Whether there is any change in the social drama, and who is the author of Social Drama .

The Drama Club is a drama club formed spontaneously by theater lovers.

Peking University Drama Society, referred to as Peking University Drama Society, was founded by Yingda in 1982. Adhering to the characteristics of Peking University's diligent thinking and creativity, and with its distinctive club culture and influence, Peking University Drama Club has a unique position in the student club activities of Peking University, known as the "Battle of the Hundred Regiments", and has been awarded the title of "Top Ten Clubs" of Peking University. At present, there are more than 70 members of the drama club, covering all grades from undergraduate to doctoral students at Peking University, and they have strong creativity.

The Drama Club continues to make its own attempts in the theory and practice of campus drama, adheres to daily performance training, has its own internal performances every year, and launches public performances and graduation performances at all levels for the whole school or the society, and cooperates with the school and social and cultural groups, and excellent repertoire emerges in an endless stream. In its history, wonderful plays such as "Cai Yuanpei", "The Little Prince", "Sun Killing", "Wind and Rain-Paul Kochakin", "Much Ado About Nothing", "Man Stops", "Angels Come to Babylon", "Flies" and other wonderful plays have emerged, which have aroused strong repercussions in the capital's theater circles and universities. In the campus drama of the capital, the Peking University Drama Club has always been an active and positive force.

The Drama Club is a drama club and salon spontaneously formed by drama lovers, who provide voluntary teaching, rehearsals, and performances to exchange skills, enhance friendship, promote dramatic art, and enrich cultural life.

The drama club is a stage play. It's like singing in ancient times. Among the representatives is the Xiangyu Opera Club led by Chang Xiangyu, a patriot in our country.

The author of "Social Drama" is Lu Xun.

"Social Drama" is a short story written by modern writer Lu Xun in 1922**, published in December of the same year, "**Monthly" Volume 13, No. 12, and later included in the ** collection "Scream".

This ** is based on the author's life experience in his youth, and writes in the first person about "I" experience of watching the opera three times in the past 20 years: two were watching Peking Opera in Beijing after the Xinhai Revolution, and one was watching social opera in the countryside of Shaoxing, Zhejiang Province when he was a teenager.

The author portrays the image of a group of peasant boys with affectionate pen and ink, showing the simple and kind, friendly and selfless good character of the working people, and expressing the author's nostalgia for the life of his youth, especially the sincere friendship of peasant friends.

About the Author:

Lu Xun (1881-1936), the founder of modern Chinese literature. Originally known as Zhou Shuren, the word Yushan, Yuting, later renamed Yucai, Shaoxing, Zhejiang. In May 1918, under the pseudonym "Lu Xun" for the first time, he published the first vernacular ** "Diary of a Madman" in the history of Chinese literature.

His works are mainly ** and essays, and his representative works include: ** collection "Scream", "Hesitation", "New Story"; a collection of essays "Morning Flowers and Sunset"; literary treatise "A Brief History of China"; a collection of prose poems "Wild Grass"; There are 18 essay collections, including "Tomb", "Hot Wind Collection", and "Huagai Collection".

The background of the social drama is:The October Revolution gave a strong shock to Lu Xun, who was pondering and exploring, and enabled him to see the "dawn of the new century" and the hope of the people's revolution. The outbreak of the "May Fourth" patriotic movement made Lu Xun's revolutionary spirit even more invigorated, so he ruthlessly exposed the cannibalistic nature of the feudal system and the way of Confucius and Mencius, and issued a call to "save the children" and overthrow the feudal "iron house".

From then on, he "could not be stopped" and threw daggers and machine guns at the enemy one after another with a thoroughly anti-feudal ideology, showing a clear revolutionary stand. It was under such circumstances that ** "Social Drama" was published.

Artistic features of "Social Drama":"Social Opera" takes watching a drama as a clue, starting from "me" feeling of watching a Chinese opera in Beijing, and then recalls the joy of watching a social drama in the countryside when I was a teenager, and finally returns to reality from memory. The transition in the middle is natural, and the upper and lower connections are tight.

Although there is no thrilling plot and no complex structure, due to the author's arrangement of the plot, there are ups and downs and full of interest.

This article talks about returning to the province with my mother, interesting stories about Pingqiao, twists and turns before the play, sailing on a moonlit night, watching a play on the bow of the boat, stealing beans on the way back, sending beans to my father-in-law, and missing the social drama.

The central event is to watch the "social drama", and the author conceives the full text with the idea of "looking forward to the social drama, going to see the social drama, and missing the social drama". Through the description of the plots of "I" and my young friends sailing on a summer night, watching a play on the bow of the boat, and returning home under the moon, it shows an innocent and childlike cultural life experience of "me" in the water towns in the south of the Yangtze River, portrays the image of a group of peasant teenagers, and shows the beautiful character of working people who are simple, kind, friendly and selfless.

**The title is "Social Drama", which points out that its central event is "Watching Social Drama".

Among them, the second layer can be divided into: twists and turns before the play, sailing on a summer night, watching the sedan key play on the bow of the boat, and stealing beans on the voyage.

The main content of this article: Taking "social drama" as a clue, it recalls the beautiful childhood past, portrays the image of a group of lifelike peasant children, and shows the beautiful qualities of simplicity, kindness, friendship and selflessness in labor appointment. It mainly talks about the interesting stories of Lu Xun's childhood in his hometown and the folk customs of his hometown, reflecting Lu Xun's love for his hometown and his yearning for a better childhood.

The full text of "Social Opera" originally had two parts, and the text excerpt Qingfan was selected from the latter part, describing the author's childhood when he watched social drama, expressing his memories of a beautiful childhood life and nostalgia.

1."She" originally referred to the land god or land temple.

2.In Shaoxing, she is a regional name, and the social opera is the "annual opera" performed in the society every year, that is, the drama activities related to religion and customs.

3.The performance of the social drama is colorful, and the neighboring townships are crowded in the community.

4.The people who participate in the worship can also share the rich offerings, which are called community meals.

5.Shrine sake is the only drink that is indispensable.

6.In the Qing Dynasty, social drama became the main form of performance of random drama.

7.The plays performed by the Shaoxing Rantan Opera Troupe can be roughly divided into temple fair plays, festival plays, ancestral hall plays, festive plays, affairs plays, peace plays and so on.

8.In the urban and rural areas of Shaoxing, the performance of this kind of temple fair opera is very frequent, and the purpose of the performance is to pray for blessings, keep safe, pray for a good harvest, and chase away the plague.

1. What is social opera: social opera refers to the theatrical activities related to religion and customs carried out in the society. It has the meaning of rewarding the gods and praying for blessings, cultural entertainment or commerce, and the representative areas include Shaoxing social opera, Huanggang social opera, Anshun local opera, etc.

2. In Shaoxing, Sheri acting has been around for a long time, and in the Southern Song Dynasty, Lu You's poem "Sheri" has already had the inscription "Taiping is everywhere is an excellent field, and the children of Sheri are ecstatic". In the Qing Dynasty, the Shelead Drama became the main form of performance of the Random Drama. The plays performed by the Shaoxing Rantan Opera Troupe can be roughly divided into temple fair plays, festival plays, ancestral hall plays, festive plays, affairs plays, peace dramas and so on.