Violin Moonlight Sonata 5, Violin Moonlight Sonata

The Moonlight Sonata is played on a violin???

That's right???

Moonlight Sonata

It is the work of Beethoven. Ludwig van Beethoven.

He is one of the representatives of the Viennese Classical School and a composer of the European Classical period. He wrote extensively throughout his life, and the Moonlight Sonata is Beethoven's solo piano work composed in 1802, and it is one of Beethoven's most famous works. Beethoven was called the "Saint of Music" and the "Symphony" by later generations.

of the king". Beethoven's sonatas of this period are full of experiments, and he attempts to re-evaluate the sonata form.

The main principle of creation. Traditionally, the sonata form has tended to appear in only one movement, usually in the first movement, but Beethoven breaks this pattern with the Piano Sonata No. 14 in C sharp minor.

It is one of the works in which the classical school began to transform into a romantic school. The piece is divided into three movements: the first movement, a sustained adagio, C sharp minor, 2 2 beats, and a trilogy.

It is a fantasy, improvisational soft lyric in the form of a sonata. Contrary to the traditional form of the piano sonata, Beethoven uses the Adagio in the first movement of the piece, and the slow melody exudes a faint sadness.

Second movement, Allegro, D flat major, 3 4 time, trilogy style. In this movement, Beethoven once again "goes the other way", changing the second movement that has been used as a slow movement in the traditional piano sonata, and adopts a very light rhythm, with a short, concise and beautiful melody that contrasts sharply with the first movement. This movement plays a very obvious role of "connecting the past and the future", and the first movement and the third movement are perfectly connected here.

Third movement, agitated rapids, C sharp minor, 4 4 time, sonata style. This movement has an exquisite structure and beautiful piano effects and rich content, and the stormy melody contains a variety of complex piano techniques, which excite a kind of resentment and high morale. Until the end of the whole song, it is still a situation of "final impact".

Moonlight Sonata

It is one of the most popular piano sonatas among listeners, and its title is also reminiscent, and there is no piece like it that is as well-known as the word "moonlight". Beethoven's works come from everything he has in life, and he carries the joys, sorrows and sorrows of his life on his works.

The Moonlight Sonata was a piece by Beethoven as an object of his passion in 1801: Giulita Guiciardini, but he later paid a great price for the relationship.

Beethoven's sonatas of this period are full of experimentation, and he attempts to re-evaluate the main principles of the sonata. Traditionally, the sonata form tends to appear in only one movement, and usually in the first movement, but Beethoven breaks this pattern, and the Piano Sonata No. 14 in C sharp minor is one of the works in which the classical school began to transform into a romantic school.

1. The first movement of the Moonlight Sonata is a piano piece with no lyrics.

2. Piano Sonata No. 14 in C sharp minor, also known as "Moonlight Sonata" and "Moonlight Song". It is divided into three movements. It was written by the German composer Ludwig van Beethoven in 1801.

3. The first movement, continuous adagio, C sharp minor, 2 2 time, three denier chops in the form of a part. It is a fantasy, improvisational soft lyric in sonata form. Contrary to the traditional form of the piano sonata, Bedo uses the Adagio in the first movement of the piece, and the slow melody exudes a faint sadness.

4. The expression of emotions in the first movement is extremely rich, with meditative tenderness, sad chanting, and dark premonitions. Although there are not many changes in the accompaniment, theme and dynamics, the fluctuations of the author's heartstrings are delicately expressed through the changes in harmony, register, and rhythm. This sonata contains Beethoven's most original ideas.

Its dream-like improvisational nature, the way in which it explores the resonance of piano sound has been foreseen about a hundred years later in Debussy's Impressionist School. The theme on which it is based is simple: at the beginning of the piece, an infinite fantasy is constructed by a constant flow of triplets, and after four measures, the first theme appears faintly in the middle register.

It's subtle and quiet, with a hint of melancholy. The second theme appears in B major, 1 minute and 18 seconds. The middle part begins with the first theme.

The triplet zigzags towards the high register, showing an impatient mood. Then, moving on to the third section, the first theme is calmly repeated, the second theme is repeated in C sharp minor, and then continues with a bass note to the coda of the basic motive, which slowly fades away and ends.