Briefly describe the cause of Song poetry to Tang poetry? The difference between Song poetry and Tan

The cause of Song poetry to Tang poetry is mainly manifested in the following aspects:

1.Popularization of subject matter and language: Song poems are more popular in subject matter and language than Tang poems, and tend to describe ordinary, trivial daily life, and use colloquial slang.

This trend began with the poetry of Du Fu and developed in the poetry of Han Yu, Bai Juyi, Meng Jiao, Jia Dao in the Middle Tang Dynasty and Pi Rixiu and Luo Yin in the late Tang Dynasty, and more prevalent in the works of Song poets.

2.Discussion: A significant difference between Song poetry and Tang poetry in terms of expression is that Song poetry is more inclined to discuss, and examines life, history, and nature with a rational and calm attitude.

This kind of atmosphere began with Du Fu and Han Yu, and was reflected in the poems of Du Mu and Li Shangyin in the late Tang Dynasty, and became a general atmosphere in the poetry circle in the Song Dynasty.

3.Excavation depth: Compared with the extensive dabbling of Tang poetry, Song poetry pays more attention to digging depth in ordinary subjects, showing a characteristic of seeing the big from the small and the depth with the shallow.

4.Innovation: Song poetry has also innovated on the basis of inheriting Tang poetry, for example, it is more free in the form of poetry, no longer sticking to fixed forms such as five words and seven words, and more flexible sentence patterns such as long and short sentences have appeared.

At the same time, Song poetry also developed some new themes and expressions, such as "reasoning poems" that incorporate long arguments into poems, and "quotation styles" that incorporate poems in everyday language.

In general, on the basis of inheriting Tang poetry, Song poetry has formed a unique style and characteristics through its own innovation and development, and has made important contributions to the development of classical Chinese poetry.

Poetry in a broad sense includes proximity poetry.

and ancient style poems and words, etc. Similarities:

The near-style poems of the Tang and Song dynasties all paid attention to rhythm, that is, they attached importance to rhyme and peace.

The Tang Dynasty also had lyrics, such as Li Bai's "Remembering Qin'e".

Wen Tingyun's "Bodhisattva Man".

And Song Ci is full of flowers. The similarity lies in the fact that words all value rhythm and rhyme.

1. Differences in subject matter.

The subject matter and content of the poems also vary greatly. In terms of subject matter, the poems focus on political themes, with the rise and fall of the country, people's livelihood and suffering, ambition, and the ups and downs of the sea as the main contents, and mainly express the emotions shared by social groups. A significant feature of the lyrics in terms of subject matter is that they mainly describe the love of men and women, lovesickness and parting, and most of the author's personal self-emotions are expressed.

2. Differences in linguistic characteristics.

Poetry is a typical language art, while words are a typical fine language art. Mr. Miao Yue once vividly compared the characteristics of poetic language to the elegant garden pavilion of scholars and scholars. From this, we can see that because the subject matter of the word is mostly about women, the language of the word is also feminine, more delicate, delicate and fragrant.

3. Differences in style.

The differences in poetic style are succinctly summarized as poems (Qing Li Dongqi language), even if the subject matter and content of the works are very different; And the poetry works of the same writer also show a completely different style. This has a lot to do with the difference in the content and language characteristics of the poems.

The biggest difference is: the dynasties are different, hehe, just kidding.

Tang poems: heavy lyricism, winning with emotional rhyme: Tang poems are good at romance, even if they are reasonable, they are mostly lyrical, and the style is rich and romantic.

Syntactic chain: fluent language, multi-use comparison, unique charm.

Heavy style and verve: not just chapters and other forms of Song poems:

1.Emphasis on philosophy, good at rational interest: Influenced by the ancient literary movement and the prevalence of science, he is good at reasoning, emphasizing argumentation, rationality, and philosophizing, and taking talent as poetry 2

Poetry: especially the Jiangxi poetry school. Good at duality, rigorous rhyme, perfunctory according to things, often have a sense of not being deep, and the language is absolutely exhausted 3

Taking text as poetry: Since Ouyang Xuan picked Han Yu's practice of using literature as poetry, Song poetry was liberated from the old habits of Xikun. Poetry is used to discuss or remember, so it will inevitably affect the rhyme and artistic conception of the poem4

Spoken poetry: plain and slang, temperate feelings, and there are a large number of poems that are as clear as words.

Rich in connotation and affection: poets are often moved by the two sides of external objects and the subject's soul, and attach importance to direct expression and description, with deep emotions and broad artistic conception. Take talent as poetry:

Song poems mostly observe objective things with a calm attitude, and prefer to use classics to show their humanistic feelings and life self-reflection, which appear to be graceful and profound, with a fresh and transcendent style, and fluent form and language: Tang poetry language is fluent and beautiful, and the language is fluent: Song poems use text and spoken language into poetry, and they all have a tendency to prose culture in terms of structural means, narrative methods and language styles.

1.The biggest difference between Song poems and Tang Fu poems is that Tang poems are heavy".

Image", Song poems emphasize "meaning"; Tang poetry is a poet's poem, and Song poetry is a scholar's poem. That is to say, Tang poetry focuses on depicting images and images, and expresses emotional thoughts through the depiction of images and images, which is linked to this characteristic. Song poems focus on the direct expression of emotions and thoughts, and the depiction of "images" is secondary.

Therefore, Song poems tend to be more argumentative, and the language is not as concise and concise as Tang poems, and the expression is not too subtle. Tang poetry can basically be expressed in the poet's own natural and easy language, while Song poetry is often expressed with allusions and the words of predecessors, so the poets of the Song Dynasty are first and foremost scholars.

2.It's like a spoken sentence, but it's actually written very carefully. The relationship between the whole poem is also one after the other, and the meaning is subtle and subtle. The scene is written lyrically in a simple and natural language, but the pondering is very fine, the meaning is complete, and the style is easy and smooth.

1. The difference in the relationship with **.

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Tang poetry and Song poetry are not only the general names of the poetry of the two dynasties, but also represent the two kinds of poetry and poetry in the history of Chinese poetry. The difference between them is: Tang poetry is mainly romantic, even if it is reasonable, it is mostly lyrical; Song Shixi reasoned and advocated discussion.

Tang poems are more subtle; Song poems are more straightforward, and they are full of meaning. Tang poems pay more attention to the direct description and expression of life feelings.

The main difference between Tang and Song poems is this.

The excellent works of Song poetry also come from life, but they are often grasped rationally first, and then choose the appropriate form. Therefore, Song poems make sentences vivid and concrete, and there is always an undercurrent of logical thinking running through them, unlike Tang poems, where the artistic conception is mostly expressed in an intuitive form. In short, Tang poetry always uses perceptual images to grasp reality, while Song poetry mostly uses rational thinking to dissect reality; Tang poems have a strong poetic taste, and Song poems have a lighter poetic taste, but they make up for it with the meticulousness and profundity of thought, and the excellence of technical language.

The influence of Tang poetic criticism on Tang poetry is as follows:

First of all, the poetic criticism of the Tang Dynasty formed a universal philosophical thought within the framework of the general historical tradition, emphasized the unity of poetic culture, and provided systematic and comprehensive theoretical guidance for poetry creation. According to the guidance of this theory, the author of Tang poetry analyzed the artistic practice of poetry and applied creative methods.

It reshaped the concept and method of artistic creation in the Tang Dynasty, made the poetry conception more cautious, emotional and elegant, and made famous poets such as Wang Wei, Li Bai, and Bai Juyi influenced by philosophical thoughts, resulting in many classic works, adding rich classical culture to later poets, and becoming the representative works of Tang Dynasty poetry.

The influence of Tang Dynasty poetic criticism on the creation of Tang poetry is also manifested in the poetic rhythm. The Tang Dynasty developed the creative form of poetry grid, unified the standard of poetry rhythm, and systematically explored the chord tone, which better reflected the richness of Tang Dynasty poetry.

For example, Tang Shizhi. Quatrains pursue rhyme and battle, and are dominated by the rhythm of rhythm; In addition, in the form of poetry, it also integrates other forms of poetry, converging into the strengths of hundreds of schools, so that various forms of poetry such as three sentences and four uniques can be more widely expressed in literature.

The influence of poetic criticism in the Tang Dynasty is also reflected in the pluralism of poetry. Both poetry historians and realist critics emphasize the abstract nature and richness of Tang poetry, as well as the principles of poetic techniques and written expression that should be observed in the creative process.

In addition, the famous poets of the Tang Dynasty also made the poetic imagery more thorough and direct and more realistic according to the philosophical theories of the time, combined with the continuous thinking of practical problems and the description of simple life experiences.

The ancient poetry of our country is a process of continuous development, at the beginning, these poems have no rhyme at all, but if combined with **, it is more catchy, so poetry and ** have always had a strong connection. The earliest poems were used to chant after they were written, but later the poems continued to develop, but the songs did not keep up, so the poems slowly broke away from ** and became rhyming themselves. The near-style poems of the Tang Dynasty read non-repentant and often rhymed, but the ancient style poems have no rhyme at all, but the surprise of the near-debate object poems did not make the ancient style poems decline, after all, each has its own benefits.

The Tang Dynasty was the most prosperous period for the development of ancient poetry in China, so in the later period, poetry became particularly rhyming and paid attention to plainness, but the previous ancient style poems had no rhyme. In fact, before the invention of metrical poetry, some poems already had some rhymes. Poetry is also in the continuous progress and elimination of the Han Dynasty before the poems are very unpleasant to read, there is no beauty, when reading is often eliminated, but there are still some written records.

If you read it today, you will find that it is particularly uncomfortable, and the tone may not be read correctly. <>

Later, in the early Tang Dynasty, some court poets would combine poems with **, requiring the number of words to be neat and neat, and various forms such as quatrains and rhythmic poems appeared. During the Wu Zetian period, he directly compiled a rhyme book, simplifying the format of the poem to a plain one. Therefore, later near-style poetry gradually became a method for those literati to obtain the imperial examination, which was also forcibly promoting the development of metrical poetry, which was more suitable for creating sentences and more fluent.

However, the rise of this kind of near-style poetry has not made the decline of ancient style poetry, for example, some poets are more imaginative and imaginative when they do things, and they will not care about these positive formats when poetry is flourishing. Ancient poetry is originally to show one's inner thoughts, and it is good to pay attention to plainness, but it is really unnecessary to limit all poems to four or eight sentences, so ancient poetry and modern poetry have always developed together.

The ancient style poetry of the Tang Dynasty did not decline because of the rise of rhythmic poetry, because Tang poetry, like other arts, also lived in the soil of society. The social situation of the Tang Dynasty is changing, and the rough bridge is covered. The focus of the era is the ancient style, and the stools are suitable for the needs of turbulent life.

There are more than seven characters on the Yuanhe poetry altar, which embodies the spirit of people in the rapid change of the times;

It is because of Li Baitong Qitan and Du Fu that they still insist on this kind of ancient style poetry, and because of their far-reaching influence, they have not fallen out of place.

The Tang Dynasty was the most prosperous period for the development of ancient poetry in China, so in the later period, poetry became particularly rhyming and paid attention to plainness, but the previous ancient style poems had no rhyme. In fact, before the invention of metrical poetry, some poems already had some rhymes.

It is because of Li Bai and Du Fu that they still insist on this kind of ancient style poetry, and because their influence is far-reaching, they have not declined.

Answer]:1. Wang Yuyan made great achievements among the writers of the early Song Dynasty, and his creation of both poetry and literature was more prominent, and Tsaizhi promoted the reform of the poetry and literary style in the early Song Dynasty. Second, he loved Bai Juyi's poems in his early years, focusing on leisurely singing and one side; However, after being demoted to the official Shangzhou, he studied Bai Juyi's satirical poem of "only singing to make the people sick", and created a large number of works that reflected social reality and cared about people's livelihood and suffering.

From learning Bai Juyi's singing and poems in his later years, he learned Bai Juyi's satirical poems in his early years.

Third, he also studied Du Fu. Learning Du is an important way for Song poetry to open up new faces, and in this regard, Wang Yuyan can be said to be the first to gain popularity, and has a positive and far-reaching influence in the history of literature.

Fourth, Wang Yuyan can not only write ancient texts, but also the master of the four or six texts in the early Song Dynasty, especially committed to advocating ancient texts, changing the habit of carving and painting since the five dynasties, and starting to be a simple and elegant work. His articles not only have realpolitik content and distinct ideological tendencies, but also inherit the side of Han Yu's ancient texts that focus on eliminating "text follows the word order", and take appropriate expression and clear and easy to understand as the basic criterion. In the pursuit of an easy and natural style of writing, his ancient writings have made pioneering contributions, making the simple ancient texts of the Chinese, Tang, Han and Liu Che close to reality reappear in the early Song Dynasty, becoming the precursor of Ouyang Xiu's reform of the literary style.

During the Tang and Song dynasties, many poets contemplated the act of writing poetry itself and presented it in the text of the poem—the act of writing became the object of writing. In the poems of Chen Youyi and Lu You, we can see that they write more meticulously and frequently about poetry writing itself, and there are a large number of expressions related to poetry writing, such as "inscription poems", "poems", "search for poems", and "oh poems", and the images of poets who deliberately seek poems and chant out loud are also becoming clearer, which shows that Song poems present poetry writing itself in more detail, and the writers have a clearer awareness of their identity as poets.

The inscription poem "Cheng Poem" carries a rich connotation in Chen Heyi's poems. "The stork and the crane suddenly rise, my poem is still ready to be completed" and "The wind blows and makes the rain, and the old man's poem is completed here" clearly shows how the external environment stirs up the poet's inner turmoil, and how the fleeting scenery in front of him is captured by the poet and becomes a part of the poem. The process of "writing poems" is often real-time and irreproducible.

There is a saying that "there is a poem and forgets", "suddenly there is a good poet in the eyes, and it is difficult to find the syntax arrangement", the poet's inner perception of poetry and the poet's alienation in language expression are clearly presented in the poem. In "To Wine", "the eyes of the new poem are full of cuts, and the birds and clouds move off the wine glass", and he also lamented his embarrassment in the language field.

Poets also often go out spontaneously to "look for poetry". "The willow forest is in the wilderness, and the quinoa cane goes to find poetry" ("Traveling to the Chishang of Baguan Temple"), the poet specially carries the quinoa cane to find poetry: "Wake up and push the household to look for poetry, the arbor is in the bright moon" ("Looking for Poetry Two Quatrains"), the poet who woke up from drunkenness in the middle of the night deliberately pushed open the door and looked for poetry in the bright moon tree.

The scene itself is poetic**, and the poet ends the poem after presenting the specific situation in which the poetry is produced, and no longer recounts the feelings of the moment. This is similar to the previous quote "The stork and the crane suddenly rise, and my poem is still about to be completed": the poet seems to be only recording the real-time scene, but the poetry permeates what he sees in front of him, and the poetry writing is also completed at this moment.

The difference is that "searching for poetry" can better reflect the process and purpose of searching and seeking, and in this expression, "poetry" seems to have become an entity within reach; The author believes that he has a high degree of tacit understanding with the reader about what "poetry" is, and the reader can understand it by simply presenting a specific scene. This process of objectifying "poetry" reflects that poetry has become a part of the poet's daily life, and at the same time, the poet's subjective identity is becoming more and more clear in the poem.

Excerpted from Liu Xiaoxu's "Poetry and Poetry").