On the question of the contrast between cold and warm gouache pictures

Now many students do not understand the cold and warm, or do not understand at all, I am a gouache teacher, simply put, there is no single color is cold and warm, cold and warm are contrasted, for example, a white interlining cloth and a white plate in the same brightness in the case of cold and warm contrast, you can paint the plate a little colder, the lining painting is warmer, so that the relationship is distinguished from the tone, and there is a whole painting to unify the cold and warm, that is, the bright part is cold, all objects are cold, and the dark part is warm... Got it, no.

It doesn't feel like that. You don't have to have a plate that is colder than a cloth or something. Both cold and warm need to be compared.

The clay pot is warm on the rose red cloth, but it is cold on the yellow cloth, you just need to distinguish the relationship between cold and warm. If you pay attention to the ambient colors and reflections, the warmth and coldness will be about the same. There may be something wrong with what is said.

There is no high finger pointing down.

Let's take a look at the Impressionist paintings

The color contains red for warm, for blue, and green for cool.

Of course, what you say about cold and warm is only relative to the color, and when you actually paint gouache, there must be a contrast. Any color should be compared. Comparatively speaking, there is a comparison between cold colors.

Do you understand? Gouache painting should also pay attention to a rhythm, as if it were **. Only 1234567 but he can propose a high pitch and bass, and he can make an endless number of wonderful sounds, and the same is true for gouache paintings.

If you compare it, you will see that red and red are not exactly the same, for example: a red cloth is placed on a table in the case of natural light. The place receiving the light should be a little warmer first, and the backlit place should feel a little colder, and the light is variable, so you have to shape the light for a moment.

Must have good analytical skills. Judgment、And have a good first feeling.。 Good luck...

The warmth and coldness of color is a relative concept, which refers to the opposition of cool colors to warm colors in the color perception.

The contrast between warm and cold colors is the most basic technique and starting point of color painting, which has been discussed earlier; It is very important to use the contrast between cold and warm to analyze and compare colors in specific sketches, and the use of the relationship between cold and warm colors can easily help us deal with various relationships on the picture.

1. The master-slave relationship of color can be better handled by using the direction and contrast of cold and warm colors, that is, the main expression of the picture can strengthen the cold and warm contrast of color, and the color contrast of the secondary part and the supporting part can be moderately weakened.

2. The use of cold and warm color contrast and direction can well express the light sense and spatial depth of color, so that the three-dimensional space of the picture can be opened, so that the cold and warm contrast of color has a degree, and the color space is clearly hierarchical.

3. The use of cold and warm colors and contrasts can help us identify and express rich and vivid color changes in complex scene sketches, and show the unique charm of color art.

So do you want to melt the colors together and look three-dimensional? It's very simple = = To put it bluntly, it is an approximate color, for example, a character, originally had pink-green hair, we can use some diamond blue to draw the lines and shadows of the hair, so that it looks a lot better because there is a sense of layering, and the fusion of the two colors will not look monotonous. Or you can also make the color lighter, for example, a person's skirt is dark blue, in fact, we can use light blue to decorate the edges, and then use the blue between the dark and light blue to paint the sense of light, so that it looks three-dimensional.

If you have moisture, I recommend that you use a rendered one, which will look much better, or the pastel color is the same, you can do it.

The color relationship is relative, and the warm and cold tones are just the majority of the tones in the whole frame, which means how much cold or warm color you have in the whole painting, but it certainly can't be absolutely all cold colors, and there are no warm colors at all. For example, a large area of cold color with a small amount of warm color to contrast, it will make your painting more cold and vice versa. Although you are short of time now, you are in a hurry to improve, but I advise you to put your mind at ease, because painting is really about relaxing and painting, to experience, you first try to draw a picture, you analyze your own painting, see what is the proportion of warm and cold colors in the whole painting, and then you try to paint again, but consciously adjust the proportion of warm and cold colors in the whole painting, and then analyze it to see if you can continue to change until you are satisfied, and then you can add your own consciousness from the beginning of the painting In the future, you will naturally be able to let the colors in a painting travel under the control of your own consciousness.

I wish you a speedy success

Hello, squinting your eyes is just to feel the color, in fact, color, painting is to feel because of the limitations of the human eye, so squinting the eyes can grasp the relationship between colors as a whole, color is to express your feelings about the color of the object in the whole picture

If you stare at a point, you lose the position of that point in the whole Warmth and coldness are relative, and the teacher may have told you this

The so-called warmth and coldness, purity and reality are all relative

This is because it is necessary to represent a three-dimensional space on a flat piece of paper.

It depends on the warmth and coldness, purity, and reality.

It can be said that the warmth is pure and real in order to be able to stand out.

Of course, this is only categorized, and it can only be said to help understand the purity of cold and warm.

Don't put this on your painting as a formula.

I took the 07 art college entrance examination to talk about my own experience gouache is more taboo two words: sticky and gray These two problems are very common solutions in color painting: first, the brush stroke block surface is to have But it does not mean that there is a block surface The connection between each color is very important The pen must be tough at the junction of light and dark The brushstrokes in other places should follow the shape of the object Take the simplest analogy The brushstrokes of the bottle body of the beer bottle should go vertically The others are also in order.

Second, use bright colors and be bold, don't blindly add white to the bright parts, don't blindly add brown and blue to the dark parts, for example, paint a warm green apple, you can add more light yellow, medium yellow, and a little white in the bright parts, and add a little pink green and desktop color in the dark parts (the dark color must not be dirty, it will be stuffy, and the dark parts should be breathable) The shadow color should be more transparent Gouache must not be deepened and lightened in a color, but should be composed in the cold and warm that is to say, a green apple is definitely not only green If black and white is the last word in sketching That gouache is the king of cold and warm!

If you paint a light color place, first see the inherent color of the object, add some ambient color on it, add a little less white, remember not to add more, if there is more, the painting will be pink, and the dark color of the place will be painted normally, but also piggyback on a certain environmental color.

And the color is mainly based on personal color feeling, as long as you draw more and observe more, you will be fine.

If it is a light color, then add a little more white first, and then drop a little more colored (not more).

If you want to bring up a dark color, then look like 3:2 color 3 white 2

The dark side of a cold-toned object is generally a relatively warm color.

For example, a gouache painting with a cool (blue) tone is shrouded in a blue atmosphere. Then the light-receiving parts of each object in the picture, that is, the bright and gray parts, are greatly affected by blue and are cold.

Although the dark part is dark blue, because the purity of dark blue is not high, the cold is not pure, and it is relatively warmer.

It should be noted that the dark part of the object also includes the reflective color, and the cold and warm of the dark reflective part is determined by the cold and warm of the ambient color. For example, if the environment is oranges, it is warm, and if the environment is greens, it is cold.

There are three possibilities:

1.The whole is a cool color, the object is also dominated by a cold color, and the light source is a cold color, so the dark part is warmer.

2.The whole is a cool color, the object is mainly a cold color, and the light source is a warm color, so the dark part should be cold.

3.The whole is a cool color, the object is mainly a cold color, and the light source is natural light, so the dark part should be warmer.

This can actually look at the ambient color, the general skylight projection is cold, but it can't be purely a cold color, there must be some that will be affected by the environment and add some warm colors.

Red, orange, yellow – are warm colors.

Green, blue, black - cool colors.

The brighter the cool tones – the warmer they are, and the warmer the brighter the warmer tones.

The colors mentioned above are basically distinguished from the overall color system.

But it should be noted that the color tones are cool in tone.

Warm colors don't exist alone.

The difference between warm and cold tones is produced in contrast, which is a subjective feeling. Therefore, there is also a distinction between warm and cold in red, which is defined as warm, such as the ratio of dark red to orange.

Deep red is a cool color, and orange is a warm color. Crimson and purple put together, it's warm again.

Color science is three-dimensional and cannot be seen in isolation.

There must be a contrast between cool and warm colors on an object, for example, if the dark part is a cold color, then the bright part should use a warm color, and if the dark part is a warm color, then the bright part should use a cool color. However, in the case of seeking contrast, we must pay attention to the unity of the overall tone, and not let the picture change. At the beginning of the drawing, you can remember to focus on the color contrast, such as warm yellow and cool purple.

Red and blue, and so on, and so on, and these color contrasts are mechanically added when painting. On the premise of being able to grasp the picture, start the training of sketching, and slowly do not use such a rigid contrasting color, you can use some contrast between warm gray and cold gray, so that the picture will be softer and more comfortable than the previous stiff picture.

Cold and warm are relative, generally red, yellow, orange is warm, purple, blue, green is cold, blue is the coldest, purple and green are slightly secondary, orange is the warmest, red and yellow are secondary. When the picture is a cool light source, the cold color of the item is mostly a cool color, and vice versa. In fact, the boundary between cold and warm is blurred, but it is relative, and a painting can be said to be different tones relative to different works.

Sketch more and write down the colors in the work, including the position of the ambient color, the position of the intrinsic color, and the color under the influence of the light source. Unless the cold and warmth are specified, you can draw whatever you want, and you don't have to care much about this kind of thing.

When the teacher taught me, I used an apple to say that the color color used to express the red part of the apple is a warm color, and the color tone used to express the green part is a cold color.

Know the cool and warm colors! Composed mainly of cool or warm colors, they are called cool or warm colors.

Cool tones are cyan, blue, purple, and the shades that make up of them that give a cool feeling. Green, blue, black – these are cool colors, symbolizing: forest, sea, blue sky.

Cyan, turquoise, cyan purple – it makes people feel quiet, calm, and grounded. The cool color is the fading color – calm, contraction, distant feeling. Dark Colors - Back Away!

The cool color gives people solidity and toughness.

1 Warm colors and red, orange, yellow - are warm colors, symbolizing: sun, flame. Green, blue, black - are cool colors, symbolizing: forest, sea, blue sky. Gray, purple, white - intermediate colors;

Cold and warm are relative, warm colors are warm colors account for more proportions, just use more warm colors, pay attention to the complementary color relationship.