Is paper cutting a Chinese cultural tradition, and why can paper cutting become a traditional Chines

Folk paper-cutting is an ancient traditional Chinese folk art. It has a long history and unique style, and is loved by people at home and abroad.

Chinese paper-cutting originated from the Han Dynasty to the Northern and Southern Dynasties, and was quite sophisticated, but it was after the middle of the Qing Dynasty that it really flourished. Ancient paper-cutting is mostly in the countryside, mainly hinged out by scissors, interesting and simple, and natural, all of which are from the hands of peasant women; After paper-cutting enters the city, not only the citizens' interests and life ideals should participate in the art of paper-cutting, but also thousands of households are crowded together, and the suburbs become habits, and the need is quite huge; In order to save labor, paper-cutting artists changed to carving with more than one knife, and the style turned to exquisite, and the artists were not limited to women. However, with the change of times, life changes and aesthetic transformation, traditional folk art gradually cannot meet the needs of reality, so the modern emerging paper-cut art was born.

Paper-cutting is a folk art with a unique artistic style, which is hand-carved and dyed with bright and bright colors.

Chinese paper-cutting is a kind of folk art that uses scissors or carving knives to cut patterns on paper, which is used to decorate life or cooperate with other folk activities. In China, paper-cutting has a broad mass base, blends into the social life of people of all ethnic groups, and is an important part of various folk activities. Its inherited visual image and modeling format contain rich cultural and historical information, and express the social cognition, moral concepts, practical experience, life ideals and aesthetic tastes of the general public.

Because the origin of paper-cutting is to go to China, the art it contains is broad and profound, many elements are from the folk, ** in life, and dedication to life, is a unique culture that the world can not surpass, so we want to inherit and develop this culture, so they are a traditional culture of the Chinese nation.

Culture is the sum of material and spiritual civilization created by man. And "traditional culture.

It not only refers to the theories and non-theorized theories refined by ancient thinkers, but also affects the whole society, and has a stable structure of common mental and psychological states, ways of thinking, and value orientations.

It is a process of blending the past and the present, infiltrating the new ideas and new blood of each era, and widely expressing people's customs, lifestyles, psychological characteristics, aesthetic tastes, and values.

and other non-theoretical things.

Chinese folk paper-cutting art.

It is a kind of folk culture that integrates material civilization and spiritual civilization, is deeply rooted in the soil of our nation, is widely manifested in folk beliefs and living customs, and vividly reflects the most basic psychological characteristics, aesthetic tastes, and values of the broad masses of people in our country.

One. Therefore, it is a non-negligible part of our traditional culture.

Paper-cutting is the most popular folk art in China.

According to the study, its history can be traced back to the sixth century A.D., or even earlier. In the past, people often used paper to make various forms of objects and human figures, burned with the deceased in burials or funerals, and were also used as decorations for offerings to ancestors and gods. Nowadays, paper-cutting is more used for decoration, but also for decoration of gifts, and even the paper-cutting itself can be given to others as a gift.

On the one hand, the art form of paper-cutting, which is not found elsewhere, should be regarded as a traditional culture unique to China, and on the other hand, this art form has a wide range of circulation and a very long history, so it has become a characteristic of traditional Chinese culture.

Because the paper-cutting technique is integrated into the wisdom and feelings of our people, it can also well reflect the local customs and cultural characteristics.

Because paper-cutting also has a lot of culture, including, and is very particular, paper-cutting is also a relatively advanced knowledge, so it is also a kind of traditional culture.

Paper-cutting has a history of more than 2,000 years, the earliest came from the portrayal of the totem, and then to the Eastern Han Dynasty with paper, there was paper-cutting, and after the Ming Dynasty, the art of paper-cutting shined. Therefore, paper-cutting is well-deserved as the intangible cultural heritage of the Chinese nation.

Because the art of paper-cutting is a traditional folk craft of the Han nationality, it has a long history and endures, and is a treasure in Chinese folk art.

Because paper-cutting has a long history and is a traditional art, it is also a traditional culture.

Because:As early as the Spring and Autumn Period and the Warring States Period, people made handicrafts on some thin sheet materials through the technique of hollow carving, which began to be popular long before the appearance of paper, although it was not made of paper, but it was the same, which laid the foundation for the emergence of paper-cutting in the real sense. It is said that the earliest paper-cut works in China can prove this.

The scientific principles, humanistic knowledge and life ideals expressed in paper-cutting can make people imperceptibly educated and have the function of ethical education. At the same time, the characteristics of paper-cutting art are frank, simple, simple and bold, and you can learn the attitude of paper-cutting artists towards life. Folk culture is the foundation of all cultures and is the mother culture.

Mr. Zhang Daoyi, a folk art scholar, said: "From the perspective of the nature of culture, it has the basic nature of national culture. That is to say, any upper-class, high-class culture is developed on this basis.

Contemporary people do not have a deep understanding of folk culture, pursue fashion, alienate local culture, many folk arts are being abandoned by people, and the inheritance of folk culture is seriously out of touch, so it is necessary to fully integrate into the local culture of the nation. The art of paper-cutting assumes an important role as the carrier of cultural dissemination and social textbooks, and the formation of a thick folk culture is the best protection for traditional folk art. The art of paper-cutting has attracted more and more attention, and the inheritance of paper-cutting art is not only to learn the folk cutting techniques, but also to rise to a higher level.

A good work not only requires skillful technique, modeling and other aspects to be distinctive, but also needs to have its profound connotation and can convey the author's spiritual charm. The inheritance of paper-cutting art can broaden the breadth of knowledge, get in touch with the life of folk art, and inspire the mind. At the same time, the art of paper-cutting can give people sufficient free imagination space, let the thinking run wild, and enrich the content of culture and art.

Through the in-depth combing of the spirituality, formal characteristics and symbolic meaning of paper-cutting art, it is conducive to better inheriting the hierarchical structure of paper-cutting art and perceiving the original flavor of folk paper-cutting in practice. You can hire paper-cutting artists from the folk to learn the shape, color, pattern and other skills of paper-cutting, seek creative inspiration, expand your horizons to improve your aesthetic taste, and stimulate your imagination and creativity; It can also drive everyone to consciously explore folk customs and increase the depth of thinking.

The inheritance, preservation and development of a culture depends to a large extent on the ability of its owners to transmit knowledge and culture. It is precisely of great significance and enlightenment to the inheritance of national and folk culture. There are many forms of folk paper-cutting content, and its patterns and themes are often directly and vividly recorded in the cultural matrix widely circulated among the general public, which not only reflects the traditional cultural psychology, folk customs and aesthetic taste, but also reflects people's love and hatred and the pursuit of truth, goodness and beauty, showing profound cultural significance.

Chinese folk auspicious paper-cutting has a profound cultural connotation. From the "window flowers" pasted on the window lattice and the "door notes" pasted on the lintel, to the "offering flowers" for worshiping the gods and ancestors, and the "happy flowers" and "ceremonial flowers" for weddings and celebrations; From the "Kang Wai Flower" and "Ceiling Flower" to the "Shoe Flower" and "Purse Flower" used as embroidery patterns, the auspicious paper-cutting is deeply integrated into the thoughts and emotions of people's daily life. Common auspicious themes in paper-cutting are:

Fu, Lu, longevity, joy, Ruyi, Panchang, Fang Sheng, Sanduo, Crane Shou Shuangquan, Wufu Shou, auspicious celebration, longevity, longevity, wealth and wealth, gold and jade, more than one year in a row, melon and long, everything is good, bamboo report peace, happy eyebrows, pointing to the sun, three friends of the year, four gentlemen's flowers, six contract spring, carp jumping dragon gate, etc. With the development of the times, people continue to use these auspicious patterns of paper-cutting, and the meaning contained in them has also been sublimated.

Opera stories and opera characters are common themes in Chinese paper-cutting. Paper-cutting and watching opera is something that rural women never tire of, and their special ability to feel and understand opera enables them to create different styles of paper-cut works with the characters and scenes in the opera through ingenious artistic processing, which accompany people's daily life into thousands of households, so that the opera can circulate in a larger space. The opera paper-cuts are like a solidified drama, and the never-ending performances continue on the farmhouses, kangs, and windows, expressing people's admiration for heroes and judgments of good and evil, beauty and ugliness.