Why is Cantopop s influence declining now?

Turnip greens have their own love, every era has its own favorite things, songs and ** are the same, in this era, I think Cantonese music has lost its original charm, so his status is gradually disappearing, in modern life, young people are exposed to more entertainment things, so there are more choices, then these choices also include**, they will accept more choices in Europe, America, Japan and South Korea, so it also makes the so-called Cantonese songs have a downward trend.

Cantopop music is now declining, but some classics are still sung today. I think the reason for the decline of Cantopop is that there are fewer people singing it, because Cantonese is more difficult to learn. There is also the fact that Cantonese songs are still famous now, and there is no innovation at all.

One is the lack of creativity, the second is the influence of previous classic songs so that people will easily compare new songs, and then find that old songs are good, the third is the difference between Cantonese and Chinese, the Cantonese audience is still relatively small, can not easily resonate, the most important thing is that it is really difficult for Cantonese songs to appear enough to sing classic songs recognized by the public.

Because today's society is a society that focuses on originality. In the ** era before Cantonese, many songs were changed from Japanese or European and American tunes, and they have been precipitated over time.

And after listening to too many Cantonese songs, there will be aesthetic fatigue, and no matter how good the songs are, you will get tired of listening to them too much.

There are two main reasons for the decline of Cantonese pop songs, the first reason is that there are fewer and fewer good singers, like Alan Tam and Li Keqin in the past, there are no longer any songs so far, and the second reason is that the mainland's ** is developing very rapidly, and there is no shortage of good works.

It may be that the mainland's Chinese pop music scene has gradually developed, and then the Hong Kong music scene feels that there have been no talents in recent years, unlike back then, Chen Huixian, Alan Tam, etc., especially classic, but many catchy Cantonese songs back then were also cover Japanese songs I feel that the Cantonese music scene is also a little declining, but now there is still Eason Chan!

Because the era of Hong Kong's TV and movie songs has passed, how many Cantonese songs have become the best songs on the streets and alleys, especially the Cantonese songs sung by Leslie Cheung, Alan Tam, Chen Baixiang, Jacky Cheung, Andy Lau, etc., are good, although they don't understand, they are still willing to hum along with the melody.

The current Hong Kong music scene is more to make more money than to improve the quality of the first existence, few classic works in the 80s are enjoyed by people again, and there is a phenomenon of singers wearing multiple positions, only paying attention to the market and not caring about the strength of the reason makes the Hong Kong music scene no longer have the kind of blooming light at that time.

Cantopop songs are like a cup of tea to people and take time to taste, but in this fast-paced society, few people are willing to spend a lot of time tasting songs, on the contrary, most people are more willing to accept those songs with strong impact, but these songs can't withstand precipitation and can't become classics.

It may be that there are really few famous Cantonese singers now, and there is no longer the heyday of the Four Heavenly Kings, although some singers in the mainland occasionally cover Cantonese songs, but they always feel that there is less charm, and most of the Hong Kong stars are also willing to come to the mainland to develop, speak Mandarin and sing Chinese songs.

It's less, but it doesn't mean there isn't! It's just that our mainland market is filled with too many works that are not in the stream. Recently, Mai Junlong has released some works, which are very in line with the style of the 90s, you can try out "The Ruins of Emotion" and "Forget Hutchison", in addition to Mak Junlong, Lin Yikuang, Chen Baiyu and other rising stars are also some very comfortable works.

Cantonese songs are a product of a specific historical era, and their popularity also has a special historical background.

After the war, a large number of cultural people gathered in Hong Kong, and because Cantonese became the standard language in Hong Kong, Cantonese-based films, TV dramas and pop songs were able to spread throughout Hong Kong.

Because of Hong Kong's economic and cultural development, in the early days of reform and opening up, Cantonese songs entered the mainland in a high-dimensional and low-dimensional way and became popular in the north and south of the country.

With the rise of the mainland economy and the recovery of commercial culture, Mandarin-based movies, TV dramas, and pop songs have gradually achieved mainstream status, and Cantonese songs, Cantonese films, and Cantonese TV dramas have gradually declined due to the lack of significant improvement in the quality of their works, and are no longer loved by audiences and listeners.

Because Cantonese songwriting is more difficult, and classic Cantonese songs are difficult to surpass.

Because there are more pop songs now, Cantonese songs have no mainstream market, coupled with the fact that people's hearts are more impetuous, there are no particularly good Cantonese singers, and many Internet celebrity singers have appeared, which has affected the market and resources of Cantonese singers.

Many people have been affected by some short ****, and many young people now don't like Cantonese songs very much, so they feel that they can't understand it at all, which will lead to fewer and fewer Cantonese songs of relatively high quality.

Hello, I don't think the decline of Cantonese pop** is no longer a valuable part of Hong Kong culture. This is because Cantonese pop still has an important place in Hong Kong culture, and it remains one of the most popular genres in Hong Kong culture. The importance of Cantonese pop in Hong Kong culture is not only reflected in the ** itself, but also in its deep connection with Hong Kong culture.

Cantonese pop is the most representative type of Hong Kong's literary and material marketing, and it integrates traditional Chinese culture and Western culture, thus forming a unique cultural style. In addition, Cantonese pop** is also the most popular genre in Hong Kong culture, and its popularity has always been high in Hong Kong culture and remains one of the most popular genres in Hong Kong culture. Therefore, the decline of Cantonese pop** does not mean that it is no longer a valuable part of Hong Kong culture, but that it is still an important part of Hong Kong culture.

Pop** is one of the important components of Hong Kong culture, and it is also one of the important outputs of Hong Kong culture. With the passage of time and changes in the social environment, the form and style of popular ** are also constantly changing. Cantonese pop** was once very popular in Hong Kong and made an important contribution to the development and dissemination of Hong Kong culture.

However, in recent years, with the influence of globalization, digitalization, diversification and other factors, Hong Kong's ** market has also changed, and the market share of Cantonese pop ** in Hong Kong has declined. Although the market share of Cantonese pop** has declined, it is still one of the important parts of Hong Kong culture. In addition, there are other important cultural elements in Hong Kong, such as film, food, literature, etc., which have also made important contributions to the development and inheritance of Hong Kong's culture.

Therefore, the decline of Cantonese pop** does not mean that it is no longer a valuable part of Hong Kong culture. Rather, it can be seen as an important stage in the process of continuous development and evolution of Hong Kong culture, and an integral part of Hong Kong culture.