What is the profile of the early Qing Dynasty painter Cha Shibiao?

Originated from the encyclopedia Cha Shibiao (1615-1698), the word Erzhan, the number Mei Shan Sanren, lazy old, Xin'an (now Anhui Shexian, Xiuning) people, living in Yangzhou, Jiangsu, the late Ming Dynasty Xiucai, the early Qing Dynasty famous painter, calligrapher and poet. Jiafu collection, so fine identification, good at painting landscapes, one of the four in Haiyang. Together with Sun Yi, Wang Zhirui, Hongren and other calligraphers and painters, they are known as the "Four Families of Xin'an".

Profile. Cha Shibiao specializes in calligraphy and painting, and his family collection is very rich, and there are authentic works of Ding Yi and Song and Yuan, so he appreciates it.

Peculiarity. His landscape paintings, the brush and ink are sparse and simple, the wind is tender and scattered, the charm is barren and cold, and the painting style in his later years has changed abruptly, directly peeking into the mystery of the Yuan people.

Magnum opus. There are "Cloud Mountain Map", "Empty Mountain Knot House Map", "Autumn Forest Yuanxiu Map", "Cloud Mountain Smoke Tree Map" and so on. His calligraphy is good at calligraphy and cursive writing, and the book is out of rice, Dong, and chasing Yan Zhenqing, which is quite essential.

When it was called rice, Dong regeneration, the name of the world. The writing is handsome and bold, and the charm is profound. He is the author of "The Last Manuscript of the Seed Book Hall" and so on.

Profile. The word is two-sighted, the No. 1 plum is scattered, and the lazy old is old. A native of Xiuning, Anhui Province, he was a famous painter, calligrapher and poet in the early Qing Dynasty.

He is a Ming scholar, and he should not be raised when he enters the Qing Dynasty, and concentrates on calligraphy and painting. The family collection is very rich, Ding Yi and Song and Yuan Dynasty genuine works are all there, so fine appreciation, his landscape paintings, the brush and ink are sparse and simple, the wind is tender and scattered, the charm is barren and cold, and the painting style in his later years has changed abruptly. It is one of the "Four Families of Haiyang" (Jiang Tao, Cha Shibiao, Sun Yi, Wang Zhirui) of the Xin'an faction in the late Ming and early Qing Dynasties.

1] Biography of the character.

Vertical scroll on paper, 132 cm long, 64 cm wide.

The composition is dense and layered. With the pen to straight hook square fold line mainly, although the tree stone is sparse but depicted subtlely, similar to Ni Yunlin, but the connotation is different, later generations commented on Cha Shibiao's painting "the wind god is idle, the rhyme is desolate". Form a crisp and refreshing, simple and sparse style.

If Ni Zhan's paintings are high and elegant, lazy and desolate, they are typical masterpieces. Ink pen on paper, centimeters in length.

Collection of the Palace Museum.

This picture is the author's invitation to Wang Cilang, a friend of Tongli, to paint the beautiful scenery around Wang's residence. The brushwork is concise, the composition is clear and far-reaching, and it is the author's representative work of landscape painting. The end of the volume is from the nineteenth line of the last paragraph [Kangxi Ding did not repair three days after the repair, and the cavity was clear with the friends of the same Li Cha Shi Biao and recognized].

钤 [Erzhan], [Chashi Mark] two square seals. [Wuxing Ponzi Collection] and other connoisseurs of India. According to Ding Wei, in the sixth year of Kangxi, in 1667 AD, the author was fifty-three years old.

Vertical scroll on ink paper.

Created in: 1673.

Style: Hanjiang wood falls into the water without waves, and there are many clouds and mountains on all sides. Lang laughs at the hills and ravines of Ni's family, and wants to paint Vimo with light ink. In October, the Shibiao was made in the Yan Tower.

Seal: World Standard Private Seal (Baiwen), Cha Erzhan (Zhu Wen), and the drunkard's intention is not to drink (Baiwen).

Inscription: Zha Erzhan was born in the 43rd year of Wanli in the Ming Dynasty, and the round beam axis of this hall was made in the 10th year of Kangxi in the Qing Dynasty, and the eighty-four-year-old Kuohua is far from being able to say that it is also Qian. Jia Shenchun, Xu Bangda's view. Collection Information:

Vertical scroll, paper, 131 cm long, 37 cm wide, collection of Tianjin Museum.

Appreciation: There are several tall trees near the slope of the picture, the water surface and rocky beach in the middle, and the distant mountains are arranged at the top of the picture, and the typical composition mode in Ni Yunlin's works is used to complete the picture. The scenery of the mountains and rivers is barren and cold, the brushwork is sparse and simple, and the calligraphy is Dong Qichang.

On the screen, the self-title "Creek Pavilion overlooks." Shi Yi Mao Guiyue was written in the Yan Building, Cha Shi Biao. It was in the fourteenth year of the Kangxi reign of the Qing Dynasty (1675), and the author was 61 years old.

The white text square seal "the seal of the Shi Mark", the Zhu Wen square seal "Erzhan", and the first Zhu Wen long square seal "Mei Yan".