Teach yourself how to sketch and what if you don t have plaster geometry? Does copying from a book w

Of course, it works, and when I first started learning, I also went through the process of copying. Because in the process of copying, you can learn a lot of useful things, such as what brushwork and skills. Without plaster, you can try to draw some geometry from life, such as a square, a box, or even a cup.

But pay attention to the light when placing it.

I suggest that you copy it a few times and then try to sketch it, it might work better.

Hehe. Copy well and practice more.

First of all, it is to copy, and then to sketch, let's copy it for a while, sketching this thing, I can't rush it.

Yes, it's very helpful to learn how other people are working with the picture. Learn from others' strengths and make up for your own shortcomings.

But after copying for a period of time, you must sketch, after all, sketching is the ultimate goal of learning to paint.

Yes, if you look carefully at the way the book is handled in detail, you will learn something.

It is recommended to go to formal sketching, and the chances of sketching being self-taught are very small.

It will have some effect, but it is not as good as drawing real geometry.

It has a certain effect, but some details are not understandable, so I recommend that you copy it a few times and sketch it.

If you play with it, just copy it, and it still has a certain effect.

It works, but it's still limited. In everyday life, you can practice sketching to improve it.

You still need the teacher's explanation, you still need to register for a class first and try it.

The effect is very small, you can't do it without sketching.

Beginners start drawing with geometric plaster to exercise the feeling of shape, etc.

You can start with a single plaster and then combine the plasters. You can draw the plaster structure first, and then paint the light and shade ones.

Pay attention to the ratio of length, width and height of the plaster when drawing the plaster, for example, draw a cylindrical plaster – pay attention to what is the ratio between the width of the plaster and the height of the plaster.

When drawing the plaster combination, we should also pay attention to the proportional relationship between the various plasters, such as the position relationship between gypsum A, gypsum B and gypsum C, and the proportional relationship between the length, width and height of gypsum A, B and C.

The above is just a brief introduction to me, I hope it can help you) ps: beginners are recommended to buy a better template, starting with copying.

You're the same as me, but the basics must be firm, how long did Leonardo da Vinci's egg draw? The geometry is drawn, the painting is familiar, the painting is fine, you understand it thoroughly, and everything else is easy to do. If you can't pass this level, you will never be able to become a real artist.

What grade are you?

Sketch - Plaster - Geometry * Sketching is the basis for learning to draw, which refers to the use of a single color to depict things, usually with pencils, brushes, pens, charcoal, etc. *The object that I started to practice drawing was "Geometry made of plaster". There are squares, rectangles, spheres, cones, hexagons, polygons, ......These shapes basically encompass the form of all things in reality, so practicing the shape, structure, light and shade of these geometric shapes is a solid foundation for all paintings.

It is recommended that you sign up for an art class to learn the fastest and less detours, you can directly watch the teacher do model paintings, and ask for advice at any time. If you want to learn on your own, go to the mall or art supply store and buy: *Sketch paper - if there is a bag, buy 8k first, and then buy 4k when you are proficient (k refers to the size of paper).

Sketchpad – 4k * Snap Nails – the kind with a plastic head to hold the drawing paper in place. Or you can replace it with adhesive tape. *Drawing pencils – not the usual pencils.

It is a hexagonal pen with a dark green skin and a pen end marked from B, 2B, 3B, 4B, 5B, 6B H, 2H, 3H, 4H, 5H, 6H. The larger the number of "b", the thicker and deeper the line drawn. Generally use 4b and 5b when starting to lay out the tone, and 2b and 3b when portraying.

h", the thinner and shallower the line drawn. It is generally used for drawing highlights and final adjustments. *Eraser – Buy the one that's almost flesh-colored and has "2B Eraser, Fine Arts" printed on it.

I also buy fast gray "plasticine" as an eraser. *Utility knife – a plastic-shelled knife with a blade that can be replaced. Go to the bookstore and buy it:

Textbooks - "Introduction to Sketching", "Basic Sketching Techniques", "Gypsum Geometry Painting Method", "Sketching Still Life Technique". Here are detailed drawing steps that you can learn and copy. *Plaster geometry - that is, plaster squares, columns, triangles, cones and other solid teaching materials, you can refer to the book to lay out a single or a group to sketch.

Okay, that's all for the equipment, let's start drawing: * First, peel the outer skin of the pencil 4 cm long, expose the 2 cm lead core, and sharpen the tip. * Fix the paper to the drawing board, arrange the object you want to draw in the middle of the picture, (generally "sky" is less than "earth") draft, start from the dark part of the line, and gradually deepen.

If you haven't drawn before, it is recommended that you start by practicing lines. * Practice playing lines: hanging the wrist to hold the pen, (the pen holding method is different from the usual pencil, is the pen end is not pressed in the tiger's mouth and held in the palm, the tip of the pen is up and the elbow is at an angle of 45 degrees, and the wrist is forcefully driven by the gesture) The lines are arranged neatly one by one and leave a gap, and then tilt 45 degrees to hit the second layer of lines, so that it forms a network with the first row of lines, and crosses into a diamond shape and can not be a square.

It is necessary to make the two ends light and heavy in the middle, and the two ends can not be hooked. This is the basic line technique. * Then start drawing the plaster geometry, first individually, then in combination.

These shape your basic modeling skills and your grasp of light and shade of objects. *When you have the accuracy of your plaster painting and the relationship between light and dark, you can paint a real still life.

In fact, the practice of geometry is the most basic, why do you say that, because in the future, everything you draw can be analyzed into a variety of different geometric bodies, whether it is a person, or a combination of scenery, or even a landscape, you can use geometry to construct ** analysis, just start to learn to paint must go through geometry training, first of all, you can first draw a structural sketch. That is, when you see what you see in front of you, you should also draw what you can't see behind it, which is to train your understanding of geometry to be deep, and to do it in your heart. When drawing, the shape is accurate.

The accuracy of the structure is crucial, it must be rigorous, not sloppy, and not feel that it is too much. If you feel that the painting is not accurate, you must come again, this is to lay the foundation for your future painting, and then when you are in tune, of course, according to the order, you must start from the heaviest part of the picture, you must paint as a whole, you must not paint one by one, you must observe the whole combination of objects as a whole, and slowly go deeper layer by layer. Geometry exercises to see how you progress.

Generally, it is good to do it for more than half a year or even a few months at the earliest. Geometry is an eternal topic, and it should be interspersed with geometry when you draw characters in the future, so geometry training is very important. Hope it helps.

In fact, the key to learning gypsum geometry is to master the relationship between lines and basic shapes and proportions, which is the basis for learning painting.

Composition, the size of the picture should be moderate. Perspective is right. Tone up.

Pay attention to black, white and gray. Find the line between light and dark. Pay attention to the contextual relationships between geometry.

Spatial sense. Reflective. Keep the picture as a whole.

Plaster geometry is the basis of sketching. Practice more.

Angle of light, distance before and after, visual angle, background and outline.

Front-line teaching series Character Sketch Geometry by Cheng Hui.

The following two plaster statues, the first one is primary, and the second one is a bit difficult.

Peak Teaching Series Jiang Mingke Geometric Facial Plaster Statue Peak Teaching Series Jiang Mingke Selected Sketch Plaster Statues.

I'm also studying art! I'm a senior in high school! Learning to draw is really difficult at first!

I always feel impatient when I study! I always feel that the painting is not good! Very lost!

I'm depressed! These are quite normal! As long as you get through this difficult period!

I'm sure you'll make a lot of progress! Then let's get down to business!

First of all, simple tricks!A you can use the pen sassafras method! When your own picture feels very dim!

The outline of the object is too rigid! You can use the pen to delicately retouch! It will be useful to do more with less!

b Charcoal Block Method! When you feel that the dark side of your picture is not dark enough! You can use the same charcoal or charcoal pen as you usually use to wipe it down!

Make the transition! You'll feel like your picture comes to life! Of course, this is a matter of grasping a degree!

Otherwise, your picture will be confused! You can't see the contrast and change of light and dark! c with a brush method!

In the composition of the picture! Erasers can be cleaned with a brush! It can make the picture neat and clean!

At the same time, you can use a brush to make a transition when covering a large key! The picture will be hazy! Facilitates effective depiction of details!

dTry to use crude paper when choosing paper! Rough paper helps us to show contrasts better! If you choose smooth paper!

If you don't have the skills to get home! Then your picture will be easy to blur!

Experience to talk !a. When constructing the contour, we must pay attention to the proportional relationship between the object and the object! Keep comparing!

Try to use simple lines for simple outlines! In this way, the picture looks clean and refreshing! Don't use force to draw the outline!

This makes it difficult to modify the object! b Draw shadows! The shadow is the darker part of the picture!

It's not blind blacking when it comes to constructing shadows! It's about embodying a process of transition! From dark to faint!

If you want the picture to look and feel, you need to correspond to the surrounding background! Make the picture look comfortable! Suitable!

cLet the picture have a three-dimensional effect! This brings us to the contrast of the pictures! When the contrast between the object and the surrounding environment is not strong enough!

It's hard to feel the three-dimensionality of an object! At the same time we should weaken the edge line of the object! This makes the object look very sensitive!

But be sure to pay attention to the spatial relationship between objects!

Hope you are satisfied!

Totally hand-played! Do not copy or steal!

It would be better to paint hard things with hard lead in the gray part, and the texture depends on the highlights, and the volume depends on the gray part.

1 You can't look at the parts, you have to look at the whole thing.

2 Compare more and find out the difference between light and dark, because shadows and shadows are not the same.

3 Multi-Touch Canvas Pleats can exercise a sense of volume.

4 Volume is composed of multiple faces, it is said that it has been set off to highlight the volume, to be comprehensively painted, the bright side must be set off by the dark side to appear bright.

5 Pay attention to reflections.

6. Be careful with your pen, don't draw the picture very well, try to be as careful as possible, and don't be in a hurry.

7 It is best to use a pen that changes with the volume and shape of the object.

In fact, the sketches were all direct objects later, and it was impossible to face the plaster statue. So in fact, you can do without plaster. The plaster cast only allows you to distinguish between light and dark in the studio, making it easier for you to get started.

SketchingYou can take a simple geometric still life and put it in a room to see its shape, plug it in, imagine its perspective structure, and look at shadows, light and dark sides. It's best if you can learn these theoretical knowledge first, and then you can see more realistically and concretely on the basis of theory. You can find these theoretical textbooks on the Internet or in bookstores, and if you look at other people's work, you will know how to express geometry in other people's eyes.

In the end, sketching and sketching are inseparable, and your sketching must be transformed from still life to animal in the end, and sketching doesn't need any foundation. If you want to learn to sketch well, you need to read more and write more.

1. Look: Not only look at all kinds of dynamics, such as people, animals, all the dynamic things you want to draw. Also look at other people's works, and see how similar dynamic characters are represented in other people's paintings.

2. Writing: Write more on the basis of observation. This is the root of all painting. Just stay in theory and observation, and never learn to draw without using a pen.

And to live and learn, the key is persistence.

If you are a beginner learning to draw, buy a book on the basics of drawing, and draw cubes and cylinders first. In addition, you can draw sketches, that is, draw whatever you are interested in.

You can go and buy some books about painting plaster.

You can first imitate the above painting, ask the teacher to teach, and when the technique improves, you can buy some plaster and practice at home (it is recommended to buy a lamp, which is placed near the plaster, so that you can clearly distinguish light and shade).

Buy a sketch book to copy, it is better to have a teacher to teach. If you don't have a teacher, you can find ** and draw it.

If you don't have a teacher to explain structural theory, you can buy some structural theory books, such as Burriman's Human Structure. Then you can buy a better sketch book and copy it, just follow the drawing. It's almost the same, just look for two real people's ** paintings on the Internet, don't look for the kind of PS of celebrities.

If you are looking for a man, don't look for a woman. It would be nice to practice more.