Do I have to pay for the record company to sign a record with the record company?

This one is not very clear.

It depends.

If it's the new people that the company has cultivated and the company has high hopes for these new people, it must be the company itself that pays for them to release records.

If you're halfway through and you're just trying to make a record.

Do you say the company will pay you out? After all, a newcomer is not so good at opening up the market.

Companies are all about prioritizing profits, which newcomers have a future and a market.

I'm sure I'll help with a record first.

As for your above five record labels, I think it's better than Ai Hui Records.

The fame is relatively big, and I have heard of it, hehe.

There are generally no such companies, and I have a friend who is a talent scout. I talked to him, this kind of self-payment is a fraud. Sun Yue paid for the record by himself, not to give the company money and then release the record to himself.

In fact, it depends on what your purpose is. If you want to prove yourself, you can find a regular company to help you make records, if you are fooled by the so-called record company. Please think about it.

You can get paid from the proceeds at a point (under 10,000) record companies at n% of your investment! You'll have to pay another salary! The money you give is an investment! It's equivalent to a joint-stock system!

If you can make money for the company, I think he should give you money!

The simple thing is that the company will not ask you for money if it looks at you. Because if you can make money, you will pay him back.

I'm a record publisher, so you can talk to me about something.

There must be those who don't pay for it, but there are examples of paying for themselves, the success is good, and Sun Yue is relatively famous.

Summary. Hello kiss is a pleasure to answer for you kiss, it is understood that the above questions are not **. When a record company signs a singer, it generally charges a fee, which can be a deposit, remuneration, or other forms of fees.

This fee is to compensate the record company for the effort and cost it puts in when signing the singer, as well as the services provided to the singer. Therefore, it is not ** for a record company to sign a contract and pay money, but a normal business behavior.

Hello kiss is a pleasure to answer for you kiss, it is understood that the above questions are not **. When a record company signs a singer, it generally charges a certain fee for the manuscript, which can be in the form of a deposit, remuneration or other fees. This fee is to compensate the record company for the effort and cost it puts in when signing the singer, as well as the services provided to the singer.

Therefore, it is not ** for record companies to pay money for signing a contract, but a normal business practice.

Relevant information: Kissing, signing a contract or not signing a contract is just a form of experience, each with its own pros and cons, such as the signing company can be bad to save a lot of their own hard work, but at the same time, they must also lose part of the benefits they deserve. It's not a problem to release a record now, it's a matter of money, and you can plan, package, and record your own records through a regular record company, provided that you are ready with money.

1: There are 2 types of single releases, 1 is a traditional record release, which is negotiated by the singer's agency in cooperation with the record company. Note that the real record company is independent, not the packaging artist, the artist's agency and production company are the main packaging artists behind the scenes, and the larger media and culture companies have their own production teams and record departments, but they will not release records, and only companies with distribution qualifications can obtain the edition number to release them.

So don't be misled by people who don't understand the meaning of the word record. Many small cultural companies in Beijing are under the banner of record companies, but they do not know that they are being disgraced in the eyes of people with knowledge and culture. But now, in addition to the big international record companies that are still releasing records, small domestic companies generally do not release records, or the amount is very small, just a formality, because in the era of advanced entertainment technology products, records can no longer make money.

The second is online distribution, which is now the main way for online singers and mainstream singers. In fact, online issuance can be issued through the cooperation between individuals and **.com or the authorization of brokerage companies, but the quality must be passed.

2: Don't look for a record company, big companies don't sign people casually, and 90% of the companies that sign people are cheating money under the banner. If you have the ability, you will cooperate with these so-called media companies and cultural companies to perform or authorize promotion, and if you are not capable, people will not cooperate with you, and will only fool you into signing a contract with various excuses.

Or your work is very good, and after completing the production, find a ** company as your partner company to take the CRBT route.

3: Any record label that you can successfully get in touch with is a fake record label. Because powerful companies will no longer lose information on the Internet to recruit signed singers, and even many companies say that they will never accept signing fees, telling you that the means are high, forcing you and coaxing you to give money.

4: The risk is 100%, think about it, it is you who choose the record company, and the record company can let you choose, so can it be called a record company? What strength can it have? The one who has the strength will not bird you.

5: You are a bit simple, remember, you have no money and no power in these years, no matter how powerful you are, you are making money for others, or being cheated of money by others. As long as it's a thing, no matter how big or small, you have to worry about it.

A: No, it is not.

1. Any commercial contract must have a valid period for the execution of the contract. Record contracts are also a type of commercial contract, which has never been, and will not be, "for life". Generally, the specific terms of such a record contract must have a period of time agreed by both the record company and the singer, which is the validity period of the contract.

Otherwise, the contract is not legal, just like waste paper.

2. Most record contracts are valid for 3-5 years. During this time period, the record label promises to release how many records for the singer. The singer promises to hand over his voice, image, etc. to the record company to design, package, produce and sell.

Singers need to cooperate with the company's arrangements during the validity of the contract, such as training, recording, performance, etc. In the work, it involves requirements such as: the singer's makeup and hair, clothing style, response to the best caliber, and the singer's ethics when he is outside.

3. In short, when a singer signs a contract with a record company, the two parties partner to do business together. The business is funded and technology by record companies; The singer comes out of the raw material - himself. and then work together to create a ** cultural product - the singer who fans see and hear in their hearts.

It's like a product on the counter or in the window of a store.

PS: Most of the singers who are new to this line often have a vague concept at this time, resulting in different opinions between the partners in the specific work. Because at this time, the ** cultural products and the singer himself are inseparable as a whole.

Man is not a product without life. It is also easy to be confused in thought, and will think: I am the product, and the product is me.

Actually, it's not right to think that way. In the working state, it is the singer who plays the role of this product. If the singer is at home, behind closed doors, that is the true self in life.

You can do what you like.

The singer who is in the working state represents a product that has been negotiated in advance by both parties, signed a joint investment contract, and has a plan & goal. The purpose of the two parties to jointly invest in the manufacture of this product is to make a profit and then share the results. Because the purpose of manufacturing this product is to make a profit, then when designing and manufacturing this product, the characteristics of this product must be how to sell better and sell more money.

Well, there must be aspects of it that the singer himself doesn't like, or even a little annoyed. However, this has nothing to do with whether the singer likes it or not. The partnership is not for the singer to like it, but to make consumers like it and be willing to spend money to buy it.

There should be no lifelong signing with a record label.

Not necessarily, the current signing, each company is different, but without exception, it is a deed of sale, the whole industry is like this, the development of the industry is deformed, hey!

It doesn't depend on the situation, it's generally a period of time, and you can cancel or renew it.

It is not a lifetime contract, it is signed annually or every few years.

It's impossible, it's all time-limited, and it's renewed after the expiration of the period

This is what you don't know about the record company and the ** circle, the record company is mainly engaged in the production, distribution, promotion and packaging of artists, the artists that the record company wants to promote or package are all singers in the real sense of the record industry today, not the so-called amateur singers who participate in some roadshows and commercial performances;

So what is the current situation in the record industry, as long as you are a newcomer and want to develop the first industry to be a singer in the real sense, you have to bear the cost of producing your own songs and lyrics;

If the comprehensive situation of the artist, such as the best talent (the sound quality is relatively clean, the timbre is sweeter or more distinctive, the vocal range is relatively wide, the sense of musicality is relatively strong, etc.), but the economic conditions are not very good, after the company's professional evaluation and review, the talent conditions are indeed good and have a certain market potential, the company will consider the comprehensive situation of the newcomer and bear the promotion cost of the newcomer's song, but the future performance or endorsement will be shared with the company. But this newcomer must bear the production cost of the personal song, and if you don't see your work in the early stage, the company will not blindly bear the production cost, so you can only bear the cost of promotion in the later stage (the song is your own singing copyright, and it is really inappropriate for the company to let the production fee come out).

Once the newcomer has a certain market share or is popular to a corresponding extent; If it is fully verified that the newcomer has great prospects, then the company will consider bearing all the expenses of the newcomer's songs, **, EP production, MV, and publicity. Because this investment will be very fast in the short term**.

The work generally belongs to the singer or the company, or the singer and the company jointly own, which depends on how the contract is signed.

I don't think record companies need to charge for hiring singers.