The experience after reading literature, how to write the experience of reading

As a process of cultural consumption and aesthetic acceptance, literary reading should include multiple and complex links. In my opinion, the basic links should be as follows: the guidance of the specific context to the reader's reading, the reader's reading mood, his expectations, his reading of the text, his further understanding of the image, the taste of the aftertaste, and the intention of derivation.

1 Contextual guidance.

2 Mood involvement.

3 Reading Expectations.

4 Reading the Sayings.

5 Enlightenment.

6 Aftertaste.

7 Derivation Activation.

2 Mood involvement. This refers to a detached attitude that the reader maintains when reading literature. If contextual guidance shows the inseparable connection between the process of reading literature and real life, then here it is necessary to appropriately detach from real life and adopt a non-utilitarian attitude.

This is necessary. Even if the reader never forgets the context factor of real life in his heart, such as an annoyance that is difficult to get rid of, he must also make himself understand in the process of reading: this moment is not the reality of life but only the aesthetic illusion, and do not treat literature as life.

Judging from the expression of classical literary theory, this is a kind of "humble and quiet" attitude. The word "void and quiet" can be found in Liu Xian's "Wenxin Carving Dragon Divine Thought": "Tao Jun Wensi is precious in silence.

The five Tibets are sparse, and the spirit of bathing in the snow is "Spirit". Silence here refers to the non-utilitarian emptiness and quiet state of mind that the reader has when he enters the literary reading. Of course, it is not possible for the reader to be completely "utilitarian" or "isolated", but it is necessary to properly develop a state of tranquility that is detached from the actual process of life when reading literature.

Otherwise, practical utilitarian considerations would prevent him from immersing himself in the aesthetic world of literature. Zhu Xi of the Song Dynasty said a long time ago: "Today's people do not do well in everything, because they don't know it."

Just like a poem, people all over the world do their best to do it, but no one has made a poem, he doesn't know, the good bottom will not do the bottom well, the bad bottom will do a good job, this is just the reason why the heart is not quiet. It is not false and quiet, so it is unknown, it is not known, so it is not known, if it is quiet and clear, it is good to know things. ......How can I see it in my heart.

This shows that if the heart is "not empty and quiet", it is impossible to make truly good poetry. In the same way, if you can't be quiet in your heart, you can't read other people's works. A specific state of mind will participate in the reading of literature and affect the reception of literature.

Writing about reading experience needs to be carried out according to your actual situation and reading experience.