological changes, etc.

All these make the conditions for the production of artistic conception constantly change.

In the change of artistic conception, it is necessary to take the scene in the best state and a certain frequency as the theme of artistic conception. The appearance of the best state is short-lived, but it is immortal, that is, the so-called "one can be done, and the thousand years are immortal" in "Yuanye". For example, Hangzhou's "Autumn Moon on the Peaceful Lake", "Remnant Snow on the Broken Bridge", and Yangzhou's "Smoke and Rain on the Four Bridges" are the best state to give full play to their appeal only under specific seasons, times and specific climatic conditions.

The appearance of the best state of these thematic artistic conceptions, although short in terms of time, is appreciated by thousands of years.

Chinese garden art is a synthesis of various arts such as natural environment, architecture, poetry, painting, couplets, sculpture and so on. The artistic conception of the garden is produced in the comprehensive artistic effect of the garden realm, giving visitors the information of affection. "All scenery is love language", that is, the artistic conception of the scene can follow one's own thoughts, evoke memory associations, produce external feelings, and achieve "allegorical feelings".

That is, the landscape contains the spiritual realm and aspirations of the owner.

What is allegorical to the scene, the scene is compatible, it is to express people's ideas, and the scenery is very consistent, as the saying goes, there is a feeling, a feeling... I don't know...

In traditional Chinese garden landscape design, the borrowing of scenery includes "near borrowing", "far borrowing", "neighbor borrowing", "looking up borrowing" and "looking down borrowing".

1. Near borrowing

It is in the garden that you can enjoy the scenery outside the garden.

2. Borrow from afar

It is to arrange the distant scene of the garden, and the borrowed objects can be mountains, water, trees, buildings, etc. There are many successful ones, such as the Beijing Summer Palace, which borrows the tower of West Mountain and Yuquan Mountain; The summer resort borrows the hat mountain and the hammer peak; Wuxi Jichang Garden borrowed Huishan; Jinan Daming Lake borrowed thousands of Buddha Mountain, etc. In order to get more scenery from afar.

3. Neighbor borrowing

It is a garden where you can enjoy the scenery of the adjacent garden. As long as it can be used into the scenery, it can be borrowed, whether it is a pavilion, a pavilion, a mountain, a water, a flower and a tree, a tower, a temple. If there is a lack of water in the garden of Su Canglang Pavilion in the garden, and there is a river in the garden, then make rockeries, revetments and corridors along the river, and there is no closed wall, and the scenery of the river outside the park can be understood through the leaky window in the park, and the river and the leaky window outside the park can also look into the garden.

4. Rely on borrowing

When you look up, you can see the peaks and towers outside the garden. It is the use of the scenery outside the park borrowed from the top, mainly borrowing the high scene, such as ancient towers, high-rise buildings, mountain peaks, big trees, including blue white clouds, bright moon and stars, flying birds, etc. For example, Beijing's Beihai Port Jingshan, Nanjing Xuanwu Lake borrowed Jiming Temple, all filial piety is borrowed.

Looking up to borrow visual fatigue, appreciate the point of blind should set up pavilion seats.

5. Borrow from the bottom

Use a condescending view to enjoy the scenery outside the park, climb high and look around, and take in the surrounding scenery. There are many borrowed scenes, such as rivers and lakes, fields, lakes and shadows. The above methods can be used in scene planning to create different visual effects for scene planning.

The design and construction of classical Chinese gardens pursues a poetic and pictorial artistic conception. In ancient Chinese culture, nature was regarded as one of the most important aspects of Wu Dou's art and philosophy, so classical gardens were often based on natural landscapes and created a beautiful and tranquil environment through unique orange ruler design techniques.

The artistic conception of classical gardens is mainly reflected in the following aspects:1Landscaping techniques:

In the design of classical gardens, a staggered layout is usually adopted, and a complex and unpredictable visual effect is created through staggered placement and staggered perspective selection. 2.Plant Landscaping:

The landscaping of plants in classical gardens is very important, and it is often used to create a unique aesthetic sense by using a dense and compact square rent high style. At the same time, the species, color, height and height of the plants are carefully matched to achieve a harmonious and comfortable feeling. 3.

Art decoration: Some artworks are also used in classical gardens for decoration, such as stone carvings, sculptures, murals, calligraphy, etc.

These artworks can not only increase the artistic value of the garden, but also enrich the artistic conception and create a unique cultural atmosphere. In general, the design and construction of classical gardens aims to create a beautiful, tranquil, natural and harmonious environment to achieve a poetic and pictorial artistic conception.

Summary. Classical Chinese garden art refers to the form of Chinese landscape gardens represented by private gardens in the south of the Yangtze River and royal gardens in the north. In traditional Chinese architecture, the classical garden is a unique building with great achievements.

It is recognized by the world as the mother of the world's gardens, the wonder of world art, and an important heritage of human civilization. Its gardening techniques have been admired and imitated by Western countries, setting off a "Chinese garden fever" in Western countries.

What is the connotation of "Chinese classical garden culture"?

Hello, now for you to answer your question, the connotation of "Chinese classical garden culture" is Taoism, natural artistic conception, poetry, painting, harmonious beauty, kiss.

Classical Chinese garden art refers to the form of Chinese landscape gardens represented by private gardens in the south of the Yangtze River and royal gardens in the north. In traditional Chinese architecture, the classical garden is a unique building with great achievements. It is recognized by the world as the mother of the world's gardens, the wonder of world art, and an important heritage of human civilization.

Its gardening techniques have been admired and imitated by Western countries, setting off a "Chinese garden fever" in Western countries.

Classical Chinese garden art refers to the form of Chinese landscape gardens represented by private gardens in the south of the Yangtze River and royal gardens in the north. In traditional Chinese architecture, the classical garden is a unique building with great achievements. It is recognized by the world as the mother of the world's gardens, the wonder of world art, and an important heritage of human civilization.

Its gardening techniques have been admired and imitated by Western countries, setting off a "Chinese garden fever" in Western countries.

Classical Chinese garden art refers to the form of Chinese landscape gardens represented by private gardens in the south of the Yangtze River and royal gardens in the north. In traditional Chinese architecture, the classical garden is a unique building with great achievements. It is recognized by the world as the mother of the world's gardens, the wonder of world art, and an important heritage of human civilization.

Its gardening techniques have been admired and imitated by Western countries, setting off a "Chinese garden fever" in Western countries.

Here's his profile dear.

Hello, Chinese classical gardens have a long history, and the art of gardening has a long history. Gardens imitate nature. Chisel the pond to open the mountain, plant flowers and trees, use artificial imitation of natural landscape scenery, often divide the line of sight with rockery and leaky window as a barrier, and have the wonder of changing the scenery step by step.

It has become a natural landscape that is "made by man, just like nature". Group 1: Mountain building is one of the most important factors in gardening to express nature. The Shanglin Garden of the Qin and Han dynasties was piled up into an island with the excavated soil of the Taiye Pond, symbolizing the sacred mountain of the East China Sea, and creating a precedent for man-made orogeny.

Liang Ji of the Eastern Han Dynasty imitated the Yiluo Second Gorge and built a mountain of soil and stones in the garden, thus opening up the transition from the world of immortals to the dust and turning to the imitation of natural landscapes, marking the art of gardening with real life as the starting point of creation. The literati of the Wei, Jin, Southern and Northern Dynasties adopted the method of generalization and refinement. The real scale of the selected belt Yunshan is greatly reduced, and strives to reflect the form and charm of the natural mountains.

This freehand style of stacking mountains is a big step forward from naturalistic imitation. After the Tang and Song dynasties, due to the development of landscape poetry and landscape painting, and the development of art of appreciation, more attention was paid to the art of stacking mountains. The most typical example is love.