How did the author of Romance of the Three Kingdoms carry out the writing?

The long-term circulation and development of the story of the Three Kingdoms About Luo Guanzhong The time when the book "Romance of the Three Kingdoms" was written "Three.

The main version of "Romance of the Nation" is the "Three Kingdoms" in Chinese history, which itself is a dragon and a tiger leaping, surging in the wind.

times. Chen Shou's "Romance of the Three Kingdoms" and Pei Songzhi's notes contain countless vivid stories and are literature.

The artistic creation of the home provides a rich source of material. And among the people, the story of the Three Kingdoms is constantly circulated and enriched.

By the Sui Dynasty, there were already programs of the "Three Kingdoms" in theatrical performances, according to Du Bao's "Great Cause Collection", Emperor Sui Chang watched.

Water acrobatics, there are Cao Cao's water strike, Liu Bei's Tanxi prancing horse and so on. Li Shangyin has the poem "Jiao'er":

Or ridicule Zhang Feihu, or laugh at Deng Ai to eat. It can be seen that in the late Tang Dynasty, even children are familiar with the story of the Three Kingdoms. In the Song Dynasty.

In the art of "speaking", there are special subjects and professional artists who "speak three points". Su Shi's "Zhilin" contains:

Wang Peng tasted the clouds: The children in Tu Lane are inferior, and their families are tired of suffering, so they are tired of money, so they sit together and hear the ancient sayings. To say three.

State affairs, hearing that Liu Xuande was defeated, there were those who sobbed; Hearing Cao Cao's defeat, he sang fast. It can be seen that at that time, "the Three Kingdoms" were said

The artistic effect is very good, and there is an obvious tendency to respect Liu and depreciate Cao. These texts of the Song Dynasty have not been handed down, and the existing early history of the Three Kingdoms is printed by Jian'an Yu during the Yuan Zhizhi period (1321 1323).

The Tales of the Three Kingdoms and the "Three Points of Story" with roughly the same content. Its story has been roughly embodied in "Romance of the Three Kingdoms".

The outline highlights a main line of Shu Han, the plot is slightly historical, and there are a large number of folklore. The structure is magnificent, therefore.

The nature of the matter is strong, but the narrative is simple and straightforward, the writing is rough, and it retains the original appearance of "speaking".

On the opera stage, a large number of Three Kingdoms operas were also performed during the Jin and Yuan dynasties. Tao Zongyi's "Nancun Dropout Record".

It has contained a variety of Jinyuan repertoire such as "Red Cliff Soldiers". Qian Nanyang's "Introduction to Drama" once pointed out that there is "Guan Da.

Wang Du Goes to the Single Knife Meeting" and other Song and Yuan dramas. It is known that the Yuan Dynasty and the Yuan and Ming dynasties were miscellaneous dramas with the theme of the Three Kingdoms.

There are 60 of them. Judging from these plays and the 21 existing scripts, more than half of them are in Shu.

The Han characters are the center, and the tendency to support Liu and oppose Cao is very distinct, in terms of plot structure, language style, etc., it has.

Strong folk color.

On the basis of long-term and numerous mass legends and folk artists' creations, Luo Guanzhong "according to the official history, collected.

**, testimonial rhetoric, good and good" (Gao Confucian's "Baichuan Shuzhi"), created the calendar of "Romance of the Three Kingdoms".

An exemplary work of historical romance.

Chen Shou's "Three Kingdoms" and Pei Song's notes, coupled with folklore and the author's own understanding, there are a lot of false exaggerations, this is **.

Differences or differences:

1) The genre of the two works is different. "Romance of the Three Kingdoms" is a documentary history book, focusing on facts; "Romance of the Three Kingdoms" is apocryphal, focusing on character interpretation.

2) The author and the time and background of the creation are different. Chen Shou, the author of "Romance of the Three Kingdoms", was a historian of the Western Jin Dynasty and belonged to the government; Luo Guanzhong, the author of "The Romance of the Forest Country of Sanpi Ji", was a famous ** family in the late Yuan Dynasty and early Ming Dynasty, and belonged to the folk.

3) The basis for reference is different. Chen Shou collected a large amount of historical materials through official channels to compile the "Chronicles of the Three Kingdoms", while Luo Guanzhong recreated the "Chronicles of the Three Kingdoms" on the basis of folklore.

4) Different political tendencies, which is also the biggest difference between the two. "Romance of the Three Kingdoms" is described with Cao Wei as the orthodoxy, and "Romance of the Three Kingdoms" is interpreted with Shu Han as the orthodoxy.

5) Reading or using the point of view. From the literary aspect, "Romance of the Three Kingdoms" is good-looking and readable; From the perspective of wanting to understand historical facts, "Three Kingdoms" is worth referencing, but both of these masterpieces have the author's own political tendencies, and we must pay attention to it and look at it critically, and it is not absolute in black and white.

The Romance of the Three Kingdoms is historical, many things plus the author's subjective interpretation, the Romance of the Three Kingdoms is a historical work, the author restores the truth at the time as much as possible, and tries to objectively describe the major events that happened in China in that era. And the Romance of the Three Kingdoms, stealing the Han, and taking Shu Han as Zhengshuo is the author's own subjective attitude.

The bitter meat machine yellow cover defrauded.

During the Battle of Chibi, Sun Quan ordered Zhou Yu to be the governor of the capital to fight against Cao Cao. In order to fool Cao Cao, Zhou Yu and Huang Gai decided to use the bitter meat trick. So at the military meeting, Huang Gai pretended to have a disagreement with Zhou Yu, and even spoke disrespectfully.

So Zhou Yu was furious and ordered Huang Gai to be beheaded, and the generals begged for mercy, so Zhou Yu put Huang Gai in the cane and beat Huang Gai to bedridden. This is exactly what Cai Zhong and Cai He, who deceived Zhou Yu, to see. So Kan Ze offered a letter of deception for Huang Gai, Cai Zhong Cai He happened to send this false information back to Cao Ying, Cao Cao believed Huang Gai, and then the Battle of Chibi broke out, and Huang Gai, who surrendered fraudulently, drove a boat to surrender to Cao Cao, but Cao Cao was in the plan, Cao Cao's boat group was hit by Huang Gai's fireboat and caught fire, coupled with Pang Tong's serial plan and Zhuge Liang's east wind, Cao Cao's army collapsed, and after Zhou Yu's surprise attack, almost all the army was wiped out, and even to the point where he was almost killed by Guan Yu.

After that, Cao Cao was afraid of Zhou Yu and did not dare to go south.

When Zhou Yu wanted to behead Huang Gai, Lu Su interceded for Huang Gai, and hinted that Zhuge Liang, who was ** on the side, interceded together, but Zhuge Liang had no intention of asking for mercy at all. After Huang Gai was beaten fifty boards, Lu Su went to the camp to find Zhuge Liang and question:"Huang Gai was beaten, and we all went to plead, you are a distinguished guest, why don't you save you when you die?

Zhuge Liang's face changed after hearing this:"Zijing (Lu Su's character) bullied me! "Lu Su was puzzled

I've always treated you well, so where can I bully you? "Zhuge Liang laughed and said: This is Zhou Yu and Huang Gai using bitter meat tricks, using false information to let Cai Zhong Cai He pass on the news, how can I say it casually?

Lu Su looked a little disbelieving, and Zhuge Liang said again:"Don't tell Zhou Yu about this. Otherwise, he's going to trouble me again, and you just say I'll blame him.

Lu Su agreed. Back in Zhou Yu's camp, Zhou Yu asked Lu Su; "What does Zhuge Liang think about this? "Lu Su followed what Zhuge Liang taught him:

He said he also complained about the Governor's practices. "Zhou Yu was very happy after listening:"This time I hid it from him.

Lu Su asked what was going on, Zhou Yu:"This is a trick by Huang Gai and me to paralyze Cao Cao's envoys, it seems that Zhuge Liang doesn't know at all, this person may not be my opponent. "Lu Su was taken aback after hearing this, and secretly admired Zhuge Liang's foresight.

Just copy down one of the stories first, and then write down your feelings after reading!

The first point of war is the diversification of war. The book describes hundreds of wars, which can be divided into land warfare, water warfare, or mixed amphibious warfare.

The second point is the combination of military action and political strategy.

Third, the outcome of a war depends on resourcefulness. The key lies in the intelligence of the strategist, whether he can adopt the good strategies of his subordinates, whether he can correctly judge the enemy's situation, whether he can objectively distinguish between loyalty and traitor, and whether he can handle things calmly. The victory or defeat of wars, big and small, is all related to the use of wits and tactics.

Fourth, focus on people, not on the process of war. Absorb the experience of describing the war in "Zuo Biography" and write in detail about the strategy and the battle process; Write in detail about those who have the upper hand, and omit those who are downwind; Write in detail about the winners, and omit the losers. Through several encounters, the character image is gradually shaped.

The structure echoes back and forth, and under the development of the main line, there is concentration in the dispersion, and the end is consistent, forming a unified system.

Linguistic features. The Romance of the Three Kingdoms is written in plain Chinese, concise and concise, with a bright tone. In the feudal era, people who were generally a little literate could probably appreciate it, which was conducive to dissemination.

Seven points of historical facts, three points of romance.

First of all, he has amazing achievements in character building. There are about 400 characters written in this **, and the main characters, such as Zhuge Liang, Cao Cao, Liu Bei, Guan Yu, Zhang Fei, Zhao Yun, Sun Quan, Zhou Yu, etc., all have distinct personalities and have become immortal typical images in the history of literature. Rewrite people, not rewrite the course of the war.

Absorb the experience of describing the war in "Zuo Biography" and write in detail about the strategy and the battle process; Write in detail about those who have the upper hand, and omit those who are downwind; Write in detail about the winners, and omit the losers. Through several encounters, the character image is gradually shaped.

The second is that there is a grand idea in the depiction of war. This ** writes a series of wars large and small, one thrilling scene after another. These wars are ever-changing, not repetitive, not rigid, and each has its own characteristics, showing the complexity and diversity of wars.

The first point is the diversification of warfare. The book describes hundreds of wars, which can be divided into land warfare, water warfare, or mixed amphibious warfare.

The second point is the combination of military action and political strategy.

Third, the outcome of a war depends on resourcefulness. The key lies in the intelligence of the strategist, whether he can adopt the good strategies of his subordinates, whether he can correctly judge the enemy's situation, whether he can objectively distinguish between loyalty and traitor, and whether he can handle things calmly. The victory or defeat of wars, big and small, is all related to the use of wits and tactics.

The fourth point, third, in the first structural art, the structure echoes back and forth, and under the development of the main line, there is concentration in the dispersion, and the beginning and end are consistent, forming a unified system.

Fourth, in terms of linguistic characteristics, "Romance of the Three Kingdoms" is written in plain Chinese, concise and concise, and the tone is bright. In the feudal era, people who were generally a little literate could probably appreciate it, which was conducive to dissemination. It has pushed the historical romance to the highest peak, has a profound impact on the creation of later history, and also provides good material for the creation of other art forms.

"Romance of the Three Kingdoms" is the first long chapter in ancient China, and it is a classic work of historical romance. ** It describes the contradictions and struggles between the three political and military groups of Wei, Shu, and Wu led by Cao Cao, Liu Bei, and Sun Quan in the 3rd century AD. In the broad social and historical background, it shows the sharp, complex and distinctive political and military conflicts of that era, and has had a far-reaching impact on later generations in terms of politics and military strategy.

The book has vivid language, grand scenes, and distinctive personalities, and has created many immortal historical figures such as Cao Cao, Liu Bei, Guan Yu, and Zhang Fei.

Before the appearance of the whole book of "Romance of the Three Kingdoms", all kinds of Chinese ** were generally short, and some even only had a few dozen words. The Romance of the Three Kingdoms is China's first novel**, and we must pay attention to how China** has developed from a short story to a long one. It turned out that the trend of storytelling in the Song Dynasty was prevalent, storytelling became a profession, and storytellers liked to use the stories of ancient characters as the subject matter to perfunctory, and Chen Shou's "Three Kingdoms" has many characters and many events, which is the best material for perfunctory stories.

Some fragments of the story of the Three Kingdoms have also been circulated among the people, and the storyteller has taken materials for a long time, the content has become richer and richer, and the characters have become more and more full, and finally many independent stories have gradually been combined into a masterpiece. These isolated stories have been passed down by word of mouth in society for a long time, and finally they have been processed and collected into a book, which is a remarkable collective creation. It is different from the ** written by a single author, which is worth noting.

This kind of source is outstanding, and later there are gods and demons**"Journey to the West" and another history**"Water Margin". The Romance of the Three Kingdoms has a certain enlightening effect on the later ** believes. The origins of historical literature, the literary value of this masterpiece itself, and its influence on later generations are all worthy of in-depth discussion.