What s going on with the patch head in the Dream of New Red Mansions?

Anyway, I think it's too ugly, and I don't feel like a girl alive at all.

Sticking ** is a commonly used makeup on the opera stage, and it is a freehand expression and conceptual extraction of ancient women's cloud temples. It expresses an aesthetic ideal of women in ancient China.

Hanaden refers to the ornamental petals or painted patterns affixed to a woman's cheeks and forehead.

The one in the Dream of Red Mansions is a sticker**, let's call it "Kunqu Pi".

The ** on the opera stage is generally divided into three categories:

1. Erliu: It is an important method to paste ** in the past. In addition, Qi Meisui pasted the two willows into a moon door type, and the general scope of use is the ancient fairy.

The front and back positions of the two big willow stickers are determined by the fat and thin of the actors, the length of the big willow should be covered with unwanted parts according to the face shape, and the eyebrows should not be left too short, and the middle part of the two eyebrows should be selected, and the narrow one of the head should be pasted up to expose the head gate; The big head should be pasted down to cover it, mainly to help the actor make up for the defects.

2. Small bend and big willow: It is the most commonly used sticking method for the roles of Tsing Yi and Hua Dan. In the old days, it was made of raw lacquer from paper tires, which was very rough, and later changed to human hair.

Comb it with shavings water and stick it on the actor's face, Tsing Yi should be folded with water, cover the ears, and scrape one on each hand to make it more difficult. The small bend is divided into seven and five kinds, and now it is mostly one of the seven small bends, and its pasting method is the middle one, and the other six are attached to both sides in the arch type. The role of these seven small bends is particularly large, and the height and density of its arrangement can even determine the beauty and ugliness of the actor, although there is a general rule that the face length can be short, and the face can be short, and the face can be long, and there are only special effects that can only be understood and cannot be conveyed.

It should be a natural result of experience and regularity, of program and feeling. Generally, the sticking method of the small bend and big willow of the traditional opera corner is based on the duck egg shape, and it is more necessary to combine the standards of actors, characters, and industries to grasp it comprehensively.

3. Crooked peach: The so-called crooked peach** is externalized by the inner emotions of the characters through technical means. And the stickers of opera makeup also serve the character traits of the characters.

Generally, crooked peaches** are suitable for spicy horns, such as the nine grandmothers in "Baluo River" are pasted crooked peaches to express the character's bold and dissolute character. The crooked peach ** is composed of three small bends and two large willows, three are pasted on the left side of the brain, and a small ** is bent into a crooked peach shape on the right, and then the flowers are sown or worn with Qi eyebrows. There is also a forbidden woman, who also mostly sticks crooked peaches ** and combs Lasu's head.

However, the so-called characters borrowed from Kunqu Opera in the Dream of Red Mansions are really nondescript and ugly! All of them are like resentful women, without the exquisite and clear feeling of a girl.

Kunqu pi, generally Kunqu opera performances, are used to make up, and my personal opinion is still like this

Without origin, will opera be so exaggerated?

Do nuns in opera wear big flowers?

This is an insult to our national quintessence.

The paper is full of absurd words, a handful of bitter tears.

Duyun is an idiot, who understands the taste?

This poem is a five-character quatrain, which appears in the first chapter of the opening chapter, Mr. Cao Xueqin's opening is clear, and it is also an overview of the whole **.

full of absurd words", referring to the whole book of "Dream of Red Mansions"; Words, words. **Based on the family trivialities of the four families of Jia Shiwang and Xue, especially the love tragedy of Jia Baoyu and Lin Daiyu as the main clue, a series of female images with distinct personalities and tragic encounters are portrayed, which is completely different from the style of works that depict the happy ending of talented and beautiful people in the society at that time, making "Dream of Red Mansions" an alternative in the literary world at that time.

This "Bangu Cai Nu" comes from the words of the first hollow empty man: "....Among them, there are only a few strange men and women, either in love or infatuation, or in small talents and slight kindness, and there is no virtue and ability of Bangu Cainu."

Jia's 'sound''). Cai Nu": Cai Yong's daughter.

Mingyan, the word Wenji, passed on the system of "Hu Ji Eighteen Beats". Trapped in the Xiongnu Zuoxian King, Cao Cao welcomed him back to the Central Plains. Both of them are a generation of female writers.

The author here laughs and scolds, and the author's "no Bangu Cainu's virtue ability" seems to be deprecating, containing loneliness and sadness caused by not being understood by the world.

Dream of Red Mansions, a great work, was degraded by the world at the time as "full of absurd words". But it is this seemingly absurd, but it contains a tragic story that buries an old era!

A handful of bitter tears", put " is a measure word, used to describe something that can be grasped with one hand, and the author uses "a handful" to modify "bitter tears", suggesting that there are many "bitter tears". shows that his biggest feeling for "Dream of Red Mansions" is sadness, and it also reflects the hardships of his book, implying that ** is a tragedy.

Du Yun author idiot, who understands the taste", Yun, said; Idiot, stupid; Solution, understanding; Taste, deep meaning. The epilogue is a rhetorical question, meaning that no one can understand the deep meaning? It shows the exclamation of who can read this book.

From this poem, we taste such a Cao Xueqin: a person who has insight into society and looks at the world with cold eyes; A man with earth-shattering talent but buried in a dark reality; He may have experienced the heat and coldness of the world, but he is full of blood; He may be passive and reclusive, but he is also a great realist!

The paper is full of absurd words, a handful of bitter tears, all say that the author is stupid, who understands the taste.

Actually, these sentences are very literal, and they are not difficult to understand.