What are the world s three major dramas besides Peking Opera?

The question is ridiculous, and the answer is even more ridiculous, and even the Sanskrit drama has come out.

In the past, the traditional saying was that there were three major theatrical performance systems in the world, the Stanislavsky system, which was a genre of theatrical performance that completely entered the characters for the experiential school, that is, the standard realism; The Brechtian system is a school of dissociation, which requires the performance to add the actor's evaluation of the characters and highlight the narrative, also called epic drama; There is also Mei Lanfang's system, which is for expressionism, which attaches importance to inner experience on the one hand, and external form on the other, raising the stage performance to the level of poetry.

This is all said in terms of performance, referring to the genre of performance.

Drama is a concept for all mankind, and there has never been any concept of the "three major dramas".

The world's three major theater systems are the world's three major theater systems: Brecht [de], Stanislavsky [Su], and one is Mei Lanfang [middle].

The three major dramas in the world refer to ancient Greek drama, Indian Sanskrit drama, and Chinese opera.

Peking Opera is one of the world's three major dramas, this statement is really funny, it must be said by foreigners, they have no time to study the world thoroughly, and they rush to conclusions just to pretend to be authoritative. It is ridiculous to say that Sanskrit opera and Peking Opera are the peak in the long history of India, and Peking Opera is only the last peak of China.

Ancient Greek drama, Chinese opera, Indian Sanskrit drama.

Are you here for Black Peking Opera? How come I haven't heard that.

1. In the world, it is known as the "three ancient drama cultures in the world" are the tragicomedy of ancient Greece, the Sanskrit drama of India, and the opera of China.

2. Ancient Greek drama was produced in the 6th century B.C., and after more than 200 years, it declined, but the later European drama culture was derived from it. Western scholars have summarized the characteristics of ancient Greek drama from the "Poetics" as the Trinity, that is, the consistency of time, the consistency of place and the consistency of performance.

3. Indian Sanskrit Drama Classical Sanskrit drama originated in the 8th century BC, but no script has been handed down, and it has long been a cultural relic, but there is no song and dance in Southeast Asian countries that is not affected by it. In terms of subject matter, one is based on epics and legends, which are the main part of Indian classical drama; the second is based on real life, mainly to depict the urban world and human feelings; In addition, there are some works that are bold and bold and have the purpose of religious propaganda.

4. Chinese opera did not officially enter the hall until the 11th century AD, but because it has been accumulated for a long time and has a lot of energy, it has a particularly strong vitality. Kunqu opera is one of the oldest operas in China, originating from the music and singing art system of Kunshan, Suzhou at the end of the Yuan Dynasty and the beginning of the Ming Dynasty, combining the performing arts of singing, reading, dancing and martial arts.

There are more than 300 types of opera in the country, including five major opera genres, Peking Opera (Quintessence of the country), Yue Opera (Tanhua of the Three Dingjia of Chinese Opera), Pingju Opera (the second largest opera genre in China), Henan Opera (also known as "Henan Bangzi"), Huangmei Opera (called "Huangmeiyou Air Conditioning"). Other types of opera are: Kunqu Opera (the mother of Chinese opera), Gaocao Zhenwan (also known as "Yiyang Dialect" or "Yi Dialect"), Bangzi Dialect, Hebei Bangzi, Jin Opera (also known as "Zhonglu Bangzi"), Pu Opera (also known as "Puzhou Bangzi"), Yan Opera (also known as "North Road Bangzi"), Shangdang Bangzi (one of the four major Bangzi in Shanxi), Qin Dialect (also known as "Shaanxi Bangzi"), Errentai, Ji Opera, Longjiang Opera, Yue Tune (also known as "Four Strings"), Henan Opera, Shandong Bangzi, Huai Opera, Shanghai Opera, Burlesque, Wu Opera (also known as). "Jinhua Opera"), Shao Opera, Hui Opera, Min Opera, Puxian Opera, Liyuan Opera (the "living fossil" of opera), Gaojia Opera, Gan Opera, Tea Picking Opera, Han Opera (formerly known as "Chu Tune" or "Han Tune"), Hunan Opera, Qi Opera (also known as "Qiyang Opera"), Hunan Flower Drum Opera, Cantonese Opera, Chao Opera, Gui Opera, Cai Tune (formerly known as "Tune" or "Tea Picking"), Zhuang Opera, Sichuan Opera, Guizhou Opera, Dian Opera, Dai Opera, Tibetan Opera, Shadow Puppet Opera, etc.

Genre, that is, the type of drama. China's folk opera has a long history and a wide variety of operas, and there are still 275 types of operas that can be examined, such as Kunqu Opera, Peking Opera, Henan Opera, Ping Opera, Yue Opera, Huangmei Opera, Cantonese Opera, etc. Among them, "Peking Opera, Yue Opera, Huangmei Opera, Ping Opera, Henan Opera."

There are more than 300 types of opera in the country, including five major opera genres: Peking Opera (National Quintessence), Yue Opera (Chinese Opera Sanding Jiazhi Jinmin Tanhua), Ping Opera (the second largest opera genre in China), Henan Opera (also known as "Henan Bangzi"), and Huangmei Opera (called "Huangmei Tune").

The three ancient dramas in the world are: ancient Greek drama, Indian Sanskrit drama, and Chinese opera. At the time of his time, the political and military center of ancient Greece, the city of Athens was also the center of ancient Greek drama.

Athenian tragedy and comedy are among the earliest forms of drama in the world. Ancient Greek theater and plays had a lasting and profound impact on the development of Western theater and culture.

Indian classical drama - Zheng Yinsen - Sanskrit drama, from the perspective of the subject matter, one is based on epics and legends, the other is based on real life, mainly to depict the urban world and human feelings, such as "Little Clay Car" and so on. In addition, there are some works aimed at religious propaganda, such as "Ma Ming's Drama Fragments". Sanskrit opera is basically the same as Tibetan opera in the three types of drama aesthetics: sadness, joy and righteousness, and belongs to the aesthetic character of the drama of tragedy and joy.