About the question of Peking Opera in China, the question of Peking Opera, who knows?

The predecessor of Peking Opera was the Hui Class. In the 55th year of Qianlong of the Qing Dynasty (1790), the four major Hui troupes entered Beijing and absorbed a large number of achievements of various opera arts such as Kunqu opera, Beijing dialect, and Qin dialect that were popular in Beijing at that time, and at the same time were subtly influenced by Beijing's language, customs and other local cultures.

After 50 or 60 years of integration, it evolved into Peking Opera. The opera activities in ancient Huizhou were relatively early, and they had already shown momentum in the middle of the Ming Dynasty. Wang Daokun, who was an official to the military department during the Jiajing period, was an outstanding playwright.

Although he held a military position, he also wrote essays and poems, and was especially good at miscellaneous dramas, and wrote historical dramas such as "Dream of the Tang Dynasty", "Five Lakes Tour", and "Luoshui Sadness", which were popular in Huizhou. Entering the Qing Dynasty, Huizhou's opera activities are in the ascendant, which is mainly related to Huizhou's "those who do to learn, those who do business", "business and out", the idea of combining commercial capital and gentry and giants, while developing the economy of Huizhou merchants, promoting the great development of opera culture, and entertaining and educating. The formation of Hui opera is based on the combination of Hui and Qingyang cavity, and the exchange and integration of random playing and blowing cavity, and under the influence of Kun cavity, there is a Hui class and Hui Gang.

At that time, there were four famous classes such as Qingsheng, Caiqing, Tongqing, and Yangchun. In the 55th year of Qianlong in the Qing Dynasty (1790 AD), the four major Hui troupes successively performed in Beijing, causing a sensation in Beijing. Later, in the Jiaqing and Daoguang periods, he cooperated with Han tune artists from Hubei, influenced each other, accepted some repertoire, tunes and performance methods of Kunqu Opera and Qin dialect, absorbed some folk tunes, and gradually formed a fairly complete artistic style and performance system, which evolved into Peking Opera.

Chinese Peking Opera is Chinese"Quintessence of the country", which has a history of 200 years. The name of Peking Opera began to be seen in the second year of Guangxu of the Qing Dynasty (1876) of the "Declaration", in history there were Pi Huang, Er Huang, Huang Yan, Beijing Tune, Peking Opera, Ping Opera, National Opera and other titles, the Qing Dynasty Qianlong 55 years (1790) after the four major Hui troupes entered Beijing and Beijing opera Kunqu Opera, Han Opera, Yiyang, Rantan and other types of opera.

After 50 or 60 years of integration, it evolved into Peking Opera, which is the largest opera genre in China. Its repertoire is rich, there are many performing artists, there are many troupes, there are many audiences, and the depth of influence is the highest in the country. Peking Opera is a comprehensive performing art.

It integrates singing (singing), reading (reading white), doing (acting), fighting (martial arts), and dancing (dance), and narrates stories, portrays characters, and expresses through programmed performance means"Joy, anger, sorrow, joy, shock, fear, sorrow"Feelings. Roles can be divided into: sheng (man), dan (woman), net (man), ugly (both male and female) four major professions.

The characters are divided into loyalty and treachery, beauty and ugliness, good and evil. Each image is vivid and lifelike.

The knowledge about Peking Opera is as follows:

1. There are three ancient dramas in the world: Greek tragicomedy, Indian Sanskrit drama and Chinese drama. The first two have gradually disappeared with the passage of time, but Chinese theatre has been passed down from generation to generation and has become more and more perfect.

Among the more than 300 kinds of Chinese dramas, Peking Opera is recognized as the most brilliant pearl in the world.

2. The characters on the stage of Peking Opera do not appear according to the original appearance of people in life, but according to the gender and personality of the characters played, and the exaggeration of art in makeup and costumes, they are divided into four types: sheng, dan, blind, pure and ugly, also known as "xingdang".

3. Danjiao makeup: The most beautiful makeup in Peking Opera is Danjiao, and their makeup steps include applying makeup, hanging eyebrows, sticking **, combing the big head, and wearing the head and face.

4. Shengxing modeling: The makeup steps of Shengxing are similar to those of Danjiao, and the characteristic is that the makeup step is to paint red in the center of the actor's eyebrows, symbolizing the vitality of the person, which is called "top chamber red".

5. Face: Each flower-faced character in Jingshan's drama has its own unique face pattern, and the face pattern of the same character will be different according to different genres, forming each genre's own style. There are thousands of Peking Opera masks, which seem to be the best symbol of Peking Opera in China.