Thin gold body, practicing calligraphy? Thin gold body practice skills

— To practice calligraphy, you can choose asanas, Shen Yun is not so demanding of the Fa Ti, taste the pen fun, be familiar with it, learn with it, and get started naturally. ——Thin gold book, maverick, a style font that is very different from the traditional book style. Since Huizong, without its aesthetic attainments and artistic cultivation, a dry imitator only takes its skin, it is difficult to follow its dust, why bother yourself.

I think you should practice calligraphy or cursive, and you don't have to practice writing with a pen. You can practice writing with a brush at the same time. As long as you practice writing with a brush, you will definitely write well with a pen, I think calligraphy is more fun and more atmospheric than pen writing!

In fact, when you practice, you have a lot of transcripts, and you don't have to memorize the shape of each word and the position of each stroke, so don't think it's a bad practice. One of my classmates spent only one summer vacation practicing only one copy and then practicing a pretty beautiful word. When we used to practice calligraphy, the teacher let us first practice Liu Gongquan's regular script, and then Wang Xizhi and Mi Fu's line of calligraphy, gradually starting from the simplest and most basic strokes and fonts, but this time did not last long, and then copy more, think more, you will gradually find your own style.

Fountain pen characters, there are a lot of very beautiful lines, a little more flexible than regular script, very smart and more in line with you. I suggest that you learn from the local masters, and if you really want to practice this word well, I think you also have the perseverance to don't waste time. We used to only go to classes twice a week, usually two or three hours, but it was very helpful.

The third year of high school can almost be said to affect your later life, practicing calligraphy can be slowed down, usually tired of studying and writing a few pastimes, just write a few pastimes, and wait for college to have time.

The skills of practicing calligraphy in thin gold body are as follows:

1. When practicing the thin gold body, we should pay attention to the control ability of the pen, because the characteristics of the thin gold body strokes have high requirements for the transition, and the long and horizontal, sprinkled and other strokes have high requirements for the control ability of the pen, and it is necessary to have a stable wrist to write a good thin gold text.

2. Choose a fountain pen that suits your hand, and then choose a few favorite thin gold font fonts and rubbings.

3. Check the characteristics of the rubbing thin gold font you purchased, hold the pen with the horizontal rod method, use the pen side to write the thin gold font strokes in the field character grid copy, observe the position and trend of the specific strokes in the process of the tomb, insist on the tomb for two hours every day, and write the thin gold body in the blank script after a long time of practice. Sedan.

4. For beginners, tomb font strokes are the basis for learning various fonts, which can enable beginners to master the basic pen movement methods. If you want to have achievements in calligraphy, you must go through a long period of time, master a certain amount of penmanship, practice more, pay attention to skills, and master the skills of pen movement methods, and then continue to train strictly, and persist in this way to learn something. Big.

Features of the lean gold body:

Thin gold book is a font with a rather unique style. The style of this book is based on imagery, which should be "thin muscle". "Gold" is easy to "tendon", which is the respect for the imperial book.

Song Huizong's calligraphy strokes are thin and hard, first learned Huang Tingjian, and later learned Chu Suiliang and Xue Ji, Xue Yao brothers, and mixed with each other, taking the strengths of everyone and rolling sails early to make their own ideas, and finally created a unique style of "thin gold book", which has a great influence.

The calligraphy of the Song Dynasty is known for its rhyme, and Zhao Ji's thin gold book reflects the similar aesthetic taste of the times, the so-called "beautiful bones in the sky, and hazy in fun"; It also has a strong personality, the so-called "such as bending iron and breaking gold". This kind of calligraphy has never appeared in the calligraphy works of predecessors. Chu Suiliang's thin pen is only a small part of the same, and most of them are different.