Wang Xizhi used the pen to solve

Wang Xizhi's brushwork is fully analyzed: starting, traveling, and receiving.

1. Brushwork in the starting pen:

Like the method of writing in regular script, there are two kinds of penmanship, that is, the style of the front of the pen, the reverse of the front of the pen, also called the open front of the pen, the hidden front of the pen. The specific method was already known when I learned regular script, so I will not talk about it specifically here. Different from the regular script, the line of writing is mostly written with Lu Feng, which is light and simple, while the regular script is mostly written with Zangfeng, which makes the pen feel stronger.

2. Finishing the penmanship:

The closing of the book is mostly used to show the front, to indulge its spirit, the expression is exposed, the dot painting echoes, giving people a vivid feeling, and the regular script is mostly used to return to the front, the beginning and the end echo, so that the strokes are subtle and solid. There are "square pens" and "round pens" in the brushwork of starting and closing the pen. The square pen is a high book, which is a reverse front and a side cut, and writes a square and angular dot painting, giving people a sense of danger; The round pen is the penmanship of starting the pen against the front and turning the pen around the front, giving people a sense of subtlety and strength.

3. Brushwork in the line of writing:

Center. The center is also called the front forward, that is, the stroke is in the middle of the stroke when the pen is moving. The center is the fundamental brushwork of calligraphy. The strokes written with the center give a sense of roundness and subtlety.

Flanks. When the pen is on the side of the dot painting, it is also called a partial edge. The flanks give people a sense of danger and handsomeness. "Positive to stand up, biased to take the attitude".

There are several kinds of gestures in the way of writing and writing, and they are listed differently. Or there is a Tibetan front of the action of the big Tibetan Feng jujube ant lies in the middle of the stroke into the pen, the side with the pen although heavy but lack of force, but also can not lift the pen only with the center, so that the stroke is too thin and tight, with the pen into the pen from the middle of the stroke, with the pen on the side of the paper repressed called the pen. It can also be said that just borrow the remaining potential of the last stroke to naturally bring in, this kind of pen is right, the pen is closed with a pinch of pen method to make the pen slowly close, it must be as sharp as when it was first put into the pen, see through this mysterious truth, perceive its door and interest.

The method of the pen is to see how long it is, and the right side of the foot must seem to be missing, that is, the lack of waves. The rest of the pen is to promote the pen as soon as possible off the paper, the pen to use the gesture of the rest of the pen to move the pen upward, slowly tightened. That is, the method of writing pick, the method of the pen will be.

Crouch is the sharp rock stove angle; Will, refers to the pen often scattered after heavy pressure and to do its best to converge to the foot. To write, you should write slowly, you must get the position, and the feet should be short and not long. 〕。

The method of the war pen is to merge. battle, refers to a battle formation; Together, refers to mutual cooperation, tacit understanding, calmly move the pen, do not consider whether it is long or short at this time. The pen can be the key to beauty.

Lift the pen and go up, don't let the strokes be too long. It means that this stroke is very beautiful, and it depends on the form of the stroke. Random pen movements make it the funniest place.

The way to bring a pen should be exhausted. Bring a pen to lift the pen lightly, do not press it again, and make the strokes thick and heavy.

Wang Xizhi's Pen Gesture Theory Chapter 12 [**].

Wang Xizhi's Twelve Chapters on Gestures is considered to be Wang Xizhi's famous book on the secrets of writing techniques, which discusses the methods of hiding the front, side brush, knotting the pen, turning the pen, starting the pen, hitting the pen and other methods and the liquid of the pen; From the point of view of the knot, the strokes "should not be delayed in making apostrophes, and should not be slow"; Combined words, there are "not broad, heavy should not be long, single should not be small, complex should not be large, dense is better than sparse, short is better than long"; If the size of the word is discussed, then "the big word is expensive and the small is bad, and the small word is wide and big, and the natural width is good, and it is not appropriate"; From the point of view of cloth white, it is said that "the white cloth is divided into different places, the distance and the near should be even, and the top and bottom are natural, and they are naturally stable." When it is necessary to cover it up" and so on. Compared with the previous theories of calligraphy, it is obvious that the techniques in Wang Xizhi's calligraphy are more extensive and systematic, and they are the best technical theoretical guidance for calligraphers to practice calligraphy.

Shen Yinmo praised: Wang Xizhi did not have mud under the feet of his predecessors, painting gourds in the same way, but to use his heart and hands to make the ancients serve me, not muddy in the past, not back to the present. As a calligraphy lover, and even a person who studies calligraphy, in the process of copying and creating calligraphy, the writing of each word is condensed into Wang Xizhi's gesture, which will naturally make his calligraphy have the calligraphy artistic conception of the ancients and sages.

Rare precious information [Wang Xizhi's Gesture Theory Twelve Chapters], a total of 72 stickers, has now been collected, willing to share with friends!

Fang Hongyi, a famous calligrapher with a hard pen. He is a member of the Chinese Calligraphers Association. Born in Beijing in 1955. Since childhood, he has loved calligraphy and has been graffiti. He studied calligraphy at the Affiliated School of the Chinese Painting and Calligraphy Research Society in Beijing and the Correspondence University of Chinese Painting and Calligraphy, and gradually gained something.

He studied many inscriptions, and finally took Ouyang Xun and Sui and Tang Kaishu as his development goals. Years of persistence, day by day to understand. The hard book arises, that is, into it.

Practice pen calligraphy hard and organize activities. Every time I am complacent because of the award, I fantasize about the future of the book. Sweat and tears are sprinkled together, bittersweet and gloriant.

Books are learned, and people know virtues.

Floating like clouds, swimming like a dragon.

Xi Zhi began to learn at the age of seven, successively studied under Mrs. Wei and his uncle Wang, who was born in a calligraphy family, and later browsed the Qin and Han Dynasty seal master Chun Gu Pu Mao's fine products, refined study of the body, the heart of the hand chase, the wide collection of the strengths, smelted in a furnace, to create a "natural nature, Feng Shen Gaidai" line of calligraphy, by the descendants known as the "book saint".

Li Zhimin, a professor at Peking University and the pioneer of the introduction of monuments, commented: "Wang Xizhi's calligraphy not only expresses the simplicity and Xuanyuan based on the philosophy of Lao Zhuang, but also expresses the harmony based on the Confucian golden mean. In his later years, calligraphy was perfect, reaching the peak of the realm, and "Orchid Blind Luting Preface" was his proud work in his later years.

Among Wang Xizhi's calligraphy works, "Lanting Lead Eggplant Preface" has been recognized by calligraphers in the past dynasties as the world's unparalleled "first line of calligraphy". Wang Xizhi (303 361 AD), the most outstanding calligrapher of the Eastern Jin Dynasty, the word Yi Shao, Lang evil Linyi people, Juhui Ji Shanyin people, officials to the right army general, so people called "Wang Right Army".