About practicing singing, how can you practice singing well

1. The location of the Adam's apple is generally four bells;

**Laryngeal position: The Adam's apple is in a position of calm breathing when there is no sound.

High laryngeal position: The Adam's apple is raised upwards during vocalization, higher than the ** position.

Low laryngeal position: The Adam's apple sinks when vocalizing, which is lower than the **laryngeal position.

Deep throat position: The Adam's apple is forced to be pulled in the deep inhalation position during vocalization, which is lower than the low throat position and closer to the chest.

Generally speaking, when we sing, the Adam's apple should be relatively stable, and it is more appropriate to stabilize the Adam's apple in a low laryngeal position.

Since it is relatively stable, we can't fix him there, our Adam's apple, the articulatory organ, can move up and down, if he is fixed motionless in a certain position, not only destroys the flexibility of the voice but also affects the natural expression of language, the laryngeal position in the treble area is slightly lower than the larynx position in the middle range, thereby increasing the tension of the vocal cords and creating conditions for singing the treble well.

2Open your throat and sing, will your Adam's apple still vibrate? Only the vocal cords vibrate and then pronounce.

Although the voice is sung from the throat, when you sing, you have to throw away your throat so that you don't feel the presence of your throat, and the feeling of having a throat is probably too tense and forceful. When singing, "forget your throat".

The source of the sound should be at the second button, and opening the throat to sing is the feeling of "sucking and singing against the pharyngeal wall".

Separately you:1The position of the Adam's apple is usually always forward and downward in the mind, so it feels similar to what you said.

2.This problem is very difficult, because singing is a very abstract thing, when you sing a high note when you do it right, you will find that you can't tell the specific position of the voice, and you can't tell the specific ** is vibrating, it is very blurry, it feels like it is in the back of the mouth, and it seems to be in the nasal cavity, and the chest cavity seems to be vibrating, and the only thing is that the throat feels like it's gone, or someone else says that the whole body is straining in singing high notes, only the throat is not strong, There is a feeling where there is a fulcrum below the dantian, and then above the nasal cavity, in short, it is very vague, it is estimated that no one can tell where it vibrates, and it is very responsible to tell you. So there is no need to figure out this problem, as long as you continue to improve your singing style.

1 I'm not a boy, so I don't know very well, but singing in general has nothing to do with the Adam's apple, right?

2 I guess my throat is shaking, right? But singing is not mainly done with the throat, it is all used to vent the air with the dantian.

How could there be such a strange question??

I think singing should be natural, why pay attention to the throat? It should also be about how the dantian should be angry or how to practice the basic skills, right?

Anyway, don't care so much, as long as you sing with your heart and soul, you will definitely sing great!

Are you talking about colloquialism? If it's vocal music, it's not singing with your throat.

<> "Vocal Practice Method 1.

Step 1: Resonance exercises.

Relax your tongue and stretch it out (like a dog sticking out its tongue), then curl your tongue slightly, leaving a small groove between your upper lip and your tongue, and now let's pronounce this sound, and feel the whole body resonate when we make the sound. This exercise can change the timbre of your speech and singing to make your voice brighter and more magnetic, so that the voice is good.

Listen! Step 2: Dantian exerts force.

Pronounce this sound, every time, our abdomen should also move with it, this exercise is to train the strength of the dantian, the breath of the abdomen sounds, so that you can get the correct breath support point.

Method 2 of voice practice.

The first step: the dantian force.

Pronounce this sound, every time, our abdomen should also move with it, this exercise is to train the strength of the dantian, the breath of the abdomen sounds, so that you can get the correct breath support point The second step: Evenly bounce the lips: use the thumb and index finger to support the face or the corners of the mouth, relax, and gently blow to make the lips bounce.

Keep your breath even, exhale slowly and inhale slowly, relax your throat completely, hold your breath for more than ten seconds, and keep your breath steady. This action trains the vocal cords, and at the same time trains the uniform vibration of the vocal cordsThe premise of a good K singing sound is that the vocal cord vibration should be stable and uniform... Take your time to get a relaxing high! Hold it for more than ten seconds and do it ten times at a time.

Step 3: Dantian bites.

First pronounce the sound of the dantian three times, and then read an arbitrary lyric sentence, paying attention to the short and powerful pronunciation. Practice this way, let go of your voice, and use the right breath feeling to bite the words. Let your abdomen get a muscular response, and you will have the right breath support when singing, which is very helpful for breaking through the high notes.

Step 4: Falsetto reading.

Speak in falsetto (similar to Zeng Zhiwei's voice) and use falsetto to read a complete lyric. This exercise is not too mysterious, it is to train our falsetto to ascend, and at the same time to make the sound more and more textured.

If you want to sing well, you must first learn to breathe.

1. Breath, when you learn the correct breathing method and have sufficient breath support, the singing voice will be full.

2. Learning resonance, in fact, there are many resonance cavities in the body, and finding resonance cavities and applying them to singing will make the singing voice rich.

3. Some people can sing the high and low tones very easily, because they apply the resonance of the cavity, and the nasal resonance and head cavity resonance are used when singing the high notes.

4. Oral resonance is used the most when singing alto, and chest resonance is used when singing bass.

Breathing in singing: The first thing is to inhale, when doing breathing exercises, first do the correct singing posture, keep the waist straight, the chest and shoulders are loose, the head is free, the eyes are far away, the expression from the heart to the face is full of affection, and then "sigh happily" to relax the chest.

When inhaling, the mouth is slightly opened, the hard and soft palate is lifted, and with the eyebrow lifting action, I am very excited to focus on the waist, loosen the waist outward, let the qi naturally and smoothly "flow in" so that the waist and back have a "sense of qi", and the chest will naturally have a wide feeling, such as using "yawning" to feel the above actions.

However, the exhalation is not allowed to be too deep, otherwise the chest and abdomen will be stiff, affecting the flexibility of the voice and the accuracy of the pitch, and there should be no sound when inhaling, on the contrary, it will not only affect the artistic effect of singing, but also make the inhalation not easy to deep, affecting the support of the breath, so in daily life, we should develop the habit of expanding the ribs and slightly retracting the lower abdomen.