Why have all the historians loved to praise the lotus?

Lotus, fresh, elegant, noble character, like a gentleman, so the history of the past generations likes to praise the lotus.

Lotus, out of the mud and not stained, which means that it grows in the mud and is not polluted by the sludge, like this kind of person is really rare, and there is Qu Yuan who has this character in Chinese history.

Qu Yuan (c. 340 B.C., c. 277 B.C.).

Mingping, also known as Zhengzheng, the word Lingjun, the Chu people during the Warring States Period. It is said to be a native of Zigui, Hubei. Born in the aristocracy, he was a left-handed disciple and a doctor in Sanlu, and when he was pregnant with the king, he advocated joining forces to resist Qin and choosing meritocracy, but he was excluded by the nobles and was useless, and was slandered by Jin Shang and others, and was exiled to Hanbei, so he wrote "Lisao" to show his loyalty; King Qingxiang was recalled, and was exiled to Jiangnan by the advice of Shangguan Doctor, and finally because he couldn't bear to see the country fall, Huaishi sank into the Miluo River and died.

The day of his death has become a traditional festival for future generations to commemorate him.

Dragon Boat FestivalHis important works include "Lisao", "Nine Chapters", "Tianwen" and other fu, which have had a great influence on the literature of later generations.

Lisao is Qu Yuan's masterpiece, and it is the longest lyric poem in ancient China, with a total of more than 2,400 words. It is a romantic work. The metaphors are vivid, the language is magnificent, the exaggeration is bold, and the poems incorporate a large number of myths and legends and stories of historical figures, making the poems undulating, ever-changing, and majestic.

Qu Yuan created the Sao Ti, i.e. Chu Ci to open up unlimited space for the creation of later poets.

Li Qingzhao is noble and elegant, not afraid of the world, and maintains an elegant character.

Tao Yuanming - do not bend over for five buckets of rice.

Zhu Ziqing would rather starve to death than eat American relief food.

Song Lian in "The Red Lantern Hangs High" is strong-willed and shrewd. But she is a girl who doesn't know the world, she walked to the Chen family compound and met her carrying a sedan chair on the road, but she was still rejected. When she turned around, fate pulled her out of her student life.

All dreams, pursuits, youth and happiness. With the sound of her footsteps, she approached the black brick courtyard step by step, with high heavy walls, a narrow side of the sky, and a year-round gloomy weather. Songlian carried a small suitcase, no red wedding dress, only a pair of student dresses, so she walked into the cage.

Facing the high courtyard wall, the tragedy of the bent limb gradually kicked off.

She is a person who wants to resist but can't do anything about it. Songlian saw that once the women in this courtyard had passed the glory days of the bride, they were like worthless fallen leaves. They can only wait to be burned to death and buried in this deep yard to rot.

So she insisted on wearing a short skirt and refused to survive the winter, so she reproached the maids for the burning leaves. As for the quarrel between her and the eldest wife, it should be that she doesn't want her life to be ruined by the people and rules of the family, but she knows that she is powerless to resist.

In the face of Yan'er's sarcasm, she is neither humble nor arrogant, showing her independence and tenacity. She knew what it was like to be a woman, to marry a rich man and to be his concubine. "That's not what it's like to be a woman," she said.

She also knows her place. "After I was sealed, I was still his wife. You're still that girl" She seemed to resign herself to this fate, and worked tirelessly for her own rights.

This somewhat contradictory duality is the most striking feature of her character.

The pine lotus is a white bird woven on the white clouds, and the deserted and empty courtyard of the Chen family is the screen of the old days, sucking away her freedom and life. In the tears of grievance in the two lines, Songlian succumbed to fate and walked into the deep Chen family compound with her suitcase. She chose dependence over independence, and she thought that she was taking shortcuts to change her fate.

Because it is known as the praise verse of "out of the mud without staining".

Tao Yuanming, Nalan Sex De (Rong Ruo).

Qu Yuan (c. 340 b. 277 B.C.) was a native of Chu during the Warring States period. It is said to be a native of Zigui, Hubei. Born in the aristocracy, he was a left-handed disciple and a doctor in Sanlu, and when he was pregnant with the king, he advocated joining forces to resist Qin and choosing meritocracy, but he was excluded by the nobles and was useless, and was slandered by Jin Shang and others, and was exiled to Hanbei, so he wrote "Lisao" to show his loyalty;

King Qingxiang was recalled, and was exiled to Jiangnan by the advice of Shangguan Doctor, and finally because he couldn't bear to see the country fall, Huaishi died from sinking into the Luo River, and his death became a traditional festival for future generations to commemorate him;

Li Qingzhao is noble and elegant, not afraid of the world, and maintains an elegant character.

Tao Yuanming, bending his waist for five buckets of rice;

Zhu Ziqing would rather starve to death than eat American relief food.

I only remember that the mud is not stained, from Zhou Dunyi's "Ai Lian Said".