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If you can practice it, the way is to have a real voice and a false voice.
Traceless conversion, you can't go up now, I'm sure the method is not mature, I think your method is not sophisticated, you can go up and down A The conditions are good. A lot of male high school bottlenecks in the fall of a or b, I don't know why, I used to have a bottleneck in F up f for a while, my classmates are in a drop B, anyway, whether a or a or B break through, the sound of the three groups is a bit long, after learning a year or two, the vocal range will improve rapidly after a period of maturity, as long as you smoothly convert the voice change point, you will be comfortable, and whether it is a part of the treble alto or something is determined by the timbre It has nothing to do with your vocal range. A lot of baritoros are awesome.
This thing mainly depends on your basic skills. Basic skills and good pronunciation are not a problem.
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A flat (flata) is a pitch in **, corresponding to ba (flata) in the short notation, and on the piano keyboard, it is equivalent to the next semitone of **c(c4).
Vocal range refers to the range from the lowest to the highest note that a voice or piece of music can make. Generally speaking, a person's vocal range is determined by innate conditions, and it has nothing to do with which note is high, medium, or low, but only indicates which note in this range your highest note is. Each person's vocal range is unique and not absolute.
Therefore, the ability to sing high notes should not be measured by specific height. If you feel comfortable singing high notes and can sing consistently and steadily, then you can say that you have some ability to sing high notes. Of course, everyone's voice conditions and talents are different, so don't pursue the treble height too much, but play to your strengths within your comfort zone and sing your own style and characteristics.
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If A-flat can elongate the sound, and if there is a trill, it is also a tenor.
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It's harder to sing a high note.
With the opening sound "a" vowel.
For example, it is the most open and widest of all vowels. As a result, the "a" vowel has more oral resonance. However, due to the large opening of the oral cavity, it is easy to diverge and not concentrate, so it is more difficult to get a high pitch.
To avoid these problems, when singing the "a" vowel in the high vocal area, the mouth is open, but not too wide, and the laughing muscles are raised.
The vocal position of the sound is as close to the pharyngeal cavity as possible, so that the formation of the "a" vowel is placed in the pharyngeal cavity.
So when you sing "a", you can lean on "ang". Of course, getting closer is not a substitute, just thinking about that word when singing, using the channel of nasal resonance to make it easier for the sound to go to the head cavity, produce head cavity resonance, and return to the original word at the end.
When singing and vocalizing, as the voice ascends, the parts of the vocal cords that vibrate become shorter and thinner, the tension increases, and the force of the vocal cord load increases. Therefore, if you sing with your true voice all the way to the high vocal range, the expressiveness of your true voice will become more and more difficult, and the singer will have more and more difficulty singing, and the voice will sound tighter and tighter.
Therefore, in the upward process of the sound, falsetto can be added through the voice change point.
Achieve a state of true and false voice mixing. "Falsetto" refers to the semi-natural method of vocalization used in the high register, using the edges and parts of the vocal cords to produce vibrating sounds. Falsetto is not as real as the real voice, it is more "empty" and "empty".
Since the vocal cords do not have much load force during falsetto, and it is easy to resonate with the head cavity, it is easier to sing in the high register.
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Note that it should be called "A-flat major" and "D-flat major", "A-flat major" and "A-flat major" the former is a key, and the latter is a key, and the key can talk about the concept of scale. A-flat major scale: A-flat, b-flat, c, d-flat, e-flat, f, g, A-flat.
The lead note is a first-level flat A, and the lead tone is a seventh-tone G. D-flat major scale: D-flat, E-flat, F, G-flat, A-flat, B-flat, C, D-flat.
The lead tone is a first-level D-flat sound, and the lead tone is a seventh-tone C. The main tone is always the first-level tone, and the quiet guide is always the seventh-level tone.
I have your question from two aspects, one is the congenital factor, the treble has an innate factor, not everyone can become Zhang Yusheng, and then take Xiao Shenyang as an example, his voice is already high, and his treble is not something that can be achieved by any person, his voice should be able to sing better after professional training, and people like them who are gifted with treble may not be able to achieve it after professional training, and it is easy to hurt the voice if you shout hard. The second is acquired training, even if there is no talent for treble, after the guidance and practice of professional teachers, if you have a strong understanding, you should be more or less improved on your original basis, because you have mastered the correct pronunciation method Many singers have generally been guided by professional vocal teachers, and vocal music is not something that can help you solve the problem by typing a few lines here. >>>More
I'm sorry to tell you that your method is completely wrong, I can pinch my nose completely when singing, there is no air flow in my nose at all, and there will be a "buzzing" muffled nasal sound, and it is impossible to sing beautiful high notes, your vocal state is like when I couldn't sing well many years ago, you still have a long way to go! >>>More
1. The lobes of the lungs are larger than the apex, and the upper apex of the lungs is expanded outward by the ribs. To use waist force, you first use your hands to cross your waist (you don't need to pay attention to the abdominal muscles at this time, it will work naturally when you inhale), inhale the air around the waist, feel the front and back waist swell, and then close the air in, force the waist and ribs inward, and push the chest upward, you will feel the pressure pressing down on the palate, this is the method of using waist force. >>>More
Methods and techniques for singing:
1. Singing posture. >>>More
There are several skills that must be practiced in singing high notes. >>>More