What are the advantages and disadvantages of the Western producer centric filming system and China

The advantage of the producer-centric system is that it can maximize the commercial value of the film. The disadvantage is that there is no in-depth pursuit of art.

The advantage of the director-centered system is that the director's understanding of all aspects of the film is generally greater than that of the producer. So they will be more serious and responsible about the quality of the film. The disadvantage is that the director's professional level will directly determine the quality of the film.

The producer-centric system puts the core control of the project in the hands of the producer. The producer will carry out macro control and grasp the production and marketing of the film. This allows the marketing of the film to be secured.

This type of film is unacceptable to most audiences. But the artistry of the film will be reduced to varying degrees. Producers pay more attention to commercial returns than to the artistic height of the film.

Producers don't focus on personal preferences, but want to know what kind of movies the audience generally wants to watch, and only such movies are what the producers need and can be recognized by the majority of the audience.

The premise of the producer-centric system is to have a good producer. Without a good producer, there is no producer-centric system. So if you don't have a good producer, you can only give the film to the director.

But the director-centric system is not useless, and the director-centric system may bring the quality of the film to a new level. In the case of China, Chinese audiences are more willing to trust directors than producers. As far as the current situation of the film industry is concerned, Chinese films still need to use the director-centered system.

To change this situation, we can only wait for young producers to grow up.

The producer-centric system will be more market-oriented. The director-centered system pays more attention to its own art.

I think it's better for producers and directors to be the center, after all, they are different identities, and their focus is also different.

I think maybe the director-centered system will be better, because the director has the final say, and if he wants to make a good film, he will do it well.

The producer can make a good plot, and the director can make a good movie, so it's good to put it all together.

I don't think the two of them have any obvious advantages and disadvantages, after all, the aesthetics of different countries are the same.

I don't think there is an advantage or disadvantage between the two, it's just that the names of the two leaders are different.

I don't think there's any difference between the two. Maybe it's just that the country is different, and the name is different.

I think there are drawbacks, but I hope that a good director can come out and control the overall situation.

I've always liked Ouyang Nana, a star, no matter what happens to him and what happens to her, I will always support her.

The difference between producer-centric and director-centric is that the producer-centric system concentrates the core control of the project in the hands of the producer.

The producer conducts research, scientifically produces, and decides on the marketing strategy, so as to maximize the commercial value of the film. The director-centered system, on the other hand, is the establishment of a creative team with the director as the core. No matter how big or small, the director decides.

Western films mostly use the producer-centric model, and films are generally managed by two teams, one is the production team led by the producer, and the other is the artistic creation team led by the director. Either it is to effectively find a balance between artistic creation and the market. Reduce the risk of a movie falling ill at the box office.

From the audience's point of view, it is true that the movies produced by this genre are more in line with the audience's taste. It can create a movie that is more recognized by the audience.

This genre of cinema has a wide mass base. This type of producer can dominate the whole picture. And Chinese films are lacking in excellent producers.

Therefore, it is more reliable to give all the production rights to the director. And another important reason is the cultural psychology of China, investors are more willing to trust a director than a producer, and the same is true for actors. Therefore, compared with the producer, the director is more trusted by the actor's funds and the creative team.

Therefore, it is precisely because young Chinese producers have not yet grown up that they can only rely on directors to carry out the work of the film. But I believe that in the near future, when young Chinese producers grow up, we will also popularize the producer-centric model.

is that foreign countries are dominated by screenwriters, while China is dominated by directors, and there are many adaptations in my country, and the script should be almost the same, the next thing is to see if the director can shoot it.

of our country"Director Center Governance", the director is the biggest leader, and the West"Producer-centric", the producer is the biggest leader.

The producer has the final say, and the director in our country has the final say, which is the most basic difference.

The difference between the two is quite big, in my country, the director is generally the general leader, and the producer is the general leader abroad.

The difference is that they can make a very good script, and we can only rely on the director to make a good movie.

That is, foreign countries are dominated by producers, while China is dominated by directors.

The director-centered system can ensure the integrity and unity of the film's artistic style and style, and ensure the artistic quality. The main purpose of this structure is to create a clear line between artistic creation and market demand.

I have always liked Hu Ge as a star, no matter what happens to him and what happens to her, I will always support her.

A production management model, which comprehensively runs through the marketing strategy and teamwork principle in the production process of the film, and maximizes the team value of commercial films through rigorous research and scientific production process.

In the history of the development of the world film industry, the producer-centered system was formed and developed in Hollywood in the 30s of the last century. In the 30 years of the radical eradication generation, a complete set of production systems in Hollywood with the "producers' noisy and blind system" as the backstage and the "star-centered system (referred to as the star system)" as the foreground, the names of movie stars have become a kind of value embodiment, and the "star system" has also made stars a "serialized standard commodity" that producers sell to the audience.

The producer-centric system was formed and developed in Hollywood in the 30s of the last century. It is characterized by the fact that the producer provides production funds, and it is a production system with the "producer-centered system" as the background and the "star-centered system (referred to as the star system)" as the foreground.

The production of the film was in the 30s of the last century and ended in the middle of the 20th century. Under the producer-centered system, the name of the movie star has become a kind of value embodiment, and the "star system" has also made the star a "serialized standard commodity" that the producer sells to a wide audience.

Producer-centric

In the history of the development of the world's film industry, the producer-centered system was formed and developed in Hollywood in the 30s of the last century. In the 30s, a set of production systems with the "producer-centered system" as the backstage and the "star-centered system (referred to as the star system)" as the foreground gradually formed in Hollywood, and the names of movie stars became a kind of value embodiment, and the "star system" also made stars become a "serialized standard commodity" that producers sold to the general audience.

Centralization. Central system In the process of film production, a system of creating a creative team with the core is established. In the film crew, they have the leadership and command power of artistic creation, and have the final ruling power in case of disagreement.

The central system can ensure the integrity and unity of the artistic style and style of the film, and ensure the artistic quality. "Centralization. "The concept was in the Soviet Union, and countries such as Britain and the United States used to be producer-centric.

Film is an art that human beings know exactly when it was produced and grown, and it is a creative industry that has developed rapidly and has a huge impact since the 20th century, and it is a creative industry integrating politics, economy and culture. Since the end of the 19th century, film inventors in France, the United States and other regions have successively invented technologies and machines that can imitate the light and sound recording and restoration of anthropomorphic eyes and ears. A history of film development is also a history of filmmakers exploring the laws of film.