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Cultural exchange is now an increasingly important way of communication between countries around the world, and it is a competition of soft power of various countries. Therefore, under this kind of cultural exchange, cultural diversification and cultural localization have become two major trends. Some people think that culture should be pluralistic, and some people think that culture should be local, so as a large country with some 5,000-year-old civilizationWe should look at these two phenomena with inclusive understanding, rational analysis and distinction.
First, as a cultural power, the fundamental reason why we can continue to make progress is because of our understanding and tolerance of various things. There is no superiority or inferiority in the culture itself, it just depends on whether it can adapt to the times. We can think of some of the cultures in diversity that can keep pace with the times, and we can think of them as cultures that can be learned.
As for some localized cultures that cannot keep up with the times, we do not learn, but as long as it exists and does not affect the times, we cannot destroy it. Diversity and localization are both worthy of being understood and included. <>
2. Rational analysis of these two phenomena For cultural pluralism, we should start from economic globalization.
Because the economy is the foundation of human survival, most people cannot advocate culture when they are poor, so cultural pluralism is closely related to economic globalization. In addition, diversity may also be related to climate change, political influences, and so on. For cultural localization, foreign and local cultures are analyzed.
If you can adapt, it is reasonable, and if you can't adapt, you should abandon it in time. <>
3. Distinguishing between these two phenomena For cultural pluralism and cultural localization, we cannot be killed with a stick, and only choose one way to treat world culture. Because world culture is complex and changeable, it is possible that the development of diversification can be localized in the future, and there are also diversified exchanges that can be formed after localization. Therefore, these two phenomena are more regarded as two means, and it is enough to act on different cultures.
In the end, no matter what kind of phenomenon it is, it is an attempt to accept the attitude of culture, which is worthy of recognition.
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Cultural diversity is a good thing. Different cultures, colliding with each other, will produce different surprises, cultural localization is the soil for the development of culture, is conducive to the inheritance of culture.
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The two complement each other. Cultural localization can better develop the quality of local culture, and cultural pluralism can be more conducive to the spread of local culture.
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I think it is important to adhere to the local culture, but we can still absorb and learn from the cultures of other countries, advanced culture is the inevitable progress of a country, and cultural diversity is still conducive to the progress of society.
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Cultural multi-brother retardity is a basic feature of human society and an important driving force for the progress of human civilization.
In dealing with cultural diversity, we should not only identify with our own national culture, but also respect the cultures of other nations, learn from each other, seek common ground while reserving differences, respect the world's cultural diversity, and jointly promote the prosperity and progress of human civilization. Respect for cultural diversity is an intrinsic requirement for the development of one's own culture; Respect for cultural diversity is an indispensable requirement for the prosperity of world culture. The principles that should be followed are:
All ethnic cultures are equal.
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Cultural diversity refers to the fact that every nation and country in the world has its own unique culture, which is the natural result of the evolution of human civilization and the common wealth of all mankind.
It is not the source of conflict, but the starting point of exchange, reference and integration. In dealing with the relationship between different cultures, we should adhere to the principle of "harmony without diversity", and we should not only identify with our own culture, but also respect other national cultures.
The culture of each nation has its own essence, which is the product of the historical development of the nation and the crystallization of the wisdom of the people. Acknowledging the diversity of world cultures and respecting the cultures of different peoples must be guided by the principle of the equality of all cultures.
In cultural exchanges, it is necessary to respect differences, understand individuality, live in peace, and jointly promote the prosperity of world culture. At the same time, different national cultures need to be exchanged, borrowed and integrated, and in this process, we must not only fully absorb the beneficial achievements of foreign cultures, but also take ourselves as the main source and use them for our own use.
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Since ancient times, China has been a multi-ethnic country, and the cultures of different regions and nationalities have collided and merged with each other in the long history of thousands of years, converging into a broad, profound, colorful and gorgeous Chinese culture.
As an organic cultural whole, the Chinese national culture has not only the characteristics of diversity, but also the characteristics of unity and complementarity. The unity of diversity is the fundamental characteristic of Chinese culture, and it is also where the vitality of Chinese culture lies.
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The issue of the unity and pluralism of the Chinese nation's culture is a very broad issue, involving the origin of the Chinese civilization and the historical, political, economic, cultural life, and religious beliefs of various ethnic groups.
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When we suddenly look back on our cultural path, we can't help but sigh: how far away that starting point is from us! For 5,000 years, there have been countless excellent cultures such as three religions and nine streams, and a hundred schools of thought have contended, and from ancient times to the present, there have been one after another self-contained ideological giants, and these cultures, these spiritual treasures left by generations of ancestors with their lifelong energy, constitute our long-standing, broad and profound Chinese culture.
To borrow the words of Mr. Yu Qiuyu, "However, it is such a world, such a country, such diversity, and such infinity that are worth living", yes, Chinese culture is diverse, infinite, and worthy of being lived by everyone.
So, how to understand pluralism and infinity? I think it can be understood in terms of the infinity of culture itself and the diversity of cultural transmission.
The pluralism of Chinese culture itself can be understood from many aspects, first of all, its long history, our country has a long history, after the vicissitudes of life, from the abdication of Yao Shunyu to the prosperity of the Xia, Shang and Zhou dynasties, from the Spring and Autumn Period and the Warring States period of a hundred schools of thought, to the Qin and Han dynasties of the cultural prime, from the Tang, Song, Yuan, Ming and Qing dynasties of the cultural flowers of the brilliant glory, to the modern and modern development of traditional culture, culture has been with the development of our Chinese nation. There is also the regional and national nature of culture, China's territory is vast, in the Yuan Dynasty border is reached Siberia, the vast land has nurtured many nationalities, different nationalities have created a pluralistic culture, each region, each ethnic group's historical development, folk customs, education methods, language and vernacular pronunciation are all distinctive, in the migration, integration and collision, the cultures of various nationalities and regions are blended and absorbed by each other, both tend to be integrated, have their own characteristics, so that the formation of fifty-six nationalities, Across the Yangtze River and the Yellow River, the Chinese culture is broad and profound.
From the perspective of cultural communication, if Chinese culture wants to be well inherited and promoted, it is very important to diversify its communication methods, for example, "A Cut Plum", which is currently popular in Europe and the United States, is to promote Zhongliang model Chinese characters and Chinese music to the world in the form of songs, and for example, the Confucius Institutes that are in full swing around the world are spreading Chinese education, Confucianism and Chinese culture in the form of colleges and countries on all continents. Another example is Li Ziqi, an Internet celebrity who has received tens of millions of views on YouTube, is to let the people of the world see Chinese folk customs, food and drinks in the best way, and only by inheriting Chinese culture in a diversified way with the times can the excellent traditional Chinese culture be best carried forward and developed.
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First, we should fully understand the great value of historical and cultural heritage in the development of modern urban civilization, and on the basis of the protection of traditional artifacts, the memory of cultural symbols, and the development and utilization of tourism value, we should give new connotations and new vitality to historical and cultural heritage, so that they can be organically combined with modern urban functions, industrial development, labor and employment, and citizens' lives, and play a greater role in enhancing urban value, developing modern civilization, and improving the living environment. So that the historical and cultural heritage can be sustainably protected and utilized. Second, only by closely linking the protection of historical and cultural heritage with the expansion of modern urban functions, especially with the improvement of citizens' lives, can history and culture be full of vitality, "cultural relics" can truly become "culture", historical and cultural heritage can truly enter the hearts of citizens, truly become a culture in the sense of citizens' concepts, become a realistic and living culture, and become a culture that can produce centripetal force, a sense of belonging, a sense of identity and common action; Only in this way can the modern city become the real home of historical and cultural heritage, and can it find a real foundation for the survival and protection of historical and cultural heritage. Third, in order to organically integrate historical and cultural heritage with urban construction and development, we must learn from and absorb internationally recognized concepts and practices of historical and cultural protection with an open mind, and protect and continue the historical and cultural context in a larger spatial scope and a wider geographical scope with an attitude of respecting history, respecting life and respecting citizens, and in accordance with the concepts of harmony between man and nature, harmony between man and heritage, harmony between heritage and environment, harmony between life and heritage, and harmony between tradition and modernity. On the whole, the natural geographical environment of the famous historical and cultural city and the internal texture relationship of the citizens' life are integrated, and the historical and cultural development trajectory of the thousand-year-old ancient capital is displayed more comprehensively, three-dimensionally and delicately, and on the basis of inheriting the historical and cultural traditions, a unique urban style is formed in which ancient civilization and modern civilization complement each other, the old city and the new city show their own style, and the human resources and natural resources rely on each other.
When it comes to Western culture, I'm rational. There are good and bad sides to Western culture, and if we want to acquire new knowledge, we must extract the essence from its dross, so that we can live what we want.