What kind of writing technique does Camel Xiangzi use, help, urgent

The writing features of "Camel Xiangzi" are:

The author combines traditional Chinese narrative methods with the arrangement of foreign literary scenes and psychological descriptions to create a series of vivid characters. Among them, the protagonists Xiangzi and Tiger Niu reflect the darkness of the old society, and the tragic color is a major feature of "Camel Xiangzi".

**In China, not only Xiangzi, but also the domineering Liu Siye, the arrogant and spicy tiger girl, and the kind and strong Xiaofuzi have all gone to a desperate situation. Another feature is the delicate and in-depth psychological portrayal of the characters, Xiangzi is taciturn, and the author uses a large psychological description to show his character characteristics and the process of ideological changes.

With the understanding of the lower-class characters in Beiping and the familiarity with the small people, the language of "Camel Xiangzi" is unique in the use of simple language to portray the vivid image of the psychology of the people in the lower class. The author uses the colloquial dialect of Beijing that has been processed and refined to portray the speech and behavior of the lower-class characters in Beiping, so that the work has a strong regional cultural color and market atmosphere.

Background:

In 1936, a friend of Lao She's from Shandong University talked about his experience and experience of hiring a coachman: a coachman bought a "foreign car" and sold it soon after, and so on and so forth, and finally suffered poverty. At that time, Lao She felt that the subject could be written as a **.

Since the birth of new literature, writers such as Hu Shi and Lu Xun have written about rickshaw drivers, but they have expressed sympathy for rickshaw drivers from the perspective of intellectuals, and have not gone deep into their hearts and souls to appreciate the life of rickshaw drivers.

Because Lao She was born in a poor citizen family, he has been in contact with the lower class people since he was a child, and has a deep understanding of the living conditions and psychology of the working people, all of which provided materials for Lao She's creation of "Camel Xiangzi".

First, the vertical structure with clear context and rich plot. **The plot structure is arranged with Shoko's activities as the main line. This simple and clear structure is convenient for expressing Xiangzi's "three ups and three downs" struggle experience and the process of profound changes in his ideological character, and can highlight the theme of the work more intensively and clearly.

2. Be good at expressing the ideological character and development of the main characters through characteristic portrait descriptions and delicate psychological portrayals. Psychology is written in terms of actions and situations, psychology is written from language, and sometimes psychological changes are brought out through the author's direct analysis.

There are also those who can see his psychology through the eyes of others, and there are also those who set off his psychology with the help of the changes in the scenery in their eyes, with various techniques, real and vivid, which fully shows Lao She's in-depth and thorough insight and understanding of the life of the Beiping Yang coachman.

3. The language is simple and natural, vivid and bright, with distinct local colors and a strong atmosphere of life. Using the processed and refined colloquial language of Beijing, it accurately, distinctly and vividly depicts the natural landscape paintings of Beijing and the customs paintings of the lower society, overcoming the problems of oil cavity and slippery tones in the past, and establishing a simple and natural language style.

**Good at using rich, delicate, and appropriate ways to describe the psychological activities and changes of the characters.

The psychological description of Camel Xiangzi is closely combined with the actions of the characters and the storyline, and the psychological description fills the gap left by Xiangzi's silence, woodenness, and poor speech. Therefore, when portraying the character of the protagonist Xiangzi, a large number of static psychological descriptions are used, and these psychological descriptions are completely Chinese and Xiangzi-style, which is narrated in Xiangzi's language, rather than objectively depicted in the language of the writer's third party. Even if it is a scene, it is seen and depicted through the eyes of Xiangzi, and the changes of these scenes in Xiangzi's eyes reflect Xiangzi's mood and dynamics.

For example: "He can't figure out where it is, it's so dark, his heart is so anxious, even if he can look at the stars and adjust the direction, he doesn't dare to do it calmly; The stars—in his eyes—seemed to be in a hurry than he was, you touch me, I touch you and move in the dark sky. Shoko didn't dare to look at the sky anymore. ”

<>1, the vertical structure with a clear context and rich plot, ** is to arrange the plot structure with Xiangzi's activities as the main line, this simple and clear structure is convenient for the performance of Xiangzi's "three ups and three downs" struggle experience and the process of profound changes in ideology and character, and can highlight the theme of the work more intensively and clearly, and the work is through Xiangzi's contact with the society to describe the life of various classes, strata and different fates of different family life, as well as the different character traits of various characters, Thus touching all corners of the society at that time, it truly reflected the darkness of old China.

2. Good at using characteristic portrait descriptions and delicate psychological portrayals to express the ideological character and development of the main characters, the most prominent portrait of Xiangzi in the work is twice, once at the beginning of **, once at the end, in addition, the protagonist of Xiangzi, the personality is silent, tenacious, and even wooden, the author rarely describes his language in **, but focuses on the description of his psychological activities, to reflect the development and change of his ideological character.

3. The language is simple and natural, vivid and bright, with distinctive local colors and strong life atmosphere, the author's mature use of Beijing colloquial language, accurately, distinctively and vividly depicts the natural landscape paintings of Beijing and the customs of the lower society, and establishes a simple and natural language style.

The writing of the second chapter of "Camel Xiangzi" is characterized by a longitudinal structure with clear veins and rich plots, and is good at expressing the ideological character and development changes of the main characters through characteristic portrait descriptions and delicate psychological portrayals. Relying on his understanding of the lower-class characters in Beiping and his familiarity with the little people, the author uses pure and simple language to portray the vivid image of the psychology of the people in the lower class society, and the language of "Camel Xiangzi" is unique. The author uses the processed and refined Beijing colloquial dialect to portray the speech and behavior of the lower-class characters in Beiping, so that the work has a strong cultural color and market atmosphere.