What are the options for Yasunari Kawabata s Chinese translation of Ancient Capital ?

It is in such a culture, in such a background, that there is a faint sadness between the words. Whether it's the scenery, society, or human feelings. Society is sad, and the author writes about this sadness in a light tone—that is, the relationships between characters who are entangled in commercial interests, and the relationship between Taijiro and his "friends" who are trapped in the family business, and the market-oriented city and the materialized social state are also among them.

What's more profound is nothing more than the fact that they are very different in class and even seeing each other are extravagant sisters, emotionally. In the face of a girl who doesn't dare to speak out about her feelings, she silently likes the simple Shinichi.。

Hearty, brave but didn't get a response from Ryusuke. And Hideo, this serious "engineering man", turns to Chieko's sister after hopelessness, seeking satisfaction in the platonic "phantom".

In terms of characters, one is the beauty of the image, such as the girl's slender demeanor; The second is the beauty of emotional clarity, which is similar to Mr. Shen Congwen's "Border City", whether it is between sisters, parents and children, or between young men and women, it makes people unconsciously purse their lips and smile. At the same time, "Ancient Capital" is a splendid scroll depicting the scenery of Kyoto, the intricate ancient brocades stacked in the silk shop, the ancient buildings with flying eaves and arches, the red Yae cherry blossoms spread out in clusters and branches, and the tall and straight Kitayama cedars, these extremely Japanese elegant scenery constitute a symphony of beauty unique to the ancient capital.

I can't help but wonder how I could have given such a vulgar name to the review of such a quaint work. However, it is not easy to change the word. Because deep down, the feeling brought to me by "Ancient Capital" is really as beautiful as an antique dream, sad and misty.

Shinichi reads the book, Ryusuke looks at the account book, and Hideo weaves his belt. Chieko and Naeko will look at the beautiful cedar forest and miss their sisters. Life goes on, but everyone has more worries and blessings in their hearts.

What remains eternal is that true love exists in the bottom of my heart, turning into the petals of cherry blossoms, into the bright fragrance of tulips, and into a faint wisp of sorrow in the ancient capital, quietly attached to it.

The first time I read this book was in Kyoto. I wander around Kyoto during the day and read this book at night when I have free time. There will be a feeling that you and Chieko are from the same era, and this is probably the Japan of that era.

When you see people wearing kimonos or yukata on the street, you can't help but sigh, oh, the design of the obi is so exquisite. In the end, when it came to the end, I couldn't believe it, did it end like this? Just like the previous one, the language of clear water.

The plot is not very ups and downs, but the meaning is endless.

"Ancient Capital" tells the story of the girl Chieko's one-year life from being a melancholy outcast under the cherry blossoms to bidding farewell to her sister Miaozi in the winter snow, just like the old maple tree in the courtyard, with the change of flowers in the four seasons (spring flowering, summer withering, autumn yellowing), her life has also changed. This year, she reunited with her sister Miaozi, who had been separated for 20 years, and enjoyed the spring cherry blossoms with her childhood sweetheart, went to Kiyomizu Temple, and spent the Gion Festival and the Times Festival, showing the traditional customs and customs of Kyoto, Japan from her perspective.

The language is beautiful and ethereal, the whole text is tinged with a touch of sadness, and the cultural changes and traditions of the ancient capital of Japan after the war are always profound in Kawabata's Yasunari. The simple story reflects the desire to pursue the beauty of human nature. The language is subtle and restrained.

It doesn't understand Haruki Murakami's Western-style straightforward language. Just like Chieko and Midoriko.

Even if it's a fleeting beauty. The author also writes: "Flowers are alive.

Although its life is short, it lives a brilliant life. The next year, it will bud and bloom again, full of life like nature. This hope is rather a belief in the possibilities of the future.

The possibility of a bright future, the possibility of happiness. This is probably the reason why the story came to an abrupt end in the slowly falling snowflakes. The author clearly does not wish to give absolutes.

Everything contains hope.

Extraction code: pgdy "Ancient Capital" includes Kawabata Yasunari Jing Wang Zhi Sakura ** "Ancient Capital" and "Celebrity". In the ancient capital of Kyoto, Chieko, who was adopted by a brocade merchant, became a beautiful girl.

On the night of the Gion Festival, she met Miaozi, a girl from the village of Shanguodan, and was surprised to learn that the two were twin sisters.

Give me the email and I'll pass it to you.

The Ancient Capital is full of the most innocent and sincere feelings in human nature, embodying the aesthetic essence of "elegance". The Japanese aesthetic tradition of mourning, elegance and seclusion are well displayed in Yasunari Kawabata's **, and they are integrated in "The Ancient Capital", complementing each other, making it show a unique beauty that will be unforgettable for a long time.

As a result of his dedication to the Japanese aesthetic tradition and his exploration of Western artistic techniques, Yasunari Kawabata wrote the immortal Ancient Capital. In his works, he exerts the initiative and creative power of a writer, showing the beautiful color of the fusion of inheritance and innovation.

Regardless of Yasunari Kawabata's original intention in writing "The Ancient Capital", in terms of its artistic effect, it is indeed an expression of the natural and traditional beauty of Kyoto. The author asks readers to follow Chieko to visit the famous places of interest in Kyoto, enjoy the cherry blossoms of Heian Jingu, the bamboo forests of Saga, the garden cedars of Kitayama, the Kusunoki of Shoren-in Temple, and enjoy the annual grand garden fair, the time festival, the bamboo cutting festival, and the large-character bonfire of Mt. Kurama.

**Like the customs of Kyoto, people can appreciate the taste of the Japanese nation and the beauty of the Japanese nation. Therefore, from this work, it is very clear that Yasunari Kawabata's creative characteristics can be seen.

Extraction code: qd22 "Ancient Capital" is the masterpiece of Japanese writer Yasunari Kawabata. In this **, Yasunari Kawabata uses light and delicate brushstrokes to narrate the joys and sorrows of the twin sisters Chieko and Miaoko, as well as the loneliness of the world.

The author gave them his attention, sympathy and lamentation, wrote about their bitter life experiences and pure love, and also wrote about their yearning for a better life.

The author of "Ancient Capital" is Yasunari Kawabata.

A faint sorrow tells the joys and sorrows of the sisters, and writes the evening photos of the ancient capital in the past with deep affection. Yasunari Kawabata's ethereal, nihilistic thoughts, and aesthetic tastes in his work could not be more evident in his novella "Ancient Capital".

Compared with Haruki Murakami, Yasunari Kawabata does belong to the Japanese writers who have been separated by several generations. Nowadays, "petty bourgeoisie" no longer has the derogatory connotation that people were afraid to avoid many years ago. It's an elegant fashion.

So, should the kind of mourning and mystical ideas that have been inherent in Japanese literature since The Tale of Genji really leave us?

Speaking of Murakami, I don't dare to beak myself. Someone once borrowed me a copy of "Norwegian Wood" and left it on my desk for a few months, until the owner asked me to return it without reading a page. I've been buying his "Strange Birds and Strange Travels" for a few years, and I can't read it after reading it, and I still have it in the bookcase.

Am I really out of time? Isn't it time to make up for Murakami's lesson?

But I did use to be a lover of Japanese literature. Yasunari Kawabata, Makoto Morimura.

1. Kiyohari Matsumoto and many other Japanese writers have read them. Kawabata's work is one of my favorites. I especially enjoyed reading Mr. Ye Weiqu's translations of Kawabata's works and his research and commentary on Kawabata.

In Kawabata's **, Kawabata's "Ancient Capital" is not as famous as his "Snow Country" and "Thousand Cranes", but I think it is unique in expressing the classical beauty of Japanese literature. Listen to me slowly.

In 1968, the famous Japanese writer Yasunari Kawabata won the Nobel Prize in Literature for "Snow Country", "A Thousand Cranes" and "The Ancient Capital" for "expressing the spiritual essence of the Japanese people with their keen sensibilities, superb narrative skills". "Ancient Capital", one of the three representative works that brought him this high honor, is a masterpiece that represents the more mature creative techniques and artistic styles of Yasunari Kawabata in the later period, and occupies a high position in his life's creation.

Published in 1962, the novella "Ancient Capital" is a work of nearly 150,000 words, in which Yasunari Kawabata presents the artistic picture of nihilistic thoughts, mystical ideas, and aesthetic sentiment and natural beauty that permeated the writer's life's creation through the joys and sorrows of the twin sisters Chieko and Naeko, the disillusionment of Chieko's father Taro's pursuit of classical beauty and the decline of the silk business.

Seek a textual introduction to Yasunari Kawabata's "Ancient Capital".

Chieko Sada is the daughter of Taijiro Sada and Ashi Sano who run a kimono wholesale business in Kyoto. Chieko is now 20 years old, and for many years she has known that she is an abandoned baby adopted by Taijiro and Afan. A chance encounter at Yasaka Shrine leads Chieko to know that she has a twin sister, Naeko, and that Naeko lives in Sugimura in Kitayama on the back side of Kyoto, and works in the Cedar area of Kitayama no Kitayama.

Chieko and Naeko's very similar appearance confuses Hideo Ohno, the eldest man of the handloom shop "Otomo". Hideo is a traditional Japanese weaver and a secret suitor of Chieko. Hideo didn't dare to express his love to Chieko due to the status gap, so he pursued Miaozi instead, but was politely rejected by Miaoko, because Miaoko knew that Hideo's love was Chieko.

In the end, Chieko went on a blind date according to the traditional Japanese matchmaker's words, and recruited Mizuki Ryusuke, the eldest son of the big store "Mizuki Shoten", to enter the door, hoping to use Ryusuke's business management ability to help support the kimono wholesale business that Taijiro and Afan and his wife had already run poorly, and Ryusuke's younger brother Shinichi was Chieko's childhood playmate. No matter how the world changes, Kyoto, known as the ancient capital, is still flowing through history with the changes in spring, summer, autumn and winter.

1, the impermanence of fate, Chieko and Miaozi are twins, but because of the adoption relationship, their fates are very different, so that although the two people miss each other when they meet, they don't know how to continue the relationship between the two people.

2, the delicacy of human nature, Chieko has always known but doesn't want to know too much about his life experience, but he can't help but think about it, such as the purple flower ground he saw at the beginning.

There are also reactions between conversations. Chieko's delicacy also reflects the boy's complex emotions after expressing his affection for her.

3. Kansai style, Kawabata is Daishi Kansaka.

People, Sou did not shine but has been in the Kanto area of Tokyo since school, probably because he is old, he decided to write a special film to Kyoto.

A book that reflects Kansai culture as the center, by the way, this book is Japanese.

It contains a large number of Kansai dialects.

He probably didn't think that the story of the ending of several people was what he wanted to write, so when he expressed what he wanted to express, it was okay. Write about this first, and then add a little more when you have time.