The meaning of the four living in the verse is:

1. Life exists.

2. Life. 3. Life exists.

4. Life.

In the middle of the Sanqu Road.

Author] Zeng Ji [Dynasty] Song.

Translation comparison. When the plum is yellow, the day is clear, and the stream is overflowing but the mountains are traveling.

The green shade does not decrease when it comes, and it adds four or five yellow orioles.

Translations Notes.

When the plums are yellow, it is sunny and good weather every day, so I take a small boat along the creek to the end of the creek, and then change to the mountain road to continue walking. The green trees on the mountain road were as dense as when they came, and a few orioles chirped in the deep forest, which added some humor to the scene than when they came.

The first two"Live", which can be seen as survival.

The third four"Live", which can be seen as life.

There are too many meanings.

None of this, stupid one. Think about it slowly!

1. When there is no wind on the sea, the waves are quiet.

2. When the sun goes down, a boat sailing thousands of miles is raised on the sea, and a flock of seagulls stops at the place where the water and the sky meet.

3. When the sun sets on the mountain, I feel that the road is getting farther and farther away.

4. The light of the moon in the mountains is still there, and the cold wind in the forest is still blowing.

1. Source: "Title Sea Chart Screen" Tang Dynasty Bai Juyi.

Original text: When there is no wind in the sea, the waves are calm. The scales are not small or large, and they have their own ups and downs. Abrupt submarine turtle, the first crown of the three god hills.

Fishing nets can't be made, and it's not an autumn. Or if you don't measure your strength, you can ask for it. It can't be moved, and it will never sink its hook.

One of them paused, and all the hoos turned around. White waves and black waves, breathing around the throat. The wind is flying cheaply, and the drums are angry with the sun.

The whale salamander got its own and opened its mouth to swallow the boat. There are no live scales for thousands of miles, and many rivers flow backwards. So that the river and Han water, the dynasty will also rest.

On the cangran screen, this painting has a good reason.

2. Source: "Stone Beach Works" Tang Dynasty Cui Guofu.

Original text: When the autumn wind is sad, the stone is still in the stone.

Because of the high vision, as many as possible in the state.

Hayama is a little green, and the coast is scattered.

There are few trees away from it, and the waves are large.

Thousands of miles of sails at dusk, flying south and falling out of the sky.

It was a moment into the night, and there was a slight haze in Chu color.

The source is exhausted, and the legacy is ambiguous.

A body is still untied, and the era of Andeji.

And the tide of the pan morning and evening, the lotus clothes are belts.

3. Source: "Stone Bridge Qishu" Tang Dynasty Cai Yinqiu.

Original text: The sky on the mountain is approaching, and the road on earth is getting farther away. Whoever sees it in the clouds knows how to cross the fairy bridge.

4. Source: "Don't Rim Sichuan Beiye" Tang Dynasty Wang Jin.

Original text: The mountain and the moon are still dawning, and the forest wind is endless. Attentive and affectionate, melancholy is partial.

Four o'clock: refers to spring, summer, autumn and winter;

Pastoral: refers to fields, fields. It also refers to the countryside with natural scenery.

"Four Seasons Pastoral Miscellaneous" is a group of large-scale pastoral poems written by the Southern Song Dynasty poet Fan Chengda after retiring to his hometown, divided into five parts: spring, late spring, summer, autumn and winter, with 12 poems in each part, a total of 60 poems. The poem describes the scenery of the four seasons of spring, summer, autumn and winter in the countryside and the life of the peasants, and also reflects the exploitation and hardship of the peasants.

There are a total of 60 poems of Pastoral Miscellaneous Experiences in the Four Seasons (title: various interests in the countryside in the four seasons), which is like a long picture scroll of rural life. It is divided into five chapters: spring, late spring, summer, autumn and winter, including 12 songs of spring pastoral miscellaneous, 12 songs of late spring pastoral miscellaneous, 12 songs of summer pastoral miscellaneous, 12 songs of autumn pastoral miscellaneous, and 12 songs of winter pastoral miscellaneous.

The different scenes in the countryside in the four seasons are described, and a dynamic picture of pastoral farming is vividly drawn.

Mou Mo Srep headphones with the wife to accompany the run-in, winter.

In the ancient poem "April in the Village", "four" is explained separately: the number has the meaning of four, and in the poem, "April" refers to the April of the lunar calendar, which is the season of late spring and early summer.

The full text of its ancient poem in April in the countryside is as follows:

The green mountains are all over the white river, and the rain is like smoke in the sound of the sub-regulations.

There are few idlers in the countryside in April, so the sericulture is planted again.

Full text interpretation: The mountains and fields are lush with grass and trees, and from a distance, they are lush and lush, and the water color in the rice fields reflects the skylight. The cuckoos cried, and the sky was cloudy with smoke and rain. When the busy April came, the peasants began to get busy with their farm work, and there was not a single idler in the village.

They had just finished planting mulberry and raising silkworms, and they had gone to plant rice again.

Appreciation: This poem writes about the scene of early summer in the countryside of Jiangnan in white strokes, and the first two sentences focus on the scene: green plain, white river, Zigui, smoke and rain, and a few strokes outline the unique scenery of the water town in early summer.

The last two sentences are written about people, and the image of farmers planting rice in paddy fields is mainly highlighted on the picture, thus setting off the tension and busyness of labor in "rural April". The front and back echo and interweave into a brightly colored picture.

In the south of the Yangtze River in April, the hillsides are green, the fields are green, the green trees, the green grass, the green seedlings, what unfolds in front of the poet's eyes is a world dominated by green. On the green field, the canals crisscross and crisscross, overflowing, flowing, and white; The paddy fields full of water are also white. As far as the eye can see, the green fields and the white water are all shrouded in a faint smoke.

Is that fog? Smoke? No, it was a misty drizzle, and from time to time a few cuckoo calls came from the trees and the air near and far.

The first two lines of the poem describe the scenery of the land south of the Yangtze River in early summer, with a broad vision and delicate brushstrokes; The tone is vivid, and the artistic conception is hazy; The combination of static and dynamic, color and sound. "The rain is like smoke in the sound of Zigui", the drizzle like smoke and fog seems to be called by the chirp of Zigui, which is especially rich in a sense of realm.

1. The "four hours" in the ancient poem "Xiao Out of Jingci Temple to Lin Zifang" means: they refer to the four seasons of spring, summer, autumn and winter.

2. The "other" in the ancient poem "Xiao Out of Jingci Temple to Lin Zifang" means: special, different. Song Dynasty sayings.

3. Original text: Xiao out of Jingci Temple to send Lin Zifang

Song Dynasty: Yang Wanli.

After all, in the middle of June, the scenery of West Lake is not the same as the four seasons.

The lotus leaves are infinitely green, and the lotus flowers are different red.

4. Translation: The scenery of the West Lake in June is different from that of other seasons, the dense layers of lotus leaves are paved, connected with the blue sky, a boundless verdant green; The slim lotus buds are in full bloom, and under the sunshine, they look particularly bright and delicate.

4. Appreciation: 1) This is a poem describing the beautiful scenery of West Lake in Hangzhou in June. Through the praise of the beautiful scenery of the West Lake, the whole poem twists and turns to express the deep affection for friends.

2) "After all, in the middle of June, the scenery of the West Lake is not the same as the four seasons", the poet begins by saying that after all, the scenery of the West Lake in June is not the same as the four seasons, these two simple and unpretentious verses show that the scenery of the West Lake in June is different from other seasons, which is enough to be nostalgic. These two sentences are the general feelings of writing about the West Lake in June to the poet. The word "after all" highlights the uniqueness and extraordinariness of the scenery of West Lake in June, giving people a rich and beautiful imagination.

The first sentence seems to be abrupt, but the actual sentence is atmospheric, although the reader has not yet appreciated the beautiful scenery of the West Lake from the poem, but can already feel it from the poet's admiring tone. The poems seem to blurt out, which is the most intuitive feeling after the fest, thus strengthening the beauty of the West Lake.

3) Then, the poet uses sentences full of strong color contrasts to paint a wonderful picture of red and green for the reader: "The lotus leaves are infinitely green, and the lotus flowers are different red in the sun." These two sentences concretely depict "after all" different landscape pictures:

The lotus leaves that stretch to the end along with the surface of the lake merge with the blue sky, creating an "infinite" art space, painted with boundless blue colors; On this blue background, the lotus flowers under the sunlight are dyed, so delicate and bright. The lotus leaves of the "infinite blue" and the lotus flowers of the "different red" of the sun are not only not seen in spring, autumn and winter, but also in summer only in the most vigorous period of lotus in June. The poet captures the unique scenery of this midsummer, which is summarized and appropriate.

This kind of transformation in the plot, although there are ups and downs, there is no sense of abruptness. The seemingly plain pen and ink show the reader an evocative artistic situation.

Four o'clock: "Four seasons" is different: "very, ten, extraordinary".

The four seasons refer to the four seasons; It's different.

The interpretation of "four times" in the ancient poem "Xiao Out of Jingci Temple to Lin Zifang": four seasons of spring, summer, autumn and winter. This refers to the time other than June.

Interpretation: Song Dynasty proverbs, special, different. A Different Red: It's a brilliant red.

Source: The poem is from the Song Dynasty Yang Wanli's "Xiao Out of Jingci Temple to Lin Zifang".

Interpreting the meaning of the poem: the scenery of the West Lake in June is different from that of other seasons: the dense layers of lotus leaves are paved, connected with the blue sky, a boundless verdant green; The slim lotus buds are in full bloom, and under the sunshine, they look particularly bright and delicate.

After all, the scenery of West Lake is not the same as the four seasons in June. The lotus leaves are infinitely green, and the lotus flowers are different red.

The Song Dynasty poet Fan Chengda returned to his hometown and lived a pastoral life, describing the details of pastoral life.

Spring, summer, autumn and winter, thank you.

"Four Seasons Pastoral Miscellaneous" is a group of large-scale Tianjia poems written by the poet after retiring to his hometown, a total of 60 poems, describing the scenery of the four seasons of spring, summer, autumn and winter in the countryside and the life of the peasants, and also reflecting the exploitation of the peasants and the hardships of life. This is one of them, which depicts a scene from rural summer life.

The first sentence "the day rises in the field and the night is hemp" is to say: go to the field during the day to remove the weeds, and rub the twine at night. "Yuntian" means weeding.

In early summer, the seedlings in the rice fields need to be weeded. It's the men's job. "Jima" refers to the fact that after the women have done other work during the day, they rub the twine at night and weave it into cloth.

This sentence directly writes about the labor scene. In the second sentence, "the children of the village are in charge of their own families", "children" are men and women, and the whole poem uses the tone of an old peasant, and "children" also refers to young people. "In charge" means that both men and women are not idle, each doing his own thing, and each is in charge of his own line.

The third sentence "children and grandchildren have not been solved for farming and weaving", "children and grandchildren" refers to those children, who do not know how to plow or weave, but they are not idle. They have been exposed to it since they were young and love to work, so they "also learn to grow melons in the mulberry shade", and they also learn to grow melons under the lush mulberry trees. This is a common phenomenon in rural areas, but it is quite distinctive.

The concluding sentence expresses the innocence of rural children.