Ask for an explanation of common allusions in classical Chinese or poetry ?

Where to send Feng Tang in the clouds There are allusions to characters and events Your question is too general, isn't it What do you want to ask? Can you be specific?

1. Moon: Generally refers to homesickness, such as "look up at the bright moon and bow your head to think of your hometown" in Li Bai's "Silent Night Thoughts", and "Xiaolou had an east wind last night, and the country is unbearable to look back at the bright moon" in Li Yu's "Yu Beauty".

2. Willow: Because of the homonym between "willow" and "stay", it generally refers to parting, such as "where to wake up tonight, willow bank, dawn wind and waning moon" in Liu Yong's "Yulin Bell", in addition, willow can also refer to homesickness. For example, in Li Bai's "Listening to the Flute in Los Angeles on a Spring Night", "In this nocturne, the willows are heard, and no one can afford the love of the hometown".

3. Cicada: symbolizes noble quality. For example, in Luo Bingwang's "Cicada in Prison", "no one believes in Gao Jie", Li Shangyin's "Cicada" "I also move my family to Qing" and Yu Shinanzhong's "Raising your voice from afar, not by the autumn wind".

4. Long Pavilion: Symbolizes farewell. For example, in Li Bai's "Bodhisattva Man", "Where is the return journey? Long Pavilion with Short Pavilion", Liu Yong's "Yuye Nailin Bell" in "Cold Cicada Poignant, Late to Long Pavilion" and so on.

5. Sub-regulation: symbolizes a miserable atmosphere. For example, in Li Bai's "Shu Road Difficulty", "I heard Zigui crying at night and the moon, and I was sad about the empty mountain", Bai Juyi's "Pipa Xing" in Song Pichun "The cuckoo cries and the blood ape screams", and Li Bai's "Hearing that Wang Changling moved to the left and the dragon mark is sent here", "Yang Hua falls to the end of Zigui's cry" and so on.

Grip width. 6. Ape Song: Symbolizes a bleak atmosphere. For example, in Du Fu's "Ascending", "the wind is urgent, the sky is high, and the ape howls and mourns", and in Li Daoyuan's "Water Jing Note", "the ape screams three tears" and so on.

7. Qiang flute: symbolizes the poignant sound. For example, "why should the Qiang flute complain about the willows" in Wang Zhilian's "Liangzhou Ci", "Huqin Pipa and Qiang Flute" in Cen Shen's "Bai Xue Ge Sends the Military Judge to Beijing", and "Qiang Guan Youyou Frost All Over the Land" in Fan Zhongyan's "Fisherman's Pride".

8. Wild goose: symbolizes the messenger. For example, in Yan Shu's "Qingping Le", "the wild goose is in the cloud, the fish is in the water, who sends this feeling", and Li Qingzhao's "A Cut Plum" in "When the goose character returns, the moon is full in the West Building" and so on.

9. Plantain: symbolizes parting sorrow. For example, in Wu Wenying's "Tang Duoling", "longitudinal plantains, even if it doesn't rain", Ge Shengchong's "Dotting the Lips" "A little sorrow, dreaming of banana rain", Jiang Jie's "A Cut of Plums" "Red cherries, green plantains" and so on.

10. Sycamore: symbolizes misery. For example, in Bai Juyi's "Song of Long Hatred", "when the leaves of the sycamore fall in the autumn rain", "the lonely sycamore deep courtyard locks the Qingqiu" in Li Yu's "Seeing Huan", and "the sycamore is more and drizzle, to dusk, bit by bit" in Li Qingzhao's "Slow Voice".

1. Old things, old business. Citation: Warring States Legalist "Shang Junshu Ken Ling": Zhinong does not leave its story.

2. Precedent. Citation: Eastern Han Dynasty Ban Gu "Hanshu Liu Xiang Biography": Emperor Xuan followed the story of Emperor Wu, and recruited Confucian and Juncai to be left and right.

3. Allusions. 4. Extraneous things. Citation: The sixty-first chapter of "Dream of Red Mansions": "I am tired of eating intestines, and I start the story again every day."

Classical Chinese is relative to the vernacular language after the New Culture Movement, and there was no such thing as classical Chinese in ancient times. It is characterized by paying attention to allusions, battles, and neat rhythms, including strategies, poems, lyrics, songs, eight strands, and pun texts. After the literati of the past dynasties, it became more and more flashy, and the great writer Han Yu initiated it in the Tang Dynasty"Ancient Literature Movement", advocating a return to the popular ancient text.